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SUMMARY:Fear Not - William Rhodes Artist's Talk with Gospel Choir Performance
DESCRIPTION:Please join us for William Rhodes’ talk with gospel choir performance by the Dr. George W. Davis Senior Center Choir\, music conductor and leader Kenneth Little\nSaturday\, Oct 3rd starting at 2 pm \nThis is part of a series of NEXUS SFBay events including the Caleb Dowdell performance with his piece\, Our Prism of Dreams\, starting at 1:30 pm just downstairs  at Gearbox Gallery\, performance about 15 minutes. William’s talk starts at 2 pm upstairs with the Dr. George W. Davis Senior Center Choir closing out the event with a Gospel Choir performance. See one or both at that galleries at 770 West Grand Ave in Oakland.  \nMore about Fear Not\, William Rhodes’ solo exhibition at Transmission Gallery: \nWilliam Rhodes’s sculptures on view incorporate objects that have been used\, inherited\, discarded\, or found with elements he has carved himself. Trained early on as a furniture maker\, he combines hand carved figures\, flames and snakes with objects collected from a family home\, photographs\, hardware\, tools\, and other remnants of everyday life. Neon words signal from some pieces. \nThe resulting works resemble shrines or memorials\, but they remain grounded in the ordinary. Religious symbols appear alongside household objects. A photograph might be surrounded by carved waves\, tools\, hardware\, animals\, or religious symbols. A suitcase can become an architectural space. A toilet becomes the base of an unexpected monument. Things with little apparent value are carefully incorporated into elaborate constructions\, their histories becoming part of the work.\n​\nRhodes is equally interested in people; family\, mentors\, and leaders\, as well as those who have been overlooked or treated as disposable\, recognizing and elevating their presence in his work. By giving attention to these lives\, enshrining and revering them\, he considers how value is assigned and who gets remembered. \nThe title Fear Not appears in the work as both a phrase and a kind of instruction. It can be read in relation to the religious imagery that runs throughout the sculptures\, but it also takes on a morepersonal meaning. To look closely at lives and objects that are easily dismissed is\, in its own way\, an act of resistance to that dismissal.
URL:https://oaklandartmurmur.org/event/fear-not-william-rhodes-artists-talk-with-gospel-choir-performance/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260926T130000
DTEND;TZID=America/Los_Angeles:20260926T160000
DTSTAMP:20260902T010416Z
CREATED:20260902T010416Z
LAST-MODIFIED:20260902T010416Z
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SUMMARY:Opening Reception - Ellen Bepp: The Ghosts We Carry
DESCRIPTION:Ellen Bepp: The Ghosts We Carry\nSeptember 24 – November 7\, 2026 \nOpening Reception: Saturday\, September 26th from 1-4 pm \nAll are welcome! Please join us for the Artist’s Reception for Ellen Bepp: The Ghosts We Carry\, in conjunction with the reception for concurrent exhibition\, William Rhodes: Fear Not. Greet the artists\, check out the exhibitions and enjoy the light refreshments and lively conversations.  \n770 West Grand Ave is a great place to check out art on September 26th with receptions on deck at two galleries in the building. Look for the “ART” Building and come upstairs to Transmission Gallery for this event.  \n Free street parking on West Grand Ave and in the neighborhood south of West Grand.
