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DTSTART;TZID=America/Los_Angeles:20260206T170000
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SUMMARY:Fourwalls – new works by Mike Texada at mighty mighty studio
DESCRIPTION:Opening February 6th 5:00 – 8:00 pm at Mighty Mighty studio \nMike Texada – Foruwalls \nFour Walls invites the audience into the foundational practices of MATTE Universe worldbuilding. This exhibition dives into the origins of reoccurring themes in the artist’s work such as Camoism and the Gatekeepers. Artistically\, Four Walls showcases the creative pillars of Texada’s practice using multiple mediums and techniques such as digital illustration\, mixed media oil paintings\, Hand-painted 3D collectibles\, and creative writing to emphasize his ever-expanding vision. \n​ \nBIO: \nMike Texada is a self-taught mixed media artist working in an abstract style he calls Camoism\, a visual language rooted in the interconnectedness of all things. Through colorful\, camouflage-like sequences\, his work explores themes of history\, philosophy\, worldbuilding\, and identity\, inviting viewers to consider how meaning emerges through connection.
URL:https://oaklandartmurmur.org/event/fourwalls-new-works-by-mike-texada-at-mighty-mighty-studio/
LOCATION:Mighty Mighty Studio\, 480 23rd Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Art Walk,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260122T120000
DTEND;TZID=America/Los_Angeles:20260228T170000
DTSTAMP:20260430T075418
CREATED:20260104T035511Z
LAST-MODIFIED:20260225T070025Z
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SUMMARY:Three Girls – Christine Ferrouge
DESCRIPTION:Three Girls\, a solo exhibition with new paintings by Christine Ferrouge \nGallery Hours: Thursdays\, Fridays\, and Saturdays noon-5pm; and by appointment\nExhibition Dates: January 22\, 2026 – February 28\, 2026\nClosing Reception: Saturday\, February 28\, 2026\, 3-5pm \nCalifornia painter\, Christine Ferrouge makes paintings about the social and intrapersonal complexity of girlhood. Inside these paintings\, her daughters and their friends have been growing up before our eyes. Now the girls are older. They are not little girls. They are teenagers. Ferrouge’s teens are not exactly what you might expect. They are not the weak\, crazy\, second class we often negatively associate with “teens”. They have the strength\, dignity\, and psychological presence that she has always shown us in her paintings of girls. They are still the “women-to-be” that you could always see simmering below the surface of these determined and confident characters. \nThese works are a mother’s view of her teens: their lounging around\, napping frequently\, and the quiet social understanding between the them. You can feel the unique and tight knit bond-especially connecting the girls- and the looks they give you when you catch them in that sacred space. “When you enter the gallery and stand in front of one of these scenes\, you are present in their space\, but you are not part of their circle.” –Ferrouge\nThis is a well established thread in Ferrouge’s work. After the Costume Party (2019)\, Desert Picnic (2020)\, After the Fires (2021)\, Watching/Waiting (2023)\, and Girls in the Mirror (2024) all give the viewer the feeling that you are in their space. The artist first observed exclusivity and girl power in her daughters and their little friends when they were just 5 and 6 years old\, which inspired The Huddle (Ferrouge\, 2016). To Ferrouge’s surprise\, many young men found that painting scary. \n“[Ferrouge] portrays complex humans\, not cute\, one-dimensional beings; her paintings are seriously insightful images…”\nBetty Ann Brown\, PhD \n“…painter Christine Ferrouge\, whose ongoing portraiture practice engages a particular thread of art history in which women paint women\, girls\, and girls on the cusp of womanhood—celebrating their insider’s perspective on subject’s inner lives\, and their outsider’s perspective on the culture that surrounds them.”\n–Shana Nys Dambrot\, Art Critic\nLos Angeles\, 2024 \nIn contrast to the seven feet high oil paintings that dominate the room\, Ferrouge also has small works that capture the gestural\, figurative narratives on an intimate scale. Since beginning to paint and exhibit some small paintings last year\, they have become popular and easy to collect.\nPlease visit the gallery to experience this work in person: \nGearBox Gallery\n770 West Grand Ave.\nOakland\, CA 94612\n510-290-9660\ninfo@gearboxgallery.com\ngearboxgallery.com\nThursdays\, Fridays\, and Saturdays noon-5pm
URL:https://oaklandartmurmur.org/event/three-girls/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260115T120000
DTEND;TZID=America/Los_Angeles:20260228T170000
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SUMMARY:Vessel\, an exploration in clay of form\, ritual and story
DESCRIPTION:Artist’s Reception January 17 from 1-4 pm \nTransmission Gallery is pleased to present Vessel: An exploration in clay of form\, ritual and story\, curated by Suzanne M. Long\, on view from January 15 – February 28\, 2026. \nDrawing on her deep roots in the Bay Area ceramics community\, Suzanne M. Long brings together a diverse range of ceramic works that interpret the concept of the “vessel” in expansive and unexpected ways—beyond function\, into the realms of ritual\, narrative\, and abstract form. Included in the exhibition are works by James Aarons\, Susana Arias\, Michelle Gregor\, Margaret Keelan\, Mattie Leeds\, Peggy Loudon\, Kris Marubayashi\, Lisa Reinertson\, Claudia Tarantino\, and Laura Van Duren. Through this collection\, viewers are invited to consider how vessels can carry not only physical contents\, but also cultural meaning\, memory\, and personal expression. \nVessel noun.\n1a: A craft for traveling on water\, a watercraft bigger than a rowboat; a ship or boat. An airship.\nb: A hollow or concave utensil\, a container (such as a cask\, bottle\, kettle\, cup\, or bowl) for holding something. A cup\, bowl\, pitcher\, or vase\, used for holding liquids or other contents.\nc: A human that serves as a receptacle for a spiritual entity to manifest\, acting as a spokesperson for that deity. A person into whom some quality (such as grace) is infused.\nd: A vessel is a hollow tube or canal that circulates body fluids\, most commonly referring to blood vessels (arteries\, veins\, and capillaries) that transport blood\, oxygen\, and nutrients throughout the body and remove waste. The term can also refer to other tubular structures that transport fluids\, such as the xylem vessels in plants that carry water. \nVessel as Metaphor.\nThe essential vessel\, devised in all cultures to antiquity\, is the metaphorical container of all that has been and will be. For early cultures the sky was vessel\, containing creation spirits and the departed; earth was mother vessel nestling\, chiding and providing. \nImages: Peggy Loudon\, Vessels\, up to 15”\, Lisa Reinertson\, Sentient beings\, 74“ x 22” x 22“\, Laura Van Duren\, Rendering\, 20” x 32” x 6”
URL:https://oaklandartmurmur.org/event/vessel-an-exploration-in-clay-of-form-ritual-and-story/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20250924T110000
DTEND;TZID=America/Los_Angeles:20260426T160000
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SUMMARY:100 Years of Creative Visions
DESCRIPTION:In celebration of the Mills College Art Museum’s centennial\, 100 Years of Creative Visions features an intergenerational and cross-cultural selection of major works from the permanent collection that emphasizes creative communities and the importance of artist friendships. Thematic sections throughout the exhibition highlight the strengths of the collection\, such as\, ceramics\, Modernist Photography\, California Impressionism\, Mexican Modernism\, Printmaking from Dürer to the Expressionists\, Asian and Asian American art\, and more.
URL:https://oaklandartmurmur.org/event/100-years-of-creative-visions/
LOCATION:Mills College Art Museum\, 5000 MacArthur Blvd.\, Oakland\, CA\, 94613\, United States
CATEGORIES:Ongoing Exhibitions
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