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DTSTART;VALUE=DATE:20260403
DTEND;VALUE=DATE:20260510
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SUMMARY:Built Different - Gina Gaiser
DESCRIPTION:Manna Gallery presents Built Different\, a black-and-white photography series by Gina Gaiser that examines the logic embedded in the urban landscape. Focusing on brickwork\, graffiti\, industrial surfaces\, and architectural grids\, Gaiser isolates fragments of the built environment and reframes them as studies in repetition\, contrast\, and form. Stripped of color\, the images emphasize structure and rhythm\, allowing overlooked details to surface with clarity. When assembled\, the photographs converge into larger visual systems\, revealing order within what might otherwise register as visual noise. Built Different reflects on construction in multiple senses\, of cities\, of environments\, and of perception itself\, proposing that heightened attention to pattern and geometry is not deviation\, but insight.\nApril 3 – May 9\, 2026\nArtist Reception: Saturday\, April 11\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, April 3 & May 1\, 5-8 pm
URL:https://oaklandartmurmur.org/event/built-different-gina-gaiser/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260423T120000
DTEND;TZID=America/Los_Angeles:20260606T170000
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SUMMARY:Sonia Gill: Memento Vivere/Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere/Remember to Live\nApril 23 – June 6\n____________ \n​Artists’ Reception\nconcurrent with reception for Jeff Dikio: This Must Be the Place\nSaturday\, May 2nd from 1-4 pm \n​Artist’s Talk\nSaturday\, May 16h at 2 pm \nClosing Reception\nSaturday\, June 6th from 1-4 pm \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. \nBeginning with a photographic reference drawn from her everyday life\, Gill builds her compositions piece by piece through a slow and contemplative process. Drawing from a vast archive of printed matter: pages of magazines\, discarded scraps\, and remnants of images once whole\, she assembles hundreds of paper fragments translating the image into a new state of presence. Within this self-imposed constraint\, she embarks on a rigorous and intuitive search for the exact hue\, value\, or texture needed to bring a scene to life. \n​At its core\, this body of work is an homage to the quiet\, enduring moments that define human life: reading together\, tending to small rituals\, routine tasks and moments of reflection. In an era often marked by business and noise\, Gill’s practice offers a counterpoint—a deliberate slowing down\, a careful reconstruction of meaning through attention and care reminding us that life’s significance resides not in spectacle\, but in the accumulation of small\, luminous moments. This work is a reminder – remember to live. \nTrained as a painter and influenced by mentor’s Jay DeFeo and Ron Dahl\, Gill graduated with a BFA from California College of Arts and Crafts\, in addition to degrees from Michigan State University in French. With a robust exhibition history\, she has shown extensively in the Bay Area with solo exhibitions dating  over the past twenty years and inclusion in a long list of juried shows. Her work has been published in Studio Visit Magazine and 48 Hills\, among other publications\, and recognition in painting and watercolor with awards from the Sebastopol Center for the Arts\, Northern National Art Competition\, Richmond Art Center and Fort Bragg Art Center.
URL:https://oaklandartmurmur.org/event/sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260430T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
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SUMMARY:Jeff Dikio: This Must Be the Place
DESCRIPTION:Jeff Dikio: This Must Be the Place\nApril 30 – June 13\, 2026 \nOpening Reception\, Saturday\, May 2nd\, 1-4 pm. \nIn This Must Be the Place\, Jeff Dikio reflects on the quiet spaces where memory\, environment\, and emotion intersect. Borrowing its title from the Talking Heads song\, the exhibition considers “place” not as a fixed location\, but as a feeling—something recognized in passing\, in fragments\, in moments of stillness. \nUsing paint chips in his collages\, Dikio reconstructs familiar “every day” scenes  into compositions that feel both grounded and unsettled. What emerges is a visual language of belonging\, where home is less about geography and more about resonance.” \nDikio is a Bay Area artist born in 1975 on Clark Air Force Base in the Philippines. Raised within a transient military culture\, he found early grounding in drawing and observation\, developing a lifelong sensitivity to place\, movement\, and change. \nIn his recent collages\, Dikio tries to capture the colorful and quirky architecture and scenes found in his immediate surroundings that are distinctive of the surrounding Bay Area. \nHe received his BA in Fine Arts from the University of California\, Santa Cruz in 1997\, and has since worked across figurative\, landscape\, and mixed-media practices.
URL:https://oaklandartmurmur.org/event/jeff-dikio-this-must-be-the-place/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260516
DTEND;VALUE=DATE:20260621
DTSTAMP:20260504T231148
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SUMMARY:Familiar Strangers – Devynn Barnes\, Madelyn Covey\, Monica Guillory\, Pamela Mooney\, Jillian Shea\, Julianne Sterling\, & Deirdre White
DESCRIPTION:Manna Gallery is excited to present a group exhibition featuring seven Bay Area figurative artists exploring the shifting relationships between memory\, identity\, and image. In a time when identity is constantly performed\, recorded\, and revised\, the exhibition focuses on the unstable space where perception and recollection overlap\, where what we see\, remember\, and share is never entirely fixed. The works embrace a deliberate ambiguity\, reflecting the blur of digital culture\, the fragility of memory\, and the subjectivity of observation. Across their practices\, these artists consider how personal and collective histories are shaped\, obscured\, and reimagined\, inviting viewers to reflect on how images influence the stories we tell about ourselves and one another. \nMay 16 – June 20\, 2026\nArtists’ Reception: Saturday\, May 16\, 2-4 pm\nOakland Art Murmur 20th Anniversary party on 25th St: Saturday\, May 30\nFirst Friday: June 5\, 5-8 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm \nAbout the artists:\nDevynn Barnes invites viewers to confront their own narratives\, encouraging a collective awakening\, communal (melanated) homecoming\, and admittance to our interconnected archives. Monica Guillory transforms vintage photographs into layered paintings that hold both the warmth of connection and the fragility of memory. Madelyn Covey paints intimate portraits on found wallpaper\, exploring identity\, domesticity\, and the subtle performances of everyday life. Pamela Mooney reimagines and distorts source imagery\, prompting reflection on how cultural narratives shape perception and future possibilities. Jillian Shea captures nightlife scenes to examine femme visibility\, agency\, and resistance within spaces of looking and being looked at. Julianne Wallace Sterling’s recent paintings transform personal travel photographs into atmospheric\, dreamlike cityscapes where portraiture\, memory\, and imagined light intertwine. Deirdre White constructs poetic\, unsettled worlds where personal memory and collective experience intertwine amid loss\, resilience\, and wonder.
