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DTSTART;TZID=America/Los_Angeles:20260703T170000
DTEND;TZID=America/Los_Angeles:20260829T170000
DTSTAMP:20260713T225930Z
CREATED:20260628T033201Z
LAST-MODIFIED:20260713T225930Z
UID:10005215-1783098000-1788022800@oaklandartmurmur.org
SUMMARY:Society of Artists & Makers Student Show
DESCRIPTION:The Student Show is a celebration of East Bay community college art classes. Some artists are showing work for the very first time and others are decades into their careers. All work is made by students currently enrolled at College of Alameda\, Berkeley City College\, Merritt College\, and/or Laney College. Mediums include painting\, printmaking\, mixed media\, sculpture\, ceramics\, and more will be on view from July 3 – August 29. \nArtists: Abby Hilling\, Angela Kaewsuriya Roberts\, Ava Gulassa\, Cassia Artanegara\, Christi Showers-Evans\, Debbie Lin Grow\, Diana Castillo\, Donald Diggs\, Emmet Bush\, Gabriela Zambrano\, Hilda Wang\, kiki reitano\, Liam Cunningham\, Malena\, Moss\, Penny Flood\,  Ping Gong\, Rania Siddique\, Rena Tom\, Ruth Charlotte Kneass\, Sam Cadigan\, Sarai Cobos\, V. Hendrix Oppenhimer \nGallery Hours:\n        Saturdays 1 to 5pm (& by appointment) \n	Opening Reception: Thursday July 9th\, 6 – 9pm\n	Closing Reception: Saturday August 29th\, 1 – 5pm\n	Oakland Art Murmur; First Fridays: Friday\, July 3rd & Friday\, August 7th\,  5 – 9pm
URL:https://oaklandartmurmur.org/event/peralta-society-of-artists-makers-student-show/
LOCATION:Werkshack\, 481 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Werkshack":MAILTO:werkshack@gmail.com
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DTSTART;TZID=America/Los_Angeles:20260709T120000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260706T170955Z
CREATED:20260706T170955Z
LAST-MODIFIED:20260706T170955Z
UID:10005225-1783598400-1786813200@oaklandartmurmur.org
SUMMARY:Fragments of Belonging at GearBox Gallery
DESCRIPTION:GearBox Gallery is proud to present an exhibition of paintings by Dalit Fresco and sculpture by Jan Blythe in this two person show\, Fragments of Belonging.  July 9 – August 15th. Blythe and Fresco share a similar journey of immigration\, the experience of which is ingrained in the process as well as the imagery of their work. Whether it’s personal items compiled into cultural forms or from memories carried across great distances\, past or present. \nDalit’s paintings draw personal memories from both real and imagined occurrences\, translating them into undeniable emotional views. Her investigations move from inward outward\, and from the specific towards wholeness. There is a longing that is inherently seeking cover\, shelter\, and solid ground.  \nJan is unearthing similar longings by compiling\, assembling\, and weaving with both personal and found objects. These materials are seemingly mundane yet gain a new life\, form and meaning under her hands. The dialogue between the painted surfaces and the objects is synchronized in a shared language\, rhythm\, and symbol. \nGearbox Gallery is open Thursdays\, Fridays and Saturdays 12 – 5pm
URL:https://oaklandartmurmur.org/event/fragments-of-belonging-at-gearbox-gallery/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gearbox Gallery 770 West Grand Avenue Oakland CA 94612 United States;X-APPLE-RADIUS=500;X-TITLE=770 West Grand Avenue:geo:-122.272476,37.804829
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260717
DTEND;VALUE=DATE:20260830
DTSTAMP:20260709T190900Z
CREATED:20260709T190900Z
LAST-MODIFIED:20260709T190900Z
UID:10005252-1784246400-1788047999@oaklandartmurmur.org
SUMMARY:Gestural Expressions
DESCRIPTION:SLATE Contemporary Gallery presents “Gestural Expressions”\, an exhibition which brings together five accomplished women artists working in gestural abstraction: Maria Burtis\, Amy Donaldson\, Nicole Mueller\, Karen Silve\, and Joanne Fox. This exhibition not only revisits the legacy of Abstract Expressionism\, but also reimagines its future through the work of five artists whose voices continue to broaden and enrich the field.  \nOpening Reception: Saturday\, August 8\, 4–6pm⁠\nJoin us with three of the exhibiting artists for an evening celebrating the show\, featuring specialty drinks from Rue de Rêve (@ruedereveaperitifs)\, a local women-owned apéritif producer.⁠\n⁠\nArtist Walkthrough: Saturday\, July 25\, 4–5pm⁠\nExplore the exhibition with artist Nicole Mueller for an intimate look into her process and perspective.⁠\n⁠\nGestural Expressions is on view at SLATE from July 15–August 29\, 2026.⁠
URL:https://oaklandartmurmur.org/event/gestural-expressions/2026-07-17/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260905T170000
DTSTAMP:20260709T005654Z
CREATED:20260709T003651Z
LAST-MODIFIED:20260709T005654Z
UID:10005245-1785499200-1788627600@oaklandartmurmur.org
SUMMARY:Jessica Cadkin & Michael Lynch: The End
