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DTSTART;TZID=America/Los_Angeles:20260516T150000
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SUMMARY:Opening Reception and Artist Talk – Gustave Carlson: New American Stillness
DESCRIPTION:Gustave Carlson\, “Inverness Midday”\, 2026\, photo courtesy of the artist \nNew American Stillness by Gustave Carlson explores the quiet psychological presence of the contemporary American landscape. Focusing on ordinary architecture—coastal houses\, open lawns\, interiors\, still lifes\, and expansive skies—these paintings place absence at the center of experience. Rather than narrative\, Carlson emphasizes observation\, structure\, and atmosphere. Buildings act as anchors within broad fields of light and color\, suggesting both stability and solitude. Subtle tonal shifts allow spaces to feel at once specific and timeless\, inviting viewers to consider how shadow\, memory\, and perception shape place. While Edward Hopper often conveys psychological isolation and Fairfield Porter captures domestic intimacy\, Carlson draws from both to explore architecture as a perceptual construct rather than a narrative stage. In these restrained scenes\, stillness is not emptiness but presence—an invitation to look longer and see more. His work suggests that the contemporary American landscape\, when closely observed\, continues to offer moments of quiet depth and reflection. \nBio:\nGustave Carlson is an architect and principal of Gustave Carlson Design in Berkeley\, California\, and a painter exploring the quiet tension between architecture\, light\, and lived space. He is the author of Pacific Modern Houses of Northern California (ORO Editions\, 2018)\, a widely acclaimed survey of regional modernism. His award-winning architectural work has received international recognition and appears in Elle Decor\, Dwell\, Wallpaper\, The New York Times\, and the San Francisco Chronicle. Carlson holds a Master of Architecture from the University of Pennsylvania and studied painting there under Color Field painter Adele Alsop. He has attended residencies at Edgewood Farm at Castle Hill in Truro\, Massachusetts\, and Studio Faire in Nérac\, France. His paintings have earned honors including Best in Show at the Greenwich Art Society and have been exhibited at the Provincetown Art Association and Museum\, Castle Hill Center for the Arts\, Tiburon Library Gallery\, Greenwich Art Society\, and Mercury 20 Gallery. His work is held in private collections. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-new-american-stillness-2/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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SUMMARY:Opening Reception – Group Show: Material Differences
DESCRIPTION:Leigh Barbier\, Jessika Cadkin\, Laura Malone\, Christine Meuris\nThe four artists featured in Material Differences work in painting\, sculpture\, and weaving. Considered together\, their works draw attention to the ways texture\, material choice\, and scale shape the dynamics of the exhibition.\nLeigh Barbier’s series Under the Influence features ceramic heads informed by her intuitive drawing process: pieces created during moments of inspiration\, anxiety\, or relief. They capture glimpses of an idea\, feeling\, or dream; fragments of her imagination.\nJessica Cadkin’s sculpture\, Cavity\, depicts a large‑scale molar\, reflecting a lifelong fascination with her teeth and her aversion to dentist visits. Her work explores the tension between attraction and repulsion\, presenting the tooth as something both familiar and unsettling.\nExamining human subjectivity\, Laura Malone’s paintings traverse a range of emotional landscapes. From jubilant bursts of vermilion in one piece to gentle splashes of gray in another\, Malone invites viewers to gambol here\, only to rest in stillness there.\nChristine Meuris’s pieces are examples of overshot weaving\, in which a contrasting pattern thread is interwoven with the structural plain weave threads; and the process of inlay\, in which areas of pattern are placed only where the weaver wants them. For Meuris\, making them was an experiment in layering structures of form and pattern. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Left to right\, Leigh Barbier\, Under the Influence (WIP)\, Ceramics\, 5″x5″x3″\, 2026; Laura Malone\, Fire Season\, Oil on Linen\, 40″x40″\, 2026; Christine Meuris\, Balance\, Woven Cotton\, 2 panels at 48″x19″ each\, 2024; all photos courtesy of the artists
URL:https://oaklandartmurmur.org/event/opening-reception-group-show-material-differences/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T150000
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SUMMARY:Opening Reception – Alec Marin: All That You Change/Changes You