URL:https://oaklandartmurmur.org/event/opening-reception-ellen-bepp-the-ghosts-we-carry/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260926T130000
DTEND;TZID=America/Los_Angeles:20260926T160000
DTSTAMP:20260902T005704Z
CREATED:20260902T004807Z
LAST-MODIFIED:20260902T005704Z
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SUMMARY:Artist’s Reception – William Rhodes: Fear Not
DESCRIPTION:William Rhodes: Fear Not\nSeptember 17 – October 31\, 2026 \nArtist’s Reception: Saturday\, September 26th from 1-4 pm \nAll are welcome! Please join us for the Artist’s Reception for William Rhodes’ solo exhibition\, Fear Not\, in conjunction with the reception for concurrent exhibition\, Ellen Bepp: The Ghosts We Carry. Greet the artists\, check out the exhibitions and enjoy the light refreshments and lively conversations.  \nLook for the “ART” Building at 770 West Grand Ave and come upstairs to Transmission Gallery for this event.  \n Free street parking on West Grand Ave and in the neighborhood south of West Grand. \nMore about Fear Not: \nWilliam Rhodes’s sculptures on view incorporate objects that have been used\, inherited\, discarded\, or found with elements he has carved himself. Trained early on as a furniture maker\, he combines hand carved figures\, flames and snakes with objects collected from a family home\, photographs\, hardware\, tools\, and other remnants of everyday life. Neon words signal from some pieces. \nThe resulting works resemble shrines or memorials\, but they remain grounded in the ordinary. Religious symbols appear alongside household objects. A photograph might be surrounded by carved waves\, tools\, hardware\, animals\, or religious symbols. A suitcase can become an architectural space. A toilet becomes the base of an unexpected monument. Things with little apparent value are carefully incorporated into elaborate constructions\, their histories becoming part of the work.\n​\nRhodes is equally interested in people; family\, mentors\, and leaders\, as well as those who have been overlooked or treated as disposable\, recognizing and elevating their presence in his work. By giving attention to these lives\, enshrining and revering them\, he considers how value is assigned and who gets remembered. \nThe title Fear Not appears in the work as both a phrase and a kind of instruction. It can be read in relation to the religious imagery that runs throughout the sculptures\, but it also takes on a morepersonal meaning. To look closely at lives and objects that are easily dismissed is\, in its own way\, an act of resistance to that dismissal.
URL:https://oaklandartmurmur.org/event/artists-reception-william-rhodes-fear-not/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260912T140000
DTEND;TZID=America/Los_Angeles:20260912T150000
DTSTAMP:20260902T001253Z
CREATED:20260902T001042Z
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SUMMARY:Artist’s Talk – Donald (Aldo) Farnsworth: Hands of the Maker
DESCRIPTION:Donald (Aldo) Farnsworth Artist’s Talk\nHands of the Maker: A Show of Hands\n​\nSaturday\, September 12th\, starting at 2 pm \nPlease join us for the free event with Aldo’s Talk starting at 2 pm on Saturday\, September 12th.\nAldo will discuss his explorations in paper making and his twelve drawings on view at Transmission Gallery. \nHands of the Maker: A Show of Hands presents twelve drawings by Aldo Farnsworth\, made with graphite\, quarried chalk\, and colored pigments on linen and hemp paper.  \nThe works focus on the hands of makers captured with close attention to intimate details: the nuance of gesture\, the particular way they hold a pencil or object\, often with glasses at hand. These quiet arrangements suggest drawing\, seeing\, measuring\, and making—the physical evidence of each subject’s creative work and daily life.  \nThe handmade paper\, with its deckle edges and distinctive felt-hair texture associated with Renaissance papers\, layers another history into these contemporary portraits. Farnsworth makes the paper himself\, raising worms to compost the linen\, beating the hemp fibers\, and forming each unique sheet\, connecting the hands depicted in the drawings to his own hand through the material. The paper carries the physical presence of the artist who made it\, just as the drawings carry the physical presence of the people they portray. \nArtists and makers represented in the drawings include Timothy Berry\, David Best\, Squeak Carnwath\, Guy Diehl\, Guillermo Galindo\, Mildred Howard\, Peter Koch\, Jerry Lin-Hsien Kung\, Kiki Smith\, Michael Wild\, Andrew Williams\, and Xiaoze Xie. The show is\, in a literal sense\, a show of hands—but also a portrait of these makers through the things their hands reveal.  \nThese works were made possible by Magnolia Editions and the Magnolia Paper Lab with the assistance of Max Thill\, Tallulah Terryll\, Nicholas Price\, Alyssa Minadeo\, and Era Farnsworth.\n​