DESCRIPTION:Michael Lynch\, The Final Act 1\, 2026\, 12″ x 15″ gouache on wood panel\, photo courtesy of the artist \nA few days after her uncle’s death\, Jessica Cadkin was out walking when she noticed a crow cawing at her. It followed her for several blocks\, seeming to want her attention. Only when she stopped and looked up at it did the crow alight on a nearby light post. They quietly stared at one another for a few minutes before it flew away. Crows appear prominently in mythology across cultures. In Native American traditions they are not only tricksters and wise guys\, but protectors. In some Asian myths they represent the divine; while in Norse lore\, Huginn (thought) and Muninn (memory) serve as the eyes and ears of the god Odin. In Hindu belief\, crows act as messengers of the dead\, bridging the living and the spiritual worlds. Drawing on these associations as well as her own personal encounter with a crow shortly after a family member’s death\, Cadkin’s sculpture\, Eulogy\, reflects on memory\, loss\, and connection. \nMichael Lynch’s work often arises from his keen interest in art\, natural science\, and physics. The paintings of birds striking windows\, The Final Act 1\, 2\, and 3\, are based on photographs of the keratin and oil from powder down feathers transferred onto the glass at the moment of impact. They represent just three of the more than one billion fatal bird-window collisions in the United States each year. The Short Story of the Owl and the Rabbit is a reconstruction of a memory from a scene Lynch encountered over 50 years ago\, one he always wished he had a way to record. Lynch often seeks to bring to life the stories and events in nature that might otherwise go unnoticed. \nBios:\nJessica Cadkin was born in Phoenix\, Arizona\, and grew up in Napa\, California. She received a BA in Sculpture and Painting from San Francisco State University. Her work has appeared in group shows internationally and throughout Northern California including the de Young Museum\, Headlands Center for the Arts\, Southern Exposure\, di Rosa Preserve\, Bateman Foundation Gallery of Nature\, Bedford Gallery\, Root Division\, and the Berkeley Art Center. Cadkin joined Mercury Twenty Gallery in 2020\, this is her fifth show with the gallery. \nMichael Lynch is a self-described artistic engineer. Over the course of the last 55 years\, he has had several distinct careers. He began as a cabinet and furniture maker\, followed by 30 years in the film special effects industry\, most of which were in the Industrial Light and Magic (ILM) model shop. During this period\, he earned more than 30 film credits and worked on countless commercials. Lynch then shifted his focus for a decade\, contracting with the U.S. Department of Defense to design and fabricate prototype parachute systems and combat trauma trainers for the military and NATO. Retired since 2023\, Lynch now spends his workweek in the studio in Sausalito\, CA. Much of the work he produces lies at the intersection of art\, natural history\, and physics. His work often tells a story or records events that might otherwise go unnoticed. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)﻿\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\n﻿Oakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/jessica-cadkin-michael-lynch-the-end/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
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DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260905T170000
DTSTAMP:20260709T010110Z
CREATED:20260709T005554Z
LAST-MODIFIED:20260709T010110Z
UID:10005247-1785499200-1788627600@oaklandartmurmur.org
SUMMARY:Cade Salamanca: The Final Push
DESCRIPTION:Cade Salamanca\, Come As You Are\, 2026\, mixed media\, 36″ x 36″ x 2″\, photo courtesy of the artist \nThe Final Push marks a pivotal chapter in Cade Salamanca’s artistic and personal journey. In 2026\, Salamanca embraced a new name—an act of self-definition that became a powerful affirmation of identity and a catalyst for creative transformation. Freed from expectations that once constrained her\, her work has entered a period of greater clarity\, confidence\, and emotional depth. \nThis body of work explores the liberation that emerges when authenticity is fully embraced. The introduction of wire mesh and draped chains began as formal material investigations but evolved into potent metaphors for the protective barriers Salamanca had constructed around herself over time. Fragmented mesh and suspended chains symbolize the dismantling of fear\, self-doubt\, and inherited expectations\, revealing a renewed sense of freedom and possibility. Alongside 12 paintings\, Salamanca will debut six double exposure self portraits that mark the beginning of a new practice with Film Photography on a Canon AE-1 Program. Both deeply personal and universally resonant\, The Final Push is a celebration of self-acceptance\, courage\, and transformation—a declaration of identity expressed without apology and an invitation to witness the power of becoming fully seen. \nBio:\nThe Final Push marks Cade Salamanca’s second solo exhibition with Mercury 20 Gallery. Throughout her artistic journey\, Salamanca has explored diverse mediums including ceramics and photography. After experimenting with different painting styles\, she developed a distinctive voice that combines techniques she has honed over the years—from smooth color transitions to rich textured layers.Salamanca’s work has been shown at the Blue Mountain Gallery in New York City; Made In California 2024\, Brea Gallery\, in La Brea\, CA; Reflections of Us (Juror Sergio Gomez)\, Warnes Contemporary\, in Brooklyn\, NY; Metal Haus Gallery\, in San Francisco\, CA; and others. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)﻿\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\n﻿Oakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/cade-salamanca-the-final-push/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://oaklandartmurmur.org/wp-content/uploads/2026/07/1CadeSalamanca-Cade-Salamanca.jpeg
ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
GEO:37.804829;-122.272476
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