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DTSTART;TZID=America/Los_Angeles:20260327T120000
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DTSTAMP:20260428T084211
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SUMMARY:Leigh Barbier\, Jessika Cadkin\, Laura Malone\, Christine Meuris: Material Differences
DESCRIPTION:The four artists featured in Material Differences work in painting\, sculpture\, and weaving. Considered together\, their works draw attention to the ways texture\, material choice\, and scale shape the dynamics of the exhibition.\nLeigh Barbier’s series Under the Influence features ceramic heads informed by her intuitive drawing process: pieces created during moments of inspiration\, anxiety\, or relief. They capture glimpses of an idea\, feeling\, or dream; fragments of her imagination.\nJessica Cadkin’s sculpture\, Cavity\, depicts a large‑scale molar\, reflecting a lifelong fascination with her teeth and her aversion to dentist visits. Her work explores the tension between attraction and repulsion\, presenting the tooth as something both familiar and unsettling.\nExamining human subjectivity\, Laura Malone’s paintings traverse a range of emotional landscapes. From jubilant bursts of vermilion in one piece to gentle splashes of gray in another\, Malone invites viewers to gambol here\, only to rest in stillness there.\nChristine Meuris’s pieces are examples of overshot weaving\, in which a contrasting pattern thread is interwoven with the structural plain weave threads; and the process of inlay\, in which areas of pattern are placed only where the weaver wants them. For Meuris\, making them was an experiment in layering structures of form and pattern. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\n﻿Oakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Left to right\, Laura Malone\, Fire Season\, Oil on Linen\, 40″x40″\, 2026; Christine Meuris\, Balance\, Woven Cotton\, 2 panels at 48″x19″ each\, 2024; Leigh Barbier\, Under the Influence (WIP)\, Ceramics\, 5″x5″x3″\, 2026; all photos courtesy of the artists
URL:https://oaklandartmurmur.org/event/leigh-barbier-jessika-cadkin-laura-malone-christine-meuris-material-differences/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260403T130000
DTEND;TZID=America/Los_Angeles:20260530T170000
DTSTAMP:20260428T084211
CREATED:20260221T012115Z
LAST-MODIFIED:20260221T012115Z
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SUMMARY:Deconstructing the Gaze: 'Forgotten Eyes': Contemporary Surrealism and Cubist Visions Challenge Perceptions of Reality
DESCRIPTION:Johansson Projects presents Forgotten Eyes an exhibition of painting by Pablo Benzo and sculpture by Soojin Choi. Known for their emotional and undulating compositions\, Benzo and Choi exploit the unstable boundaries between interior and exterior worlds. Their representations of life are warped\, distended\, burnished\, and ultimately engaged in a reality that is elastic rather than fixed\, shaped by memory\, intuition\, and shifting sensorial conditions.  \nOperating at the formal and conceptual nexus of Surrealism and Cubism\, Benzo’s paintings reinterpret early 20th-century modernism for the contemporary moment. Grounded in conventions of still life and portraiture\, his pastel-hued interiors are rendered as sites of mystery and multiplicity. In Benzo’s painted world flowers float as they wilt and the joints of furniture crease like flesh. Blending the quotidian with the otherworldly\, Benzo eschews realism for a dream-like plane of being\, offering a comfortable familiarity that always necessitates a double-take.  \nChoi’s ceramic sculptures similarly forgo conventional modes of representation in favor of more circuitous structures. Often figurative\, her work treats the human body as a plastic form. Limbs and faces emerge from painted underglaze applied to hand-built planes of flattened clay that twist and twine around each other. Choi’s figures never engage in a moment of recognition\, instead looking outward with ambivalent expressions. Their contorted anatomy foregrounds their alterity\, evoking the complexity of human connection\, individuation\, and the construction of the other.  \nForgotten Eyes will run Friday\, April 3 to Saturday\, May 30\, 2026. An opening reception will be held Friday\, April 3 from 5-8 pm.
URL:https://oaklandartmurmur.org/event/deconstructing-the-gaze-forgotten-eyes-contemporary-surrealism-and-cubist-visions-challenge-perceptions-of-reality/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260502T130000
DTEND;TZID=America/Los_Angeles:20260502T150000
DTSTAMP:20260428T084211
CREATED:20260407T230810Z
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SUMMARY:Hands-on art making event: Collage
DESCRIPTION:Join us for a fun\, family-friendly afternoon of creativity at Manna Gallery! As part of Built Different\, a black-and-white photography exhibition by Oakland-based artist Gina Gaiser\, we’re hosting a hands-on art-making event for all ages. \nOn Saturday\, May 2\, from 1–3 pm\, visitors are invited to explore paper collage using provided materials or bring their own to personalize their creations. Inspired by Gina’s experimental approach and her keen eye for Oakland’s urban landscape\, this activity encourages playful discovery and artistic expression for the whole family. \nBuilt Different runs April 3 – May 9\, 2026\, with additional events including Oakland Art Murmur First Fridays (April 3 & May 1\, 5–8 pm) and an Artist Reception on Saturday\, April 11 (3–5 pm). Gallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm. \nAll events and gallery admission are free. Come make art\, get inspired\, and experience Oakland through a new lens!
URL:https://oaklandartmurmur.org/event/hands-on-art-making-event-collage/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T143000
DTSTAMP:20260428T084211
CREATED:20260416T233131Z
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SUMMARY:Artist’s Talk – Sonia Gill: Memento Vivere / Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere / Remember to Live\nArtist’s Talk starts at 2 pm – please join us – all are welcome! Free street parking nearby. \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. Indeed\, Gill often refers to her collages as paintings. Thoughtful of composition and content\, Gill’s imagery emerges through a contemplative process with color drawn from a vast trove of magazine imagery.  \nImages pay homage to the daily moments from which our lives are built\, quiet\, repetitive\, and precious as they are. \nCome out to the artist’s talk to hear more from Sonia about her art practice\, philosophy and the development of the figurative work on view at Transmission Gallery. Events are free and open to the public. \nCan’t make the talk? See the work April 23 – June 6\, Thursdays\, Fridays and Saturdays\, 12-5pm and by appointment.
URL:https://oaklandartmurmur.org/event/artists-talk-sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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