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SUMMARY:Present Figures – Curated by Laura Malone
DESCRIPTION:Clockwise from left: Nina Katz\, Heidi Brueckner\, Cindy Craig\, Shannon Rae Fincke\, Laura Malone \nPresent Figures brings together five California painters whose works exist within the figurative language of portraiture\, simultaneously expanding and disrupting it. Centered around themes of intimacy\, boundaries\, and embodied emotion\, each artist takes an individual approach to media\, scale\, and the capacity of the human form to be both a site of identity and a vessel of metaphor. Engaging in profound considerations of what it is to be human—our physicality\, sense of self\, relationships\, consciousness\, and creativity\, these artists invite us to engage with these shifting\, eternal questions and reflect on our own experiences—be they practical\, peaceful\, disturbing\, humorous\, fragmented\, spiritual\, or otherworldly. As individuals\, choices that begin with who and what to portray later manifest in stylistic and material communiquès that boldly and poetically reveal themselves to the world. Collectively\, the psychologically charged spectrum of the group reminds us of the myriad ways our sentience can be narrated. Like Anais Nin said\, “We don’t see things as they are\, we see them as we are.” \nBio:\nWith Present Figures\, Laura Malone expands her practice to curation. Malone invited four artists to show alongside her\, chosen for their unique and diverse approaches to representing the figure: two Southern California artists — Cindy Craig and Shannon Rae Fincke — and two from the Bay Area — Nina Katz and Heidi Brueckner. Collectively their work has been shown across the globe in Europe\, Asia\, and the United States. Malone’s artwork was featured in The Crocker Kingsley National Art Competition and included in “Disrupted Realism\,” juried by John Seed\, who wrote the book of the same name. Malone currently resides in Oakland\, CA and has been a member of Mercury 20 since 2023. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOpening Reception: Saturday\, September 12\, 3 – 5 pm\nArtist Talks: Saturday\, October 10\, 3 – 5 pm\nOakland Art Murmur / First Friday: October 2\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/present-figures-curated-by-laura-malone/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260917T120000
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SUMMARY:Willam Rhodes: FEAR NOT
DESCRIPTION:​William Rhodes: Fear Not\nSeptember 17 – October 31\, 2026\nGallery Hours: Thursdays\, Fridays and Saturdays\, 12-5 pm \nArtist’s Reception: Saturday\, September 26th from 1-4 pm \nArtist’s Talk and Gospel Choir Performance: Saturday\, Oct 3rd starting at 2 pm\n(William Rhodes’ talk with gospel choir performance by the Dr. George W. Davis Senior Center Choir\, music conductor and leader Kenneth Little)\nThis is part of a series of NEXUS SFBay events including the Caleb Dowdell performance with his piece\, Our Prism of Dreams\, starting at 1:30 pm just downstairs  at Gearbox Gallery. See one or both at that galleries at 770 West Grand Ave in Oakland \nTransmission Gallery is pleased to present Fear Not\, recent work by William Rhodes. \nWilliam Rhodes’s sculptures on view incorporate objects that have been used\, inherited\, discarded\, or found with elements he has carved himself. Trained early on as a furniture maker\, he combines hand carved figures\, flames and snakes with objects collected from a family home\, photographs\, hardware\, tools\, and other remnants of everyday life. Neon words signal from some pieces. \nThe resulting works resemble shrines or memorials\, but they remain grounded in the ordinary. Religious symbols appear alongside household objects. A photograph might be surrounded by carved waves\, tools\, hardware\, animals\, or religious symbols. A suitcase can become an architectural space. A toilet becomes the base of an unexpected monument. Things with little apparent value are carefully incorporated into elaborate constructions\, their histories becoming part of the work.\n​\nRhodes is equally interested in people; family\, mentors\, and leaders\, as well as those who have been overlooked or treated as disposable\, recognizing and elevating their presence in his work. By giving attention to these lives\, enshrining and revering them\, he considers how value is assigned and who gets remembered. \nThe title Fear Not appears in the work as both a phrase and a kind of instruction. It can be read in relation to the religious imagery that runs throughout the sculptures\, but it also takes on a more personal meaning. To look closely at lives and objects that are easily dismissed is\, in its own way\, an act of resistance to that dismissal. \nAll are welcome to join us for the Artist’s Reception\, September 26th. Stop by any time 1-4 pm to greet the artist and enjoy the light refreshments. \nPlease also join us for the Artist’s Talk with accompanying gospel choir performance by the Dr. George W. Davis Senior Center Choir\, led by music conductor Kenneth Little\, starting at 2 pm\, Saturday\, October 3rd. Arrive early to see a 15 minute musical performance by Caleb Dowdell starting at 1:30 pm at Gearbox Gallery just downstairs from Transmission Gallery. William’s talk to start afterward at 2 pm with the Dr. George W. Davis Senior Center Choir. closing out the event with their performance.
