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DTSTART;TZID=America/Los_Angeles:20260901T130000
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SUMMARY:Under The Thumb – A Glass & Mixed Media Group Show
DESCRIPTION:This group exhibition at Werkshack Studios brings together four artists to explore themes of oppressive systems\, power\, and control through glass and mixed media. \nWorking across diverse techniques including fusing\, painting\, stained glass\, cast glass and more\, each artist brings a distinct perspective to the ways power shapes our lives and communities. Glass becomes both medium and metaphor: beautiful yet fragile\, transparent yet obstructive\, resilient yet vulnerable. Together\, the works examine how systems of power are experienced differently across individuals and groups\, inviting us to consider who holds power\, who is affected by it\, and what it means to resist\, endure\, or transform it. \nArtists: Elin Christopherson\, Lynne-Rachel Altman\, Cricket\, Anne Wong \nGallery Hours: Saturday\, 1 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, September 19th\, 5 – 7pm \nOakland Art Murmur / First Friday: Friday\, September 4th and October 2nd\, 5:30 – 9:30 pm
URL:https://oaklandartmurmur.org/event/under-the-thumb-a-glass-mixed-media-group-show/
LOCATION:Werkshack\, 481 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260908T080000
DTEND;TZID=America/Los_Angeles:20261031T180000
DTSTAMP:20260908T180330Z
CREATED:20260908T180330Z
LAST-MODIFIED:20260908T180330Z
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SUMMARY:September-October\, 2026 -- Multi-Artist Show
DESCRIPTION:As we celebrate Hispanic Heritage Month\, and a look at the California landscape\, we welcome the talents of five amazing artists with five very differing styles. \nEnjoy!
URL:https://oaklandartmurmur.org/event/september-october-2026-multi-artist-show/
LOCATION:Art@Archer\, 431 13th Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Art@Archer":MAILTO:greg@archerbike.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261101
DTSTAMP:20260916T193856Z
CREATED:20260916T191746Z
LAST-MODIFIED:20260916T193856Z
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SUMMARY:Big\, Small\, and Everything In Between — Bay Area Muralists
DESCRIPTION:Manna Gallery is pleased to present a group exhibition featuring Bay Area artists known for their work in public spaces. Drawing on the region’s rich tradition of mural-making\, the exhibition brings the work of Julie Engelmann\, Amos Goldbaum\, Liv Losee-Unger\, Fernanda Martínez\, and Deirdre Weinberg into the gallery for a more intimate encounter. Working across painting\, drawing\, illustration\, street art\, and large-scale public works\, these artists bring distinct approaches to color\, storytelling\, nature\, place\, and community. Together\, their work reveals the range and vitality of Bay Area mural painting today\, as well as the ongoing conversation among the street\, the studio\, and the city. \nSeptember 26 – October 31\, 2026\nOakland Art Murmur First Friday: October 2\, 5-8 pm\nArtists’ Reception: Saturday\, October 3\, 2-4 pm\nOakland Style Week Event: Saturday\, October 10\, 11-2 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm\nAll events and entrance to the gallery are free of charge
URL:https://oaklandartmurmur.org/event/big-small-and-everything-in-between-bay-area-muralists/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261129
DTSTAMP:20261010T060602Z
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SUMMARY:Paul Thompson’s “West Wild: American Culture”
DESCRIPTION:For October/November FM Oakland is excited to host the recent works by local Berkeley native Paul Thompson in his latest collection entitled “West Wild: American Culture.” Thompson’s work focuses on the romance and excitement of the wild west as he plays with paint\, line\, brushwork\, and composition to depict various scenes and portraits. His imagery highlights a range of cowboy life\, as it shows the somber loneliness of ranching\, to the rowdy and rough “fight or die” culture of bar fights and shootouts. Within that range one underlying aspect remains: his love for the wild west. \nPaul Thompson: Life of a Cowboy\n“I always played cowboys and indians with my brother as a kid \, and our father loved westerns. He would often play with us and eventually lived in the middle of the Nevada desert. We fantasized being cowboys and when we went to Nevada\, I enjoyed meeting real cowboys. It is still romantic and engaging to visit old western towns and imagine living as one. As an adult\, I took a tour of old western towns dressed as a cowboy. My mother used to draw with us and encouraged us to draw things that we imagined\, so I have been drawing and painting western themes ever since. I don’t make art for money. It is my therapy and as my mother says\, we share a healthy addiction.”  \nOctober 2nd – November 28th\, 2026
URL:https://oaklandartmurmur.org/event/paul-thompsons-west-wild-american-culture-2/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;VALUE=DATE:20261009
DTEND;VALUE=DATE:20261115
DTSTAMP:20260919T224939Z
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SUMMARY:Angela Johal: Intersecting Colour
DESCRIPTION:Join us at SLATE Contemporary Gallery on Saturday\, October 10 from 4-6pm for an artist reception in celebration of our newest exhibition\, “Angela Johal: Intersecting Colour.” \nThis exhibition invites viewers to explore how hue and tone interact across vividly painted color fields. Johal approaches each painting as a puzzle to solve\, seeking balance among dichotomous realms—physical and spiritual\, light and dark\, vivid and subdued—creating compositions that reveal how each color shifts\, responds to\, and is transformed by those around it. Steeped in color theory\, Johal’s work is deeply informed by the human eye’s natural passage through dimension. This exhibition features abstracted geometric compositions that\, when meditated on\, transform into natural landscapes\, animal-like forms\, and shifting light.
