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DTSTAMP:20260416T064832
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SUMMARY:100 Years of Creative Visions
DESCRIPTION:In celebration of the Mills College Art Museum’s centennial\, 100 Years of Creative Visions features an intergenerational and cross-cultural selection of major works from the permanent collection that emphasizes creative communities and the importance of artist friendships. Thematic sections throughout the exhibition highlight the strengths of the collection\, such as\, ceramics\, Modernist Photography\, California Impressionism\, Mexican Modernism\, Printmaking from Dürer to the Expressionists\, Asian and Asian American art\, and more.
URL:https://oaklandartmurmur.org/event/100-years-of-creative-visions/
LOCATION:Mills College Art Museum\, 5000 MacArthur Blvd.\, Oakland\, CA\, 94613\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260313T120000
DTEND;TZID=America/Los_Angeles:20260418T170000
DTSTAMP:20260416T064832
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SUMMARY:Alternation: Kristie Hansen
DESCRIPTION:Gallery Hours: Thursdays\, Fridays\, Saturdays 12-5 pm and by appointment\nOpening Reception\, Saturday\, March 14th\, 1-4 pm\nArtist’s Talk\, Saturday\, April 11th \nTransmission Gallery is pleased to present Alternation\, recent work by Kristie Hansen\, now featured in our Small Space. \nDrawing on her love of second-hand fashion\, Hansen sources discarded garments and accessories to construct unconventional\, layered sculptures. In Alternation\, she transforms a single\, deeply personal object into a series of intimate sculptural forms. These works originate from a brown suede jacket that once belonged to the artist’s mother—an item passed on during a period of family transition marked by downsizing\, aging\, and the loss of a long-held home. \nRather than preserving the garment intact\, Hansen dismantles and reshapes it\, allowing one article of clothing to generate multiple sculptural works. The suede is folded\, stitched\, and formed into soft geometric shapes that retain traces of their earlier life while becoming something entirely new. Beads taken from her mother’s jewelry are embedded along the seams; introducing variation within repetition and suggesting the individuality of memories that emerge from shared histories. \nThrough this process\, Alternation reframes a private inheritance as a broader reflection on transformation. The work speaks to experiences familiar across generations: the passing down of belongings\, the reshaping of family narratives\, and the quiet negotiation between holding on and letting go. \nRather than presenting change as a singular event\, Hansen treats it as gradual and ongoing. One garment becomes many objects; one story unfolds into multiple forms. In this way\, Alternation approaches personal history not as something fixed\, but as material that can be continually rearranged—an evolving structure shaped by resilience\, adaptation\, and persistence over time
URL:https://oaklandartmurmur.org/event/alternation-kristie-hansen/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260403T130000
DTEND;TZID=America/Los_Angeles:20260530T170000
DTSTAMP:20260416T064832
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SUMMARY:Deconstructing the Gaze: 'Forgotten Eyes': Contemporary Surrealism and Cubist Visions Challenge Perceptions of Reality
DESCRIPTION:Johansson Projects presents Forgotten Eyes an exhibition of painting by Pablo Benzo and sculpture by Soojin Choi. Known for their emotional and undulating compositions\, Benzo and Choi exploit the unstable boundaries between interior and exterior worlds. Their representations of life are warped\, distended\, burnished\, and ultimately engaged in a reality that is elastic rather than fixed\, shaped by memory\, intuition\, and shifting sensorial conditions.  \nOperating at the formal and conceptual nexus of Surrealism and Cubism\, Benzo’s paintings reinterpret early 20th-century modernism for the contemporary moment. Grounded in conventions of still life and portraiture\, his pastel-hued interiors are rendered as sites of mystery and multiplicity. In Benzo’s painted world flowers float as they wilt and the joints of furniture crease like flesh. Blending the quotidian with the otherworldly\, Benzo eschews realism for a dream-like plane of being\, offering a comfortable familiarity that always necessitates a double-take.  \nChoi’s ceramic sculptures similarly forgo conventional modes of representation in favor of more circuitous structures. Often figurative\, her work treats the human body as a plastic form. Limbs and faces emerge from painted underglaze applied to hand-built planes of flattened clay that twist and twine around each other. Choi’s figures never engage in a moment of recognition\, instead looking outward with ambivalent expressions. Their contorted anatomy foregrounds their alterity\, evoking the complexity of human connection\, individuation\, and the construction of the other.  \nForgotten Eyes will run Friday\, April 3 to Saturday\, May 30\, 2026. An opening reception will be held Friday\, April 3 from 5-8 pm.
URL:https://oaklandartmurmur.org/event/deconstructing-the-gaze-forgotten-eyes-contemporary-surrealism-and-cubist-visions-challenge-perceptions-of-reality/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260416T120000
DTEND;TZID=America/Los_Angeles:20260523T170000
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CREATED:20260407T151744Z
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SUMMARY:Edges of Attention
DESCRIPTION:GearBox Gallery presents paintings by the 2025 Juried Show winner Javier Arizmendi-Kalb\, and ceramic sculptures from guest artist Susana Arias\, in Edges of Attention\, April 16th through May 23rd. Artists’ Reception is Saturday\, April 25\, 1 – 4pm. \n“Edges of Attention” brings together the work of Javier Arizmendi-Kalb and Susana Arias in a shared exploration of structure\, gesture\, and the threshold between control and intuition. Across painting and sculpture\, the exhibition engages in a spatial dialogue where perception shifts—where what is seen directly is only part of what is felt. \nArizmendi-Kalb’s large-scale paintings\, each rising to six feet in height\, operate as immersive environments rather than images\, occupying space with both physical authority and emotional immediacy. Suggesting refracted light and architectural spaces\, planes of color\, linear scaffolding\, and gestural marks collide and cohere\, hovering between construction and improvisation. \nIn conversation with these expansive canvases\, ceramic sculptures from Susana Arias’ Tree Series rise from four to over six feet tall. These works do not depict trees; they extract their presence. Minimal yet grounded\, they quietly shape and divide the surrounding space while rings\, joints\, and variations in surface suggest time embedded within the material\, evoking cycles of growth without literal narrative. \nGearBox Gallery: 770 West Grand Ave\, Oakland.\nGallery hours:  Noon to 5pm Thursdays\, Fridays and Saturdays
URL:https://oaklandartmurmur.org/event/edges-of-attention/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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