URL:https://oaklandartmurmur.org/event/artists-talk-donald-aldo-farnsworth-hands-of-the-maker/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260815T140000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260811T184353Z
CREATED:20260811T184353Z
LAST-MODIFIED:20260811T184353Z
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SUMMARY:Artist's Reception - Daniel McClain: Lost and Found
DESCRIPTION:All are welcome to join us for the Artist’s Reception for Daniel McClain: Lost and Found.\n​Saturday\, August 15th\, from 2-5 pm \nStop in any time between 2 and 5pm to greet the artist\, enjoy the light refreshments and conversations while checking out the art. Don’t miss concurrent exhibition Donald (Aldo) Farnsworth: Hands of the Maker\, A Show of Hands\, also on view with the artist in attendance. \nTransmission Gallery is pleased to present Lost and Found\, a solo exhibition comprised of recent paintings and framed drawings by Daniel McClain on view through September 12th.  \nThe exquisite technical process at play in McClain’s paintings is elusive at first. With their striking imagery\, bold planes and graphic color\, they initially suggest collages assembled from found images\, fragments\, and printed material.  Only after spending time with them does it become clear that every element has been re-created by hand. What appears to be a collage is\, in fact\, a meticulous replication of one. A strip of masking tape turns out to be paint. A penciled note is drawn in graphite. A battered corner is painted. Printed text is hand-drawn graphite as well.  \nAt this point the scope of the work begins to become apparent. Every element has been carefully considered. Creases\, worn edges\, and the faint shadows separating one sheet of paper from another receive the same attention as an ocean\, an illustration\, or a section of chalkboard. By granting each part equal attention\, McClain transforms copies into objects with their own independent presence. \nThis transformation is ultimately the point. Replication is not the subject of these paintings but their method\, bringing images from different histories\, disciplines\, and moments into direct conversation. Each element alters the meaning of the others\, creating relationships that could not exist without this painstaking act of reconstruction. \n​An example is the recurring figure of Pinocchio. More than a literary reference\, Pinocchio becomes real not by perfectly imitating a human being\, but by accumulating experience\, making mistakes\, and developing judgment. In this sense\, he serves as a metaphor for the paintings themselves. They begin as copies\, but they do not remain copies. Through the process of their making and the experience of looking\, they become something else. \nFamiliarity with art history\, literature\, and broader questions of reality and mystery enriches the experience\, revealing subtle connections within each painting. Yet no specialized knowledge is required; simply following the rhythms of color\, shape\, and line offers rewards of its own. \nFour framed graphite drawings on found paper accompany the paintings referencing the work of artists Marcel du Champ\, Werner Herzog\, and William de Kooning as well as Patti Smith. Beautifully executed\, they extend the exhibition’s exploration of perception\, felt experience and the transformation of familiar objects.
URL:https://oaklandartmurmur.org/event/artists-reception-daniel-mcclain-lost-and-found/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260815T140000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260810T235131Z
CREATED:20260810T235119Z
LAST-MODIFIED:20260810T235131Z
UID:10005652-1786802400-1786813200@oaklandartmurmur.org
SUMMARY:Artist's Reception - Donald (Aldo) Farnsworth: Hands of the Maker\, A Show of Hands
DESCRIPTION:Please join us for the Artists’Reception for concurrent solo exhibitions at Transmission Gallery\, Saturday\, August 15th\, 2-5 pm including Hands of the Maker\, A Show of Hands presenting drawings by Aldo Farnsworth. Greet the artists and enjoy the lively conversations and light refreshments while you check out the work in concurrent solo shows at Transmission Gallery.  \nAlso\, mark your calendar for the Artist’s Talk starting at 2 pm on Saturday\, September 12th\, when Aldo will discuss his explorations in paper making and portraiture\, with a focus on this series of hands. \nSee the work through September 19th with regular gallery hours: Thursdays\, Fridays and Saturdays\, 12-5 pm.