URL:https://oaklandartmurmur.org/event/familiar-strangers-devynn-barnes-madelyn-covey-monica-guillory-pamela-mooney-jillian-shea-julianne-sterling-deirdre-white/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260516T140000
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SUMMARY:Artist’s Talk – Sonia Gill: Memento Vivere / Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere / Remember to Live\nArtist’s Talk starts at 2 pm – please join us – all are welcome! Free street parking nearby. \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. Indeed\, Gill often refers to her collages as paintings. Thoughtful of composition and content\, Gill’s imagery emerges through a contemplative process with color drawn from a vast trove of magazine imagery.  \nImages pay homage to the daily moments from which our lives are built\, quiet\, repetitive\, and precious as they are. \nCome out to the artist’s talk to hear more from Sonia about her art practice\, philosophy and the development of the figurative work on view at Transmission Gallery. Events are free and open to the public. \nCan’t make the talk? See the work April 23 – June 6\, Thursdays\, Fridays and Saturdays\, 12-5pm and by appointment.
URL:https://oaklandartmurmur.org/event/artists-talk-sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260516T140000
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SUMMARY:Artists’ Reception – Familiar Strangers
DESCRIPTION:Join Manna Gallery in celebrating the opening of Familiar Strangers\, a group exhibition featuring Devynn Barnes\, Madelyn Covey\, Monica Guillory\, Pamela Mooney\, Jillian Shea\, Julianne Sterling\, and Deirdre White. Meet the artists and be among the first to experience this thoughtful exploration of memory\, identity\, and image through contemporary figurative painting. The reception offers an opportunity to connect\, ask questions\, and engage with the work in a lively\, informal setting. \nMay 16 – June 20\, 2026\nArtists’ Reception: Saturday\, May 16\, 2-4 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm \nDevynn Barnes is an Oakland-based painter\, visual artist\, and archivist. Through her multi-disciplinary work\, she transforms archival fragments into portals of Afro-surreal conjure\, restoring suppressed Black queer presence and imagining landscapes of collective homecoming. Barnes invites viewers to confront their own narratives\, encouraging a collective awakening\, communal (melanated) homecoming\, and admittance to our interconnected archives.  \nMonica Guillory paints from vintage photographs\, transforming fleeting moments of intimacy and joy into layered compositions that mirror the fragility and emotional elasticity of memory—where figures emerge\, dissolve\, and persist through time. \nMadelyn Covey paints portraits of friends and family that examine the performance of identity within intimate\, domestic spaces. Working on found wallpaper\, she builds visual relationships between subject and surface\, creating textured reflections on connection\, care\, and the subtle ways we inhabit our roles. \nPamela Mooney reconfigures found imagery into compositions that are at once familiar and disorienting. Through distortion\, color disruption\, and chance\, her work challenges viewers to unravel embedded meanings while considering the impact our cultural narratives have on the possibilities of the future. \nJillian Shea captures nightlife scenes as sites of tension and agency\, where visibility and performance collide. Her paintings reframe femme presence as active and resistant\, emphasizing camaraderie and autonomy within spaces shaped by the dynamics of looking and being looked at. \nJulianne Wallace Sterling’s recent paintings are inspired by photos she took on vacation with her family. These photos are of cherished memories and travels with loved ones. These paintings begin in an atmospheric location but quickly dive into magical imaginings of place through light\, floral design\, and shadow. Sterling’s work is fundamentally portraiture\, but she has been exploring the figure in the complexity of cityscapes. \nDeirdre White constructs poetic\, often unsteady worlds drawn from memory\, landscape\, and imagination. Her paintings weave personal and collective narratives of life in the American West\, where grief\, wonder\, and resilience coexist within scenes of quiet upheaval.
URL:https://oaklandartmurmur.org/event/artists-reception-familiar-strangers/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260605T170000
DTEND;TZID=America/Los_Angeles:20260801T170000
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SUMMARY:“Positively Cynical” recent work by Ryan Tesluk
DESCRIPTION:Ryan Tesluk’s art provides viewers with honest\, unadulterated content that triggers a\nplethora of emotions. While many individuals may be uncomfortable with what they see\, the fact that some may feel such discomfort when looking at his paintings means Tesluk is doing\nsomething right. \nMore soon!  \nJune 5th – August 1st\, 2026\nReceptions:  First Friday\, June 5th\, 5-10pm\nReceptions:  First Friday\, July 3rd\, 5-10pm \nHours:\nSaturdays 1-5pm\nEvery first Friday of the month 5-9pm\notherwise by appointment
URL:https://oaklandartmurmur.org/event/positively-cynical-recent-work-by-ryan-tesluk/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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