URL:https://oaklandartmurmur.org/event/willam-rhodes-fear-not/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261001T130000
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SUMMARY:Night Watch // Gregory Rick
DESCRIPTION:Johansson Projects presents Night Watch\, a striking exhibition of paintings and works on paper by Gregory Rick that boldly reimagines history painting through the fractured lens of contemporary life. \nApocryphal yet deeply referential and incisive\, Rick’s compositions collapse past events with biblical and mythological imagery\, art-historical allusions\, and capitalist spectacle into hypersaturated scenes that are at once facetious and unsettling. A burning cross\, a feline maw\, a tree of serpents\, and tigers charging toward machine-gun fire populate a world where violence–and communal acts of resistance–appear both ancient and immediate. \nFigures clad in Fila jackets\, yellow Hokas\, and other recognizable markers of contemporary consumer culture anchor these frenetic compositions in the present. As a veteran\, citizen\, and subject\, Rick draws upon collective memory to confront the cognitive dissonance of navigating everyday life amid recurring cycles of violence\, surveillance\, and oppression. In works such as Night Watch (We Got Us)\, Rembrandt’s civic militia meets Picasso’s Guernica\, transforming the historical tableau into a contemporary cry for help and vision of mutual aid. \nA few of the works are painted and collaged on silk mesh\, their transparencies exposing the layers of their construction and underscoring history itself as an unstable\, assembled narrative. In Night Watch\, Rick contends with what it means to stay woke and on watch in the 2020s. \nNight Watch runs from September 30 to October 31\, 2026 with an opening reception Friday\, October 2 from 5-8pm.
URL:https://oaklandartmurmur.org/event/night-watch-gregory-rick/2026-10-01/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Night Watch // Gregory Rick
DESCRIPTION:Johansson Projects presents Night Watch\, a striking exhibition of paintings and works on paper by Gregory Rick that boldly reimagines history painting through the fractured lens of contemporary life. \nApocryphal yet deeply referential and incisive\, Rick’s compositions collapse past events with biblical and mythological imagery\, art-historical allusions\, and capitalist spectacle into hypersaturated scenes that are at once facetious and unsettling. A burning cross\, a feline maw\, a tree of serpents\, and tigers charging toward machine-gun fire populate a world where violence–and communal acts of resistance–appear both ancient and immediate. \nFigures clad in Fila jackets\, yellow Hokas\, and other recognizable markers of contemporary consumer culture anchor these frenetic compositions in the present. As a veteran\, citizen\, and subject\, Rick draws upon collective memory to confront the cognitive dissonance of navigating everyday life amid recurring cycles of violence\, surveillance\, and oppression. In works such as Night Watch (We Got Us)\, Rembrandt’s civic militia meets Picasso’s Guernica\, transforming the historical tableau into a contemporary cry for help and vision of mutual aid. \nA few of the works are painted and collaged on silk mesh\, their transparencies exposing the layers of their construction and underscoring history itself as an unstable\, assembled narrative. In Night Watch\, Rick contends with what it means to stay woke and on watch in the 2020s. \nNight Watch runs from September 30 to October 31\, 2026 with an opening reception Friday\, October 2 from 5-8pm.
