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SUMMARY:Gustave Carlson: New American Stillness
DESCRIPTION:Gustave Carlson\, “Perry Hill Screened Porch”\, 2026 acrylic and graphite on wood panel\, 18″ x 24″\, photo courtesy of the artist \n“New American Stillness” by Gustave Carlson explores the quiet psychological presence of the contemporary American landscape. Focusing on ordinary architecture—coastal houses\, open lawns\, interiors\, still lifes\, and expansive skies—these paintings place absence at the center of experience. Rather than narrative\, Carlson emphasizes observation\, structure\, and atmosphere. Buildings act as anchors within broad fields of light and color\, suggesting both stability and solitude. Subtle tonal shifts allow spaces to feel at once specific and timeless\, inviting viewers to consider how shadow\, memory\, and perception shape place. While Edward Hopper often conveys psychological isolation and Fairfield Porter captures domestic intimacy\, Carlson draws from both to explore architecture as a perceptual construct rather than a narrative stage. In these restrained scenes\, stillness is not emptiness but presence—an invitation to look longer and see more. His work suggests that the contemporary American landscape\, when closely observed\, continues to offer moments of quiet depth and reflection. \nBio:\nGustave Carlson is an architect and principal of Gustave Carlson Design in Berkeley\, California\, and a painter exploring the quiet tension between architecture\, light\, and lived space. He is the author of Pacific Modern Houses of Northern California (ORO Editions\, 2018)\, a widely acclaimed survey of regional modernism. His award-winning architectural work has received international recognition and appears in Elle Decor\, Dwell\, Wallpaper\, The New York Times\, and the San Francisco Chronicle. Carlson holds a Master of Architecture from the University of Pennsylvania and studied painting there under Color Field painter Adele Alsop. He has attended residencies at Edgewood Farm at Castle Hill in Truro\, Massachusetts\, and Studio Faire in Nérac\, France. His paintings have earned honors including Best in Show at the Greenwich Art Society and have been exhibited at the Provincetown Art Association and Museum\, Castle Hill Center for the Arts\, Tiburon Library Gallery\, Greenwich Art Society\, and Mercury 20 Gallery. His work is held in private collections. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception and Talk: Saturday\, May 16\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-new-american-stillness/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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LAST-MODIFIED:20260424T181138Z
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SUMMARY:Charlie Milgrim: Crude Futures
DESCRIPTION:Charlie Milgrim\, “Crude Futures”\, 2026\, used motor oil on paper\, 24″x24″x1″\, photo Bri Cheng \nTwenty-five years ago\, in the shadow of the September 11 attacks\, Charlie Milgrim searched for a way to confront the deeper forces fueling global conflict. She turned to the very substance that was a catalyst in those struggles: oil. With a bowling ball as her brush\, she rolled long lines across thick paper with used motor oil\, setting the “landscapes” in motion. Over the decades\, the contaminants in the motor oil slowly seeped outwards\, its unpredictable spread mirroring the drifting\, uncontrollable nature of an oil spill. Time became an important collaborator in the piece\, shaping its quiet but constant transformation.\nNow\, after more than two decades\, the oil has left an indelible stain—much like the omnipresent residue of oil spills that continue to haunt the environment. Despite the rise of renewable energy over these same years\, the politics surrounding oil remain largely unchanged. The work stands as a reflection of that persistence: a grim reminder that the world still grapples with the long shadow of oil dependency\, its consequences rippling through our present day wars. \nBio:\nCharlie Milgrim is a multimedia artist from New York City who moved to the Bay Area to attend the California College of the Arts and later received her MFA from the University of California\, Berkeley. Since then\, she has had solo shows at OK Harris Gallery in New York City; Haines Gallery and Gallery 16 in San Francisco; the Richmond Art Center in Richmond\, CA; and the Oakland Museum. She is active in the Bay Area arts community and exhibits her work at Mercury 20 Gallery in Oakland. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception and Talk: Saturday\, May 16\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/charlie-milgrim-crude-futures/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260508T120000
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SUMMARY:Abby Zhang: Private Weather