URL:https://oaklandartmurmur.org/event/artists-reception-donald-aldo-farnsworth-hands-of-the-maker-a-show-of-hands/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260813T120000
DTEND;TZID=America/Los_Angeles:20260912T170000
DTSTAMP:20260811T030822Z
CREATED:20260811T030700Z
LAST-MODIFIED:20260811T030822Z
UID:10005655-1786622400-1789232400@oaklandartmurmur.org
SUMMARY:Daniel McClain: Lost and Found
DESCRIPTION:Daniel McClain: Lost and Found\nThrough September 12\, 2026\n​​​\nArtist’s Reception\nSaturday\, August 15th from 2-5 pm \nTransmission Gallery is pleased to present Lost and Found\, a solo exhibition comprised of recent paintings and framed drawings by Daniel McClain.  \nThe exquisite technical process at play in McClain’s paintings is elusive at first. With their striking imagery\, bold planes and graphic color\, they initially suggest collages assembled from found images\, fragments\, and printed material.  Only after spending time with them does it become clear that every element has been re-created by hand. What appears to be a collage is\, in fact\, a meticulous replication of one. A strip of masking tape turns out to be paint. A penciled note is drawn in graphite. A battered corner is painted. Printed text is hand-drawn graphite as well.  \nAt this point the scope of the work begins to become apparent. Every element has been carefully considered. Creases\, worn edges\, and the faint shadows separating one sheet of paper from another receive the same attention as an ocean\, an illustration\, or a section of chalkboard. By granting each part equal attention\, McClain transforms copies into objects with their own independent presence. \nThis transformation is ultimately the point. Replication is not the subject of these paintings but their method\, bringing images from different histories\, disciplines\, and moments into direct conversation. Each element alters the meaning of the others\, creating relationships that could not exist without this painstaking act of reconstruction. \n​An example is the recurring figure of Pinocchio. More than a literary reference\, Pinocchio becomes real not by perfectly imitating a human being\, but by accumulating experience\, making mistakes\, and developing judgment. In this sense\, he serves as a metaphor for the paintings themselves. They begin as copies\, but they do not remain copies. Through the process of their making and the experience of looking\, they become something else. \nFamiliarity with art history\, literature\, and broader questions of reality and mystery enriches the experience\, revealing subtle connections within each painting. Yet no specialized knowledge is required; simply following the rhythms of color\, shape\, and line offers rewards of its own. \nFour framed graphite drawings on found paper accompany the paintings referencing the work of artists Marcel du Champ\, Werner Herzog\, and William de Kooning as well as Patti Smith. Beautifully executed\, they extend the exhibition’s exploration of perception\, felt experience and the transformation of familiar objects.
URL:https://oaklandartmurmur.org/event/daniel-mcclain-lost-and-found-2/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260807T120000
DTEND;TZID=America/Los_Angeles:20260807T170000
DTSTAMP:20260811T000738Z
CREATED:20260811T000738Z
LAST-MODIFIED:20260811T000738Z
UID:10005653-1786104000-1786122000@oaklandartmurmur.org
SUMMARY:Daniel McClain: Lost and Found
DESCRIPTION:Daniel McClain: Lost and Found\nJuly 30 – September 12\, 2026\n​​​\nArtist’s Reception\nSaturday\, August 15th from 2-5 pm \nGallery hours: Thursdays\, Fridays and Saturdays\, 12-5 pm \nTransmission Gallery is pleased to present Lost and Found\, a solo exhibition comprised of recent paintings and framed drawings by Daniel McClain.  \nThe exquisite technical process at play in McClain’s paintings is elusive at first. With their striking imagery\, bold planes and graphic color\, they initially suggest collages assembled from found images\, fragments\, and printed material.  Only after spending time with them does it become clear that every element has been re-created by hand. What appears to be a collage is\, in fact\, a meticulous replication of one. A strip of masking tape turns out to be paint. A penciled note is drawn in graphite. A battered corner is painted. Printed text is hand-drawn graphite as well.  \nAt this point the scope of the work begins to become apparent. Every element has been carefully considered. Creases\, worn edges\, and the faint shadows separating one sheet of paper from another receive the same attention as an ocean\, an illustration\, or a section of chalkboard. By granting each part equal attention\, McClain transforms copies into objects with their own independent presence. \nThis transformation is ultimately the point. Replication is not the subject of these paintings but their method\, bringing images from different histories\, disciplines\, and moments into direct conversation. Each element alters the meaning of the others\, creating relationships that could not exist without this painstaking act of reconstruction. \n​An example is the recurring figure of Pinocchio. More than a literary reference\, Pinocchio becomes real not by perfectly imitating a human being\, but by accumulating experience\, making mistakes\, and developing judgment. In this sense\, he serves as a metaphor for the paintings themselves. They begin as copies\, but they do not remain copies. Through the process of their making and the experience of looking\, they become something else. \nFamiliarity with art history\, literature\, and broader questions of reality and mystery enriches the experience\, revealing subtle connections within each painting. Yet no specialized knowledge is required; simply following the rhythms of color\, shape\, and line offers rewards of its own. \nFour framed graphite drawings on found paper accompany the paintings referencing the work of artists Marcel du Champ\, Werner Herzog\, and William de Kooning as well as Patti Smith. Beautifully executed\, they extend the exhibition’s exploration of perception\, felt experience and the transformation of familiar objects.