URL:https://oaklandartmurmur.org/event/night-watch-gregory-rick/2026-10-02/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Night Watch // Gregory Rick
DESCRIPTION:Johansson Projects presents Night Watch\, a striking exhibition of paintings and works on paper by Gregory Rick that boldly reimagines history painting through the fractured lens of contemporary life. \nApocryphal yet deeply referential and incisive\, Rick’s compositions collapse past events with biblical and mythological imagery\, art-historical allusions\, and capitalist spectacle into hypersaturated scenes that are at once facetious and unsettling. A burning cross\, a feline maw\, a tree of serpents\, and tigers charging toward machine-gun fire populate a world where violence–and communal acts of resistance–appear both ancient and immediate. \nFigures clad in Fila jackets\, yellow Hokas\, and other recognizable markers of contemporary consumer culture anchor these frenetic compositions in the present. As a veteran\, citizen\, and subject\, Rick draws upon collective memory to confront the cognitive dissonance of navigating everyday life amid recurring cycles of violence\, surveillance\, and oppression. In works such as Night Watch (We Got Us)\, Rembrandt’s civic militia meets Picasso’s Guernica\, transforming the historical tableau into a contemporary cry for help and vision of mutual aid. \nA few of the works are painted and collaged on silk mesh\, their transparencies exposing the layers of their construction and underscoring history itself as an unstable\, assembled narrative. In Night Watch\, Rick contends with what it means to stay woke and on watch in the 2020s. \nNight Watch runs from September 30 to October 31\, 2026 with an opening reception Friday\, October 2 from 5-8pm.
URL:https://oaklandartmurmur.org/event/night-watch-gregory-rick/2026-10-03/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261008T130000
DTEND;TZID=America/Los_Angeles:20261107T160000
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SUMMARY:Night Watch // Gregory Rick
DESCRIPTION:Johansson Projects presents Night Watch\, a striking exhibition of paintings and works on paper by Gregory Rick that boldly reimagines history painting through the fractured lens of contemporary life. \nApocryphal yet deeply referential and incisive\, Rick’s compositions collapse past events with biblical and mythological imagery\, art-historical allusions\, and capitalist spectacle into hypersaturated scenes that are at once facetious and unsettling. A burning cross\, a feline maw\, a tree of serpents\, and tigers charging toward machine-gun fire populate a world where violence–and communal acts of resistance–appear both ancient and immediate. \nFigures clad in Fila jackets\, yellow Hokas\, and other recognizable markers of contemporary consumer culture anchor these frenetic compositions in the present. As a veteran\, citizen\, and subject\, Rick draws upon collective memory to confront the cognitive dissonance of navigating everyday life amid recurring cycles of violence\, surveillance\, and oppression. In works such as Night Watch (We Got Us)\, Rembrandt’s civic militia meets Picasso’s Guernica\, transforming the historical tableau into a contemporary cry for help and vision of mutual aid. \nA few of the works are painted and collaged on silk mesh\, their transparencies exposing the layers of their construction and underscoring history itself as an unstable\, assembled narrative. In Night Watch\, Rick contends with what it means to stay woke and on watch in the 2020s. \nNight Watch runs from September 30 to October 31\, 2026 with an opening reception Friday\, October 2 from 5-8pm.
URL:https://oaklandartmurmur.org/event/night-watch-gregory-rick/2026-10-08/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261009T130000
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SUMMARY:Night Watch // Gregory Rick
DESCRIPTION:Johansson Projects presents Night Watch\, a striking exhibition of paintings and works on paper by Gregory Rick that boldly reimagines history painting through the fractured lens of contemporary life. \nApocryphal yet deeply referential and incisive\, Rick’s compositions collapse past events with biblical and mythological imagery\, art-historical allusions\, and capitalist spectacle into hypersaturated scenes that are at once facetious and unsettling. A burning cross\, a feline maw\, a tree of serpents\, and tigers charging toward machine-gun fire populate a world where violence–and communal acts of resistance–appear both ancient and immediate. \nFigures clad in Fila jackets\, yellow Hokas\, and other recognizable markers of contemporary consumer culture anchor these frenetic compositions in the present. As a veteran\, citizen\, and subject\, Rick draws upon collective memory to confront the cognitive dissonance of navigating everyday life amid recurring cycles of violence\, surveillance\, and oppression. In works such as Night Watch (We Got Us)\, Rembrandt’s civic militia meets Picasso’s Guernica\, transforming the historical tableau into a contemporary cry for help and vision of mutual aid. \nA few of the works are painted and collaged on silk mesh\, their transparencies exposing the layers of their construction and underscoring history itself as an unstable\, assembled narrative. In Night Watch\, Rick contends with what it means to stay woke and on watch in the 2020s. \nNight Watch runs from September 30 to October 31\, 2026 with an opening reception Friday\, October 2 from 5-8pm.