DESCRIPTION:Abby Zhang\, “It rains inside\,” 2025\, Acrylic and oil on canvas\, 30″ x 24″\, photo courtesy of the artist \nPrivate Weather brings together a new group of paintings by Abby Zhang that explores how thought\, feeling\, and visual memory take form in space. Built through improvisation\, revision\, and accumulation\, these works move between structure and instability\, allowing images to emerge without fully settling. Meaning develops through relation: between marks\, between paintings\, and between the work and the room. The exhibition treats painting as both image and atmosphere\, creating a space charged by tension\, proximity\, and change. Private Weather points to an inner climate made visible\, where perception stays open and everything remains slightly in motion. \nBio:\nAbby Zhang is a Bay Area–based painter whose work explores memory\, perception\, and psychological atmosphere through layered\, semi-abstract images. She received her MFA in Painting from Pratt Institute in 2021\, recently participated as a resident artist at Art Bias\, completed a residency at Kala Art Institute and Vermont Studio Center\, and has been selected for an upcoming residency at the Torrance Art Museum this summer. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception and Talk: Saturday\, May 16\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/abby-zhang-private-weather/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTEND;TZID=America/Los_Angeles:20260613T170000
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SUMMARY:Opening Reception and Artist Talk – Abby Zhang: Private Weather
DESCRIPTION:Image: Abby Zhang\, “Caution! Wet Floor”\, 2025\, Acrylic and oil on canvas\, photo courtesy of the artist \nPrivate Weather brings together a new group of paintings by Abby Zhang that explores how thought\, feeling\, and visual memory take form in space. Built through improvisation\, revision\, and accumulation\, these works move between structure and instability\, allowing images to emerge without fully settling. Meaning develops through relation: between marks\, between paintings\, and between the work and the room. The exhibition treats painting as both image and atmosphere\, creating a space charged by tension\, proximity\, and change. Private Weather points to an inner climate made visible\, where perception stays open and everything remains slightly in motion. \nBio:\nAbby Zhang is a Bay Area–based painter whose work explores memory\, perception\, and psychological atmosphere through layered\, semi-abstract images. She received her MFA in Painting from Pratt Institute in 2021\, recently participated as a resident artist at Art Bias\, completed a residency at Kala Art Institute and Vermont Studio Center\, and has been selected for an upcoming residency at the Torrance Art Museum this summer. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-and-artist-talk-abby-zhang-private-weather/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260508T123000
DTEND;TZID=America/Los_Angeles:20260613T170000
DTSTAMP:20260530T071021
CREATED:20260425T155211Z
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SUMMARY:Andrea Brewster\, Tara Esperanza\, Elizabeth Sher: Succulents\, Spirals\, Blooms
DESCRIPTION:Left to right: Tara Esperanza\, “Tenderness”\, 2024 acrylic on canvas\, 35” x 24”\, Elizabeth Sher\, “Layered Spiral #e (pink)”\, 2026\, oil\, acrylic and ink on Yupo\, 16” x 14”\, Andrea Brewster\, “Resemblance #2-Peony”\, 2026\, Digital print on aluminum\, 16” x 20”\, Photo courtesy of the artist. \nAndrea Brewster’s work transforms flowers into speculative\, non-biological forms that resemble flora yet are entirely constructed—part specimen\, part apparition. Printed on reflective aluminum\, images shift with light\, offering a quiet\, contemplative experience shaped by the distance between nature and its digital afterimage. \nTara Esperanza’s paintings reflect the quiet resilience of succulents as they adapt\, thrive\, and live in harmony. Rooted in community\, these forms support one another\, flourishing together as a collective force of nature. \nElizabeth Sher’s focus has turned to spirals\, first in rope\, then in wire\, and now in painted and drawn marks. This ongoing series “Spiraling Out of Control” visualizes a shared emotional landscape: the disorientation and instability many of us feel in these uncertain times. Yet within the spiral\, Sher finds a pulse of hope\, a reminder of cycles\, of return\, renewal\, and resilience. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, May 16\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/andrea-brewster-tara-esperanza-elizabeth-sher-succulents-spirals-blooms/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260530T071021
CREATED:20260528T205550Z
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SUMMARY:Pat O’Connor: Reclaimed