URL:https://oaklandartmurmur.org/event/daniel-mcclain-lost-and-found/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260806T120000
DTEND;TZID=America/Los_Angeles:20260919T170000
DTSTAMP:20260811T184900Z
CREATED:20260810T234359Z
LAST-MODIFIED:20260811T184900Z
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SUMMARY:Donald (Aldo) Farnsworth – Hands of the Maker: A Show of Hands
DESCRIPTION:Donald (Aldo) Farnsworth – Hands of the Maker: A Show of Hands\nAugust 6 – September 19\, 2026\nGallery Hours: Thursdays\, Fridays and Saturdays from 12 -5 pm\n​​​\nArtist’s Reception\nSaturday\, August 15th from 2-5 pm \nArtist’s Talk\nSaturday\, September 12th\, starting at 2 pm \nHands of the Maker: A Show of Hands presents twelve drawings by Aldo Farnsworth\, made with graphite\, quarried chalk\, and colored pigments on linen and hemp paper.  \nThe works focus on the hands of makers captured with close attention to intimate details: the nuance of gesture\, the particular way they hold a pencil or object\, often with glasses at hand. These quiet arrangements suggest drawing\, seeing\, measuring\, and making—the physical evidence of each subject’s creative work and daily life.  \nThe handmade paper\, with its deckle edges and distinctive felt-hair texture associated with Renaissance papers\, layers another history into these contemporary portraits. Farnsworth makes the paper himself\, raising worms to compost the linen\, beating the hemp fibers\, and forming each unique sheet\, connecting the hands depicted in the drawings to his own hand through the material. The paper carries the physical presence of the artist who made it\, just as the drawings carry the physical presence of the people they portray. \nArtists and makers represented in the drawings include Timothy Berry\, David Best\, Squeak Carnwath\, Guy Diehl\, Guillermo Galindo\, Mildred Howard\, Peter Koch\, Jerry Lin-Hsien Kung\, Kiki Smith\, Michael Wild\, Andrew Williams\, and Xiaoze Xie. The show is\, in a literal sense\, a show of hands—but also a portrait of artists through the things their hands reveal.  \nThese works were made possible by Magnolia Editions and the Magnolia Paper Lab with the assistance of Max Thill\, Tallulah Terryll\, Nicholas Price\, Alyssa Minadeo\, and Era Farnsworth. \nPlease join us for the Artist’s Reception\, Saturday\, August 15th\, 2-5 pm. Greet the artist and enjoy the lively conversations and light refreshments while you check out the work in concurrent solo shows at Transmission Gallery. Also\, mark your calendar for the Artist’s Talk starting at 2 pm on Saturday\, September 12th\, when Aldo will discuss his explorations in paper making and portraiture\, with a focus on this series of hands.
URL:https://oaklandartmurmur.org/event/donald-aldo-farnsworth-hands-of-the-maker-a-show-of-hands/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260718T130000
DTEND;TZID=America/Los_Angeles:20260718T140000
DTSTAMP:20260709T070835Z
CREATED:20260709T070835Z
LAST-MODIFIED:20260709T070835Z
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SUMMARY:Artist's Talk - M. Mark Bauer: THE\, THE
DESCRIPTION:Artist’s Talk\nSaturday\, July 18th\, starting at 1 pm \nGallery Hours: Thursdays\, Fridays\, and Saturdays\, 12 – 5 pm \nGreat to see in person\, these paintings are not fast-read paintings. Check out a few details on our website\, come in for the full experience. For a complete explanation\, if that’s even possible\, please join us Saturday\, July 18th\, to hear from M. Mark Bauer about his work\, starting at 1 pm. \nWhat the ? \nWhat does it mean? Where DO we stand? \n​Mixed messages\, absurd scenarios\, improbable unrealities – M. Mark Bauer wades into dynamic narratives and an onslaught of incomprehensible untruths\, pervasive and invasive\, redirecting the course of events and outcome potentials at hand.  Mesmerizing rhythmic patterns groove in undulating serenity as wildly complex scenarios unfold in the eight canvases on view. Hybrid creatures and colorful characters cavort in a surreal concoction that speaks to the consequences of our collective insanity on each other and the natural world while sly humor entertains with bursts of sudden recognition. The Artist observes as Eye-hook\, Snake Tongue\, Bo Peep and a Sheep and The Big Bad Wolf join in this precisely executed spectacle of chaos.