DESCRIPTION:All That You Change/Changes You is a collection of work centered around Alec Marin’s life: painter\, scientist\, and Chicano from the South Texas border. Each piece is an exploration of some dimension of his varied interests and lived experience\, from the perceptual distortions that occur during the phases of intoxication to the hidden reality of racial and economic segregation along the Mexican American border. Recent work focuses on his read of the foundational principles of Mexica (Aztec) philosophy\, their symbols and spiritual practices within a contemporary framework. His two latest paintings build upon this by framing the images as the prophetic dreams of an ancestor whose life and works would catalyze the culture and religion of the Mexica people.\n\nBio:\nAlec Marin is an artist and neuroscientist based in Oakland\, California. His work has been published at knowingneurons.com and “The Beat\,” an art and literature journal published by The David Geffen School of Medicine at UCLA. His work has been exhibited at the Fremont Art Association’s Annual Art Show; “Beyond Boundaries\,” a juried exhibition at the Mercury 20 Gallery; and “Ripples” group exhibition at the UCSF School of Law. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Alec Marin\, “Reseeding the Garden\,” Oil on Canvas\, 36″x 48″\, 2025\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/opening-reception-alec-martin-all-that-you-change-changes-you/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T150000
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SUMMARY:Opening Reception – Andrea Guskin: Signals Beneath The Surface
DESCRIPTION:The networks beneath our forest floors—where tree roots and mycorrhizal fungi share sustenance and signals through intertwined subterranean paths—served as a source of inspiration for Andrea Guskin’s exhibition\, Signals Beneath the Surface. This new work continues her exploration of scientific discovery as a metaphor\, using metal paintings and photographic processes to investigate themes of ancestry\, memory\, and interconnection.\nThread\, found objects\, and imprints of Guskin’s body on the metal paintings translate concealed activity into form\, mapping the connections that sustain life below ground and above it.\nWithin this exhibition\, she presents work from her recent project Local Roots\, a photo-based community arts project centered on ancestral relationships to herbs and spices\, and a new site-specific collaborative installation created with local artists Courtney Griffith and Yaminah Abdur-Rahim. \nBio:\nAndrea Guskin is a San Francisco Bay Area based artist working across the disciplines of photography\, sculpture\, and painting. She began drawing by pillaging her father’s office supplies for fine-tipped pens and yellow legal pads\, filling them with figures while lounging on a 1970s shag carpet in Kenosha\, Wisconsin. After studying painting at Antioch College in Ohio\, Guskin moved to New York City and became a part of the arts community on the Lower East Side. Since moving to the Bay Area in 2003\, she has exhibited her work throughout the state\, including at the Richmond Art Center\, Berkeley Art Center\, and Red Poppy Art House. She graduated with an MFA in Interdisciplinary Arts from Mills College at Northeastern University in April of 2023. Guskin lives in San Leandro with her husband and two sons. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm\nJoin Andrea Guskin in a participatory activity centered around ancestry on First Friday\, April 3\, 6:30-7:30 pm \nImage: Andrea Guskin\, “Radial Expansion” (Detail)\, Acrylic paint on Cinefoil\, 2026\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/opening-reception-andrea-guskin-signals-beneath-the-surface/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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SUMMARY:Leigh Barbier\, Jessika Cadkin\, Laura Malone\, Christine Meuris: Material Differences
DESCRIPTION:The four artists featured in Material Differences work in painting\, sculpture\, and weaving. Considered together\, their works draw attention to the ways texture\, material choice\, and scale shape the dynamics of the exhibition.\nLeigh Barbier’s series Under the Influence features ceramic heads informed by her intuitive drawing process: pieces created during moments of inspiration\, anxiety\, or relief. They capture glimpses of an idea\, feeling\, or dream; fragments of her imagination.\nJessica Cadkin’s sculpture\, Cavity\, depicts a large‑scale molar\, reflecting a lifelong fascination with her teeth and her aversion to dentist visits. Her work explores the tension between attraction and repulsion\, presenting the tooth as something both familiar and unsettling.