DESCRIPTION:Pat O’Connor\, “Orange Skies Day\, 9/9/2020\,” 2026\, 61″ x 92″\, photo Jeanne O’Connor \nPat O’Connor’s work has long explored the intersection of object\, time\, and narrative. Beginning with paper pulp castings over structures at a former World War II naval base\, O’Connor developed a sustained interest in materials marked by history. In her exhibit\, Reclaimed\, she is drawn to surfaces shaped by wear\, weather\, and works with cardboard salvaged from the streets\, recycling bins\, and packaging. Through folding\, layering\, stitching\, printing\, and painting\, she transforms these fragments and other seemingly incongruent materials into richly layered assemblages. Guided by shifts in patina and form\, O’Connor builds surfaces dense with histories\, lush harmonies\, and active surfaces. Cardboard\, humble and impermanent\, originates from trees. O’Connor links the material back to the natural world. In some works\, she introduces imagery of branches and tree forms\, creating both calm and unsettling dialogues between the material’s fragile present and its living origin. In a culture shaped by disposability\, O’Connor elevates overlooked materials\, inviting viewers to sense the stories embedded in ordinary things as well as imagine ways the industrial and natural worlds might endure together. \nBio:\nPat O’Connor is an artist whose practice spans drawing\, painting\, assemblage\, and site-responsive sculpture. Her work has been exhibited widely\, most recently at the de Young Museum in San Francisco\, Transmission Gallery in Oakland\, the Sasse Museum of Art in Pomona\, California\, and O’Hanlon Center for the Arts in Mill Valley. Her pieces are held in public and private collections\, including a public commission at the University of California\, San Francisco Medical Center. Pat received her BA in Painting and Drawing from UC Davis and pursued graduate study in textile arts at San Francisco State University. Honors include a San Francisco Foundation Grant\, the Robert Rauschenberg-hosted Power of Art Award from the Lab School of Washington\, D.C.\, and the Arts Educator of the Year Award from the San Francisco Unified School District. O’Connor has taught widely at notable institutions\, including San Francisco State University\, UC Berkeley Extension\, and the de Young Museum. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/pat-oconnor-reclaimed/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260530T071021
CREATED:20260529T002046Z
LAST-MODIFIED:20260529T002046Z
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SUMMARY:Emily Shepard: In Flux
DESCRIPTION:Emily Shepard\, “Boundless\,” 2026\, acrylic\, ink\, graphite\, thread\, on unstretched canvas\, 72″ x 84″\, photo by Sibila Savage \nEmily Shepard’s large-scale abstract paintings pull viewers into an immersive\, otherworldly space — one of shifting depths\, interacting layers\, and arched forms that float like portals above restless water. Working on unstretched canvas\, she builds richly textured surfaces through gestural mark-making\, watery drips\, and stitched canvas shapes. Indecipherable loops of script speak to rhythm\, breath\, and cycles.\nShepard’s work is mirrored by her practice as a year round swimmer in the San Francisco Bay: moving her body through cold water\, attuned to tides and currents\, releasing into the hypnotic push and pull. Her painting practice and bay swimming share the need for focused attention\, awareness of sensation\, and internal states. Each artwork\, like each swim\, is a search for wholeness\, presence\, and embodied learning. \nBio:\nEmily Shepard is a Bay Area painter\, born in Boston\, Massachusetts. She earned her MFA with distinction from the California College of the Arts where she received the Barclay Simpson Award. She has shown her work locally and nationally\, including the Crocker–Kingsley Exhibition at the Crocker Art Museum in Sacramento. Currently she has three pieces on exhibit in “Voices without Boundaries” at the Sasse Museum of Art in Pomona\, CA. Shepard is a Kipaipai Fellow and member of the artist-run gallery\, Mercury 20 in Oakland\, CA. Her work is included in private and corporate collections. Shepard swims year round without a wetsuit in the San Francisco Bay. The practice of cold-water swimming focuses her senses\, challenges her will\, and informs her art. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/emily-shepard-in-flux/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260530T071021
CREATED:20260529T003556Z
LAST-MODIFIED:20260529T004018Z
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SUMMARY:Thresholds | Gustave Carlson\, Leah Korican & Alec Marin in The Backroom Gallery
DESCRIPTION:Left to right: Gustave Carlson\, “Rustic Cabin Interior No. 2\,” 2026\, acrylic and graphite on wood panel\, 24″ x 30”; Leah Korican\, “Mediterranean\,” 2026\, acrylic on paper\, 12″ x 9″; Alec Marin\,” A Scene from Indian Hills TX\,” 2020\, oil on canvas\, 18″ x 24″\, Photos courtesy of the artists. \nGustave Carlson’s paintings explore the threshold between observation and abstraction through architecture\, color\, and stillness. Ordinary spaces become contemplative sites suspended between memory and presence\, inside and outside. Using simplified forms and atmospheric light\, the work reflects on home\, nostalgia\, and the emotional resonance embedded within the contemporary American landscape. \nLeah Korican’s works on paper reside on the threshold of memory. She uses images from childhood stories and ancient glass bottles to express the way memories endure—elusive yet persistent. \nIn this series of paintings\, Alec Marin reimagines scenes from his native South Texas. He centers the people\, who\, in reshaping themselves and their environment\, confront the economic and political forces that seek to control their lives. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-leah-korican-alec-marin-thresholds-the-backroom-gallery/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