URL:https://oaklandartmurmur.org/event/artists-talk-m-mark-bauer-the-the/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260711T120000
DTEND;TZID=America/Los_Angeles:20260711T170000
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SUMMARY:Artist’s Talk – Cate White: World Raw
DESCRIPTION:Saturday\, July 11th\, starting at 4 pm  \nAll are welcome! Please join us for Cate White’s Talk for World Raw\, her solo show now on view now at Transmission Gallery. \nCate White brings fiercely powerful work to World Raw\, consisting of paintings and sculptures selected from the last twelve years. Come hear more about the work from Cate in person! \n“Over the years\, the work has delivered images of confinement and escape: caves\, cells\, thresholds\, thrashing\, illuminated openings. But the way to liberation is never clear\, and running beneath the work is an undercurrent of grief—for failed transformations\, lost certainties\, and the perpetual distance between desire and fulfillment. The sacred and ridiculous are merged. Enlightenment appears as a spray-painted glow.”  ~ Cate White
URL:https://oaklandartmurmur.org/event/artists-talk-cate-white-world-raw/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260709T120000
DTEND;TZID=America/Los_Angeles:20260801T170000
DTSTAMP:20260709T015904Z
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SUMMARY:Cate White: World Raw
DESCRIPTION:At Transmission Gallery through August 1st\, 2026\n(closed July 4th) \nAll are welcome\, please join us for Cate White Artist’s Talk:\nSaturday\, July 11th\, starting at 4 pm \nGallery hours: Thursdays\, Fridays and Saturdays\, 12 – 5 pm \nCate White brings fiercely powerful work to World Raw\, consisting of paintings and sculptures selected from the last twelve years. \nCate White’s Statement: \nThese works inhabit a world where personal memory\, dreams\, political reality\, religion\, banal culture\, and archetypal myth have not yet been separately categorized. Images translate from one story into another\, remixing contexts until they lose their fixed meanings. Armageddon arrives as a vaguely sinister faceless shmoo. The devil wears flip-flops with socks instead of cloven hooves. Horror and hilarity trade masks. The miraculous and the absurd share the same language. The sacred\, psychological\, traumatic\, mythic\, domestic\, and comic all stand on equal groundless ground.  \nOver the years\, the work has delivered images of confinement and escape: caves\, cells\, thresholds\, thrashing\, illuminated openings. But the way to liberation is never clear\, and running beneath the work is an undercurrent of grief—for failed transformations\, lost certainties\, and the perpetual distance between desire and fulfillment. The sacred and ridiculous are merged. Enlightenment appears as a spray-painted glow. \nThe process of painting is a tightrope act between intention and accident\, structure and impulse. Both order and chaos can become prisons. I am searching for a third place: moments of bewilderment\, play\, revelation\, or recognition. Rather than offering a coherent narrative\, these works invoke a raw world\, unfinished and alive\, where meaning is in the making.
URL:https://oaklandartmurmur.org/event/cate-white-world-raw/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260709T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
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SUMMARY:M. Mark Bauer: THE\, THE
DESCRIPTION:Through July 25th \nArtist’s Talk\nSaturday\, July 18th\, starting at 1 pm \nGallery Hours: Thursdays\, Fridays\, and Saturdays\, 12 – 5 pm \nTransmission Gallery is pleased to present M. Mark Bauer’s work in THE\, THE\, on view through July 25th in the Small Space. \nWhat the ? \nWhat does it mean? Where DO we stand? \n​Mixed messages\, absurd scenarios\, improbable unrealities – M. Mark Bauer wades into dynamic narratives and an onslaught of incomprehensible untruths\, pervasive and invasive\, redirecting the course of events and outcome potentials at hand.  Mesmerizing rhythmic patterns groove in undulating serenity as wildly complex scenarios unfold in the eight canvases on view. Hybrid creatures and colorful characters cavort in a surreal concoction that speaks to the consequences of our collective insanity on each other and the natural world while sly humor entertains with bursts of sudden recognition. The Artist observes as Eye-hook\, Snake Tongue\, Bo Peep and a Sheep and The Big Bad Wolf join in this precisely executed spectacle of chaos.