URL:https://oaklandartmurmur.org/event/angela-johal-intersecting-colour/2026-10-09/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261106T170000
DTEND;TZID=America/Los_Angeles:20261106T220000
DTSTAMP:20261010T060519Z
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SUMMARY:Paul Thompson’s “West Wild: American Culture” RECEPTION
DESCRIPTION:Join us for the second reception of Paul Thompson’s latest drawings/paintings in his show entitled “West Wild: American Culture.”\n*One free beer for anyone who attends wearing a cowboy hat! \nFor October/November FM Oakland is excited to host the recent works by local Berkeley native Paul Thompson. Thompson’s work focuses on the romance and excitement of the wild west as he plays with paint\, line\, brushwork\, and composition to depict various scenes and portraits. His imagery highlights a range of cowboy life\, as it shows the somber loneliness of ranching\, to the rowdy and rough “fight or die” culture of bar fights and shootouts. Within that range one underlying aspect remains: his love for the wild west. \nPaul Thompson: Life of a Cowboy\n“I always played cowboys and indians with my brother as a kid \, and our father loved westerns. He would often play with us and eventually lived in the middle of the Nevada desert. We fantasized being cowboys and when we went to Nevada\, I enjoyed meeting real cowboys. It is still romantic and engaging to visit old western towns and imagine living as one. As an adult\, I took a tour of old western towns dressed as a cowboy. My mother used to draw with us and encouraged us to draw things that we imagined\, so I have been drawing and painting western themes ever since. I don’t make art for money. It is my therapy and as my mother says\, we share a healthy addiction.”  \nOctober 2nd – November 28th\, 2026\nArt Murmur Receptions:\nFirst Friday\, November 6th\, 5-10pm
URL:https://oaklandartmurmur.org/event/paul-thompsons-west-wild-american-culture/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20261121T130000
DTEND;TZID=America/Los_Angeles:20270109T170000
DTSTAMP:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-21/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261126T130000
DTEND;TZID=America/Los_Angeles:20270114T170000
DTSTAMP:20261017T001133Z
CREATED:20261017T001133Z
LAST-MODIFIED:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-26/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261127T130000
DTEND;TZID=America/Los_Angeles:20270115T170000
DTSTAMP:20261017T001133Z
CREATED:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-27/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261128T130000
DTEND;TZID=America/Los_Angeles:20270116T170000
DTSTAMP:20261017T001133Z
CREATED:20261017T001133Z
LAST-MODIFIED:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-28/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261203T130000
DTEND;TZID=America/Los_Angeles:20270121T170000
DTSTAMP:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-03/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-04/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-05/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261210T130000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-10/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261211T130000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-11/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261212T130000
DTEND;TZID=America/Los_Angeles:20270130T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-12/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261217T130000
DTEND;TZID=America/Los_Angeles:20270204T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-17/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261218T130000
DTEND;TZID=America/Los_Angeles:20270205T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-18/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261219T130000
DTEND;TZID=America/Los_Angeles:20270206T170000
DTSTAMP:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-19/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261224T130000
DTEND;TZID=America/Los_Angeles:20270211T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-24/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261225T130000
DTEND;TZID=America/Los_Angeles:20270212T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-25/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261226T130000
DTEND;TZID=America/Los_Angeles:20270213T170000
DTSTAMP:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-26/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261231T130000
DTEND;TZID=America/Los_Angeles:20270218T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-31/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20270101T130000
DTEND;TZID=America/Los_Angeles:20270219T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2027-01-01/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20270102T130000
DTEND;TZID=America/Los_Angeles:20270220T170000
DTSTAMP:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2027-01-02/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20270107T130000
DTEND;TZID=America/Los_Angeles:20270225T170000
DTSTAMP:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2027-01-07/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20270108T130000
DTEND;TZID=America/Los_Angeles:20270226T170000
DTSTAMP:20261017T001133Z
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LAST-MODIFIED:20261017T001133Z
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2027-01-08/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2027-01-09/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2027-01-14/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2027-01-15/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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