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DTSTART;TZID=America/Los_Angeles:20260627T150000
DTEND;TZID=America/Los_Angeles:20260627T170000
DTSTAMP:20260530T071021
CREATED:20260528T234855Z
LAST-MODIFIED:20260529T000831Z
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SUMMARY:Pat O’Connor: Reclaimed | Opening Reception
DESCRIPTION:Pat O’Connor\, “Entanglements\,”  2026\, 4′ x 3′ x 2″\, salvaged cardboard acrylic paint \nPat O’Connor’s work has long explored the intersection of object\, time\, and narrative. Beginning with paper pulp castings over structures at a former World War II naval base\, O’Connor developed a sustained interest in materials marked by history. In her exhibit\, Reclaimed\, she is drawn to surfaces shaped by wear\, weather\, and works with cardboard salvaged from the streets\, recycling bins\, and packaging. Through folding\, layering\, stitching\, printing\, and painting\, she transforms these fragments and other seemingly incongruent materials into richly layered assemblages. Guided by shifts in patina and form\, O’Connor builds surfaces dense with histories\, lush harmonies\, and active surfaces. Cardboard\, humble and impermanent\, originates from trees. O’Connor links the material back to the natural world. In some works\, she introduces imagery of branches and tree forms\, creating both calm and unsettling dialogues between the material’s fragile present and its living origin. In a culture shaped by disposability\, O’Connor elevates overlooked materials\, inviting viewers to sense the stories embedded in ordinary things as well as imagine ways the industrial and natural worlds might endure together. \nBio:\nPat O’Connor is an artist whose practice spans drawing\, painting\, assemblage\, and site-responsive sculpture. Her work has been exhibited widely\, most recently at the de Young Museum in San Francisco\, Transmission Gallery in Oakland\, the Sasse Museum of Art in Pomona\, California\, and O’Hanlon Center for the Arts in Mill Valley. Her pieces are held in public and private collections\, including a public commission at the University of California\, San Francisco Medical Center. Pat received her BA in Painting and Drawing from UC Davis and pursued graduate study in textile arts at San Francisco State University. Honors include a San Francisco Foundation Grant\, the Robert Rauschenberg-hosted Power of Art Award from the Lab School of Washington\, D.C.\, and the Arts Educator of the Year Award from the San Francisco Unified School District. O’Connor has taught widely at notable institutions\, including San Francisco State University\, UC Berkeley Extension\, and the de Young Museum. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm
URL:https://oaklandartmurmur.org/event/opening-reception-pat-oconnor-reclaimed/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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SUMMARY:Emily Shepard: In Flux  | Opening Reception
DESCRIPTION:Emily Shepard\, “Pouring In\,” 2026\, 71” x 79”\, photo by Sibila Savage \nEmily Shepard’s large-scale abstract paintings pull viewers into an immersive\, otherworldly space — one of shifting depths\, interacting layers\, and arched forms that float like portals above restless water. Working on unstretched canvas\, she builds richly textured surfaces through gestural mark-making\, watery drips\, and stitched canvas shapes. Indecipherable loops of script speak to rhythm\, breath\, and cycles.\nShepard’s work is mirrored by her practice as a year round swimmer in the San Francisco Bay: moving her body through cold water\, attuned to tides and currents\, releasing into the hypnotic push and pull. Her painting practice and bay swimming share the need for focused attention\, awareness of sensation\, and internal states. Each artwork\, like each swim\, is a search for wholeness\, presence\, and embodied learning. \nBio:\nEmily Shepard is a Bay Area painter\, born in Boston\, Massachusetts. She earned her MFA with distinction from the California College of the Arts where she received the Barclay Simpson Award. She has shown her work locally and nationally\, including the Crocker–Kingsley Exhibition at the Crocker Art Museum in Sacramento. Currently she has three pieces on exhibit in “Voices without Boundaries” at the Sasse Museum of Art in Pomona\, CA. Shepard is a Kipaipai Fellow and member of the artist-run gallery\, Mercury 20 in Oakland\, CA. Her work is included in private and corporate collections. Shepard swims year round without a wetsuit in the San Francisco Bay. The practice of cold-water swimming focuses her senses\, challenges her will\, and informs her art. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm
URL:https://oaklandartmurmur.org/event/emily-shepard-in-flux-opening-reception/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTAMP:20260530T071021
CREATED:20260529T000745Z
LAST-MODIFIED:20260529T000745Z
UID:10005004-1784991600-1784998800@oaklandartmurmur.org
SUMMARY:Pat O’Connor: Reclaimed | Closing Reception and Talk
DESCRIPTION:Pat O’Connor\, “Winter Sun and Shadow\,” 2026\, 48” x 36” x 2”\, salvaged cardboard\, acrylic paint\, birch board \nPat O’Connor’s work has long explored the intersection of object\, time\, and narrative. Beginning with paper pulp castings over structures at a former World War II naval base\, O’Connor developed a sustained interest in materials marked by history. In her exhibit\, Reclaimed\, she is drawn to surfaces shaped by wear\, weather\, and works with cardboard salvaged from the streets\, recycling bins\, and packaging. Through folding\, layering\, stitching\, printing\, and painting\, she transforms these fragments and other seemingly incongruent materials into richly layered assemblages. Guided by shifts in patina and form\, O’Connor builds surfaces dense with histories\, lush harmonies\, and active surfaces. Cardboard\, humble and impermanent\, originates from trees. O’Connor links the material back to the natural world. In some works\, she introduces imagery of branches and tree forms\, creating both calm and unsettling dialogues between the material’s fragile present and its living origin. In a culture shaped by disposability\, O’Connor elevates overlooked materials\, inviting viewers to sense the stories embedded in ordinary things as well as imagine ways the industrial and natural worlds might endure together. \nBio:\nPat O’Connor is an artist whose practice spans drawing\, painting\, assemblage\, and site-responsive sculpture. Her work has been exhibited widely\, most recently at the de Young Museum in San Francisco\, Transmission Gallery in Oakland\, the Sasse Museum of Art in Pomona\, California\, and O’Hanlon Center for the Arts in Mill Valley. Her pieces are held in public and private collections\, including a public commission at the University of California\, San Francisco Medical Center. Pat received her BA in Painting and Drawing from UC Davis and pursued graduate study in textile arts at San Francisco State University. Honors include a San Francisco Foundation Grant\, the Robert Rauschenberg-hosted Power of Art Award from the Lab School of Washington\, D.C.\, and the Arts Educator of the Year Award from the San Francisco Unified School District. O’Connor has taught widely at notable institutions\, including San Francisco State University\, UC Berkeley Extension\, and the de Young Museum. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/pat-oconnor-reclaimed-closing-reception-and-talk/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260725T150000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260530T071021
CREATED:20260529T002950Z
LAST-MODIFIED:20260529T002950Z
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SUMMARY:Emily Shepard: In Flux  | Closing Reception and Talk
DESCRIPTION:Emily Shepard\, “Conversant\,” 2026\, 32” x 71”\, photo courtesy of the artist  \nEmily Shepard’s large-scale abstract paintings pull viewers into an immersive\, otherworldly space — one of shifting depths\, interacting layers\, and arched forms that float like portals above restless water. Working on unstretched canvas\, she builds richly textured surfaces through gestural mark-making\, watery drips\, and stitched canvas shapes. Indecipherable loops of script speak to rhythm\, breath\, and cycles.\nShepard’s work is mirrored by her practice as a year round swimmer in the San Francisco Bay: moving her body through cold water\, attuned to tides and currents\, releasing into the hypnotic push and pull. Her painting practice and bay swimming share the need for focused attention\, awareness of sensation\, and internal states. Each artwork\, like each swim\, is a search for wholeness\, presence\, and embodied learning. \nBio:\nEmily Shepard is a Bay Area painter\, born in Boston\, Massachusetts. She earned her MFA with distinction from the California College of the Arts where she received the Barclay Simpson Award. She has shown her work locally and nationally\, including the Crocker–Kingsley Exhibition at the Crocker Art Museum in Sacramento. Currently she has three pieces on exhibit in “Voices without Boundaries” at the Sasse Museum of Art in Pomona\, CA. Shepard is a Kipaipai Fellow and member of the artist-run gallery\, Mercury 20 in Oakland\, CA. Her work is included in private and corporate collections. Shepard swims year round without a wetsuit in the San Francisco Bay. The practice of cold-water swimming focuses her senses\, challenges her will\, and informs her art. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/emily-shepard-in-flux-closing-reception-and-talk/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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