URL:https://oaklandartmurmur.org/event/m-mark-bauer-the-the/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T143000
DTSTAMP:20260416T234715Z
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SUMMARY:Artist’s Talk – Sonia Gill: Memento Vivere / Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere / Remember to Live\nArtist’s Talk starts at 2 pm – please join us – all are welcome! Free street parking nearby. \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. Indeed\, Gill often refers to her collages as paintings. Thoughtful of composition and content\, Gill’s imagery emerges through a contemplative process with color drawn from a vast trove of magazine imagery.  \nImages pay homage to the daily moments from which our lives are built\, quiet\, repetitive\, and precious as they are. \nCome out to the artist’s talk to hear more from Sonia about her art practice\, philosophy and the development of the figurative work on view at Transmission Gallery. Events are free and open to the public. \nCan’t make the talk? See the work April 23 – June 6\, Thursdays\, Fridays and Saturdays\, 12-5pm and by appointment.
URL:https://oaklandartmurmur.org/event/artists-talk-sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260430T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
DTSTAMP:20260404T232520Z
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SUMMARY:Jeff Dikio: This Must Be the Place
DESCRIPTION:Jeff Dikio: This Must Be the Place\nApril 30 – June 13\, 2026 \nOpening Reception\, Saturday\, May 2nd\, 1-4 pm. \nIn This Must Be the Place\, Jeff Dikio reflects on the quiet spaces where memory\, environment\, and emotion intersect. Borrowing its title from the Talking Heads song\, the exhibition considers “place” not as a fixed location\, but as a feeling—something recognized in passing\, in fragments\, in moments of stillness. \nUsing paint chips in his collages\, Dikio reconstructs familiar “every day” scenes  into compositions that feel both grounded and unsettled. What emerges is a visual language of belonging\, where home is less about geography and more about resonance.” \nDikio is a Bay Area artist born in 1975 on Clark Air Force Base in the Philippines. Raised within a transient military culture\, he found early grounding in drawing and observation\, developing a lifelong sensitivity to place\, movement\, and change. \nIn his recent collages\, Dikio tries to capture the colorful and quirky architecture and scenes found in his immediate surroundings that are distinctive of the surrounding Bay Area. \nHe received his BA in Fine Arts from the University of California\, Santa Cruz in 1997\, and has since worked across figurative\, landscape\, and mixed-media practices.
URL:https://oaklandartmurmur.org/event/jeff-dikio-this-must-be-the-place/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260423T120000
DTEND;TZID=America/Los_Angeles:20260606T170000
DTSTAMP:20260411T235223Z
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LAST-MODIFIED:20260411T235223Z
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SUMMARY:Sonia Gill: Memento Vivere/Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere/Remember to Live\nApril 23 – June 6\n____________ \n​Artists’ Reception\nconcurrent with reception for Jeff Dikio: This Must Be the Place\nSaturday\, May 2nd from 1-4 pm \n​Artist’s Talk\nSaturday\, May 16h at 2 pm \nClosing Reception\nSaturday\, June 6th from 1-4 pm \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. \nBeginning with a photographic reference drawn from her everyday life\, Gill builds her compositions piece by piece through a slow and contemplative process. Drawing from a vast archive of printed matter: pages of magazines\, discarded scraps\, and remnants of images once whole\, she assembles hundreds of paper fragments translating the image into a new state of presence. Within this self-imposed constraint\, she embarks on a rigorous and intuitive search for the exact hue\, value\, or texture needed to bring a scene to life. \n​At its core\, this body of work is an homage to the quiet\, enduring moments that define human life: reading together\, tending to small rituals\, routine tasks and moments of reflection. In an era often marked by business and noise\, Gill’s practice offers a counterpoint—a deliberate slowing down\, a careful reconstruction of meaning through attention and care reminding us that life’s significance resides not in spectacle\, but in the accumulation of small\, luminous moments. This work is a reminder – remember to live. \nTrained as a painter and influenced by mentor’s Jay DeFeo and Ron Dahl\, Gill graduated with a BFA from California College of Arts and Crafts\, in addition to degrees from Michigan State University in French. With a robust exhibition history\, she has shown extensively in the Bay Area with solo exhibitions dating  over the past twenty years and inclusion in a long list of juried shows. Her work has been published in Studio Visit Magazine and 48 Hills\, among other publications\, and recognition in painting and watercolor with awards from the Sebastopol Center for the Arts\, Northern National Art Competition\, Richmond Art Center and Fort Bragg Art Center.
URL:https://oaklandartmurmur.org/event/sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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