URL:https://oaklandartmurmur.org/event/night-watch-gregory-rick/2026-10-09/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Night Watch // Gregory Rick
DESCRIPTION:Johansson Projects presents Night Watch\, a striking exhibition of paintings and works on paper by Gregory Rick that boldly reimagines history painting through the fractured lens of contemporary life. \nApocryphal yet deeply referential and incisive\, Rick’s compositions collapse past events with biblical and mythological imagery\, art-historical allusions\, and capitalist spectacle into hypersaturated scenes that are at once facetious and unsettling. A burning cross\, a feline maw\, a tree of serpents\, and tigers charging toward machine-gun fire populate a world where violence–and communal acts of resistance–appear both ancient and immediate. \nFigures clad in Fila jackets\, yellow Hokas\, and other recognizable markers of contemporary consumer culture anchor these frenetic compositions in the present. As a veteran\, citizen\, and subject\, Rick draws upon collective memory to confront the cognitive dissonance of navigating everyday life amid recurring cycles of violence\, surveillance\, and oppression. In works such as Night Watch (We Got Us)\, Rembrandt’s civic militia meets Picasso’s Guernica\, transforming the historical tableau into a contemporary cry for help and vision of mutual aid. \nA few of the works are painted and collaged on silk mesh\, their transparencies exposing the layers of their construction and underscoring history itself as an unstable\, assembled narrative. In Night Watch\, Rick contends with what it means to stay woke and on watch in the 2020s. \nNight Watch runs from September 30 to October 31\, 2026 with an opening reception Friday\, October 2 from 5-8pm.
URL:https://oaklandartmurmur.org/event/night-watch-gregory-rick/2026-10-10/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261010T150000
DTEND;TZID=America/Los_Angeles:20261010T170000
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SUMMARY:Artist Talks: Present Figures – Curated by Laura Malone
DESCRIPTION:Laura Malone\, Carnivale\, Oil on Linen\, 60” x 48”\, 2021\, Photo courtesy of the artist \nPresent Figures brings together five California painters whose works exist within the figurative language of portraiture\, simultaneously expanding and disrupting it. Centered around themes of intimacy\, boundaries\, and embodied emotion\, each artist takes an individual approach to media\, scale\, and the capacity of the human form to be both a site of identity and a vessel of metaphor. Engaging in profound considerations of what it is to be human—our physicality\, sense of self\, relationships\, consciousness\, and creativity\, these artists invite us to engage with these shifting\, eternal questions and reflect on our own experiences—be they practical\, peaceful\, disturbing\, humorous\, fragmented\, spiritual\, or otherworldly. As individuals\, choices that begin with who and what to portray later manifest in stylistic and material communiquès that boldly and poetically reveal themselves to the world. Collectively\, the psychologically charged spectrum of the group reminds us of the myriad ways our sentience can be narrated. Like Anais Nin said\, “We don’t see things as they are\, we see them as we are.” \nBio:\nWith Present Figures\, Laura Malone expands her practice to curation. Malone invited four artists to show alongside her\, chosen for their unique and diverse approaches to representing the figure: two Southern California artists — Cindy Craig and Shannon Rae Fincke — and two from the Bay Area — Nina Katz and Heidi Brueckner. Collectively their work has been shown across the globe in Europe\, Asia\, and the United States. Malone’s artwork was featured in The Crocker Kingsley National Art Competition and included in “Disrupted Realism\,” juried by John Seed\, who wrote the book of the same name. Malone currently resides in Oakland\, CA and has been a member of Mercury 20 since 2023. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOpening Reception: Saturday\, September 12\, 3 – 5 pm\nOakland Art Murmur / First Friday: October 2\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/artist-talks-present-figures-curated-by-laura-malone/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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