\nExamining human subjectivity\, Laura Malone’s paintings traverse a range of emotional landscapes. From jubilant bursts of vermilion in one piece to gentle splashes of gray in another\, Malone invites viewers to gambol here\, only to rest in stillness there.\nChristine Meuris’s pieces are examples of overshot weaving\, in which a contrasting pattern thread is interwoven with the structural plain weave threads; and the process of inlay\, in which areas of pattern are placed only where the weaver wants them. For Meuris\, making them was an experiment in layering structures of form and pattern. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Left to right\, Laura Malone\, Fire Season\, Oil on Linen\, 40″x40″\, 2026; Christine Meuris\, Balance\, Woven Cotton\, 2 panels at 48″x19″ each\, 2024; Leigh Barbier\, Under the Influence (WIP)\, Ceramics\, 5″x5″x3″\, 2026; all photos courtesy of the artists
URL:https://oaklandartmurmur.org/event/leigh-barbier-jessika-cadkin-laura-malone-christine-meuris-material-differences/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260327T120000
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SUMMARY:Alec Marin: All That You Change/Changes You
DESCRIPTION:All That You Change/Changes You is a collection of work centered around Alec Marin’s life: painter\, scientist\, and Chicano from the South Texas border. Each piece is an exploration of some dimension of his varied interests and lived experience\, from the perceptual distortions that occur during the phases of intoxication to the hidden reality of racial and economic segregation along the Mexican American border. Recent work focuses on his read of the foundational principles of Mexica (Aztec) philosophy\, their symbols and spiritual practices within a contemporary framework. His two latest paintings build upon this by framing the images as the prophetic dreams of an ancestor whose life and works would catalyze the culture and religion of the Mexica people.\n\nBio:\nAlec Marin is an artist and neuroscientist based in Oakland\, California. His work has been published at knowingneurons.com and “The Beat\,” an art and literature journal published by The David Geffen School of Medicine at UCLA. His work has been exhibited at the Fremont Art Association’s Annual Art Show; “Beyond Boundaries\,” a juried exhibition at the Mercury 20 Gallery; and “Ripples” group exhibition at the UCSF School of Law. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Alec Marin\, “Momentary Condensations of Teotl\,” Oil on Canvas\, 28″x22″\, 2024\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/alec-martin-all-that-you-change-changes-you/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260327T120000
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SUMMARY:Andrea Guskin: Signals Beneath The Surface
DESCRIPTION:The networks beneath our forest floors—where tree roots and mycorrhizal fungi share sustenance and signals through intertwined subterranean paths—served as a source of inspiration for Andrea Guskin’s exhibition\, Signals Beneath the Surface. This new work continues her exploration of scientific discovery as a metaphor\, using metal paintings and photographic processes to investigate themes of ancestry\, memory\, and interconnection.\nThread\, found objects\, and imprints of Guskin’s body on the metal paintings translate concealed activity into form\, mapping the connections that sustain life below ground and above it.\nWithin this exhibition\, she presents work from her recent project Local Roots\, a photo-based community arts project centered on ancestral relationships to herbs and spices\, and a new site-specific collaborative installation created with local artists Courtney Griffith and Yaminah Abdur-Rahim. \nBio:\nAndrea Guskin is a San Francisco Bay Area based artist working across the disciplines of photography\, sculpture\, and painting. She began drawing by pillaging her father’s office supplies for fine-tipped pens and yellow legal pads\, filling them with figures while lounging on a 1970s shag carpet in Kenosha\, Wisconsin. After studying painting at Antioch College in Ohio\, Guskin moved to New York City and became a part of the arts community on the Lower East Side. Since moving to the Bay Area in 2003\, she has exhibited her work throughout the state\, including at the Richmond Art Center\, BerkeleyArt Center\, and Red Poppy Art House.She graduated with an MFA in Interdisciplinary Arts from Mills College at Northeastern University in April of 2023. Guskin lives in San Leandro with her husband and two sons. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm\nJoin Andrea Guskin in a participatory activity centered around ancestry on First Friday\, April 3\, 6:30-7:30 pm \nImage: Andrea Guskin\, “Radial Expansion\,” Acrylic paint on Cinefoil\, 2026\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/andrea-guskin-signals-beneath-the-surface/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260213T120000
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SUMMARY:Dr. KC Rosenberg: Raised by Wolves
DESCRIPTION:Dr. KC Rosenberg creates her work on the floor of her studio\, where raw canvas and paper are walked on\, soaked\, and marked through movement and touch. Her background in printmaking and textiles informs a material-driven approach that values impressions\, repetition\, and layered surfaces as records of action. Lines and bands of color function as spaces where stories can unfold. In her newest series\, Rosenberg introduces narrative fragments into these abstract forms. Images and words appear like passing thoughts or half-remembered moments—sometimes humorous\, sometimes dark—forming a personal visual vocabulary. Using collage\, she brings together abstraction\, text\, and imagery to create poetic connections rather than fixed meanings. The work invites viewers to slow down\, look closely\, and make their own associations. At its core\, Rosenberg’s practice explores how memory\, language\, and the body intersect\, transforming process itself into a form of storytelling. \nBio:\nBorn in Marin County\, California\, Dr. KC Rosenberg was raised in a bohemian household shaped by intellectual rigor and domestic improvisation; while her mother worked and studied law\, Rosenberg and her siblings were cared for by a shifting network of caretakers\, an environment whose chaos fostered early strategies of invention through imagined companions\, substitute characters\, and close observation of animal behavior. In 2021\, medical complications during the COVID-19 pandemic prompted a significant shift in her practice toward abstraction\, reducing narrative certainty and temporarily setting aside personal history\, which later returned as material rather than subject; these formative experiences now register in her work as form and emotional traces rather than representation. Rosenberg has exhibited with Patricia Sweetow Gallery\, and her work is held in the collections of the California Arts Council and the San Jose Museum of Quilts & Textiles. She holds an Ed.D. and conducts social research on collective mentorship systems among artists. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, February 21\, 3 – 5 pm\, artist talks at 4:00 pm\nOakland Art Murmur / First Friday: Friday\, March 6\, 5 – 9 pm \nImage: KC Rosenberg\, “Men Named Merle\,” 2025 from Raised By Wolves series\, 2026\, Acrylic paint and yarn on wood panel\, 8″ x 8″\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/dr-kc-rosenberg-raised-by-wolves/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Christine Meuris: Wellspring
DESCRIPTION:Using silk thread and simple motifs\, Christine Meuris has created a series of semi-transparent weavings that reflect feelings of harmony\, joy\, flow\, and wholeness.\nIn 2023\, Meuris began studying weaving as a way to deepen and ground her creative practice. Working with weaving teacher Travis Meinolf\, at the Richmond Art Center and at his eponymous weaving school in Marin County\, Meuris was influenced by Meinolf’s judgment-free and open minded approach to weaving\, a practice that can otherwise become exacting.\nAfter a period of experimentation\, Meuris settled on a simple weaving technique — using plain weave with supplemental weft to construct imagery. In her weavings\, Meuris returns to the font of her creativity\, the work that steadies her in calm or tumultuous times\, repeating simple steps to build something greater than the sum of its parts. \nBio:\nMercury 20 member Christine Meuris lives and works in Berkeley\, CA. She has shown her work in solo and group shows locally\, notably at the Berkeley Art Center\, San Jose Museum of Quilts and Textiles\, and Mercury 20 Gallery\, and in group shows around the U.S. She was a resident artist at Kala Institute in 2023 and was the inaugural Digital Artist in Residence at the San Jose Museum of Quilts and Textiles (SJMQT) in 2020. Her work has appeared in the Surface Design Journal\, Fiber Art Now\, and the Textile Society of America News\, and is included in the collections of the City of Berkeley\, SJMQT\, Kaiser Permanente\, and Four Seasons Residences SF\, as well as several private collections. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, February 21\, 3 – 5 pm\, artist talks at 4:00 pm\nOakland Art Murmur / First Friday: Friday\, March 6\, 5 – 9 pm\nWeaving Demonstrations: Saturdays\, February 14\, March 7\, 14\, 21 @ 1:30 \nImage: Christine Meuris\, “Return\, Poppy\, Rain\,” 2025\, silk\, dimensions variable\, photo credit: Mark Serr
URL:https://oaklandartmurmur.org/event/christine-meuris-wellspring/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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