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SUMMARY:100 Years of Creative Visions
DESCRIPTION:In celebration of the Mills College Art Museum’s centennial\, 100 Years of Creative Visions features an intergenerational and cross-cultural selection of major works from the permanent collection that emphasizes creative communities and the importance of artist friendships. Thematic sections throughout the exhibition highlight the strengths of the collection\, such as\, ceramics\, Modernist Photography\, California Impressionism\, Mexican Modernism\, Printmaking from Dürer to the Expressionists\, Asian and Asian American art\, and more.
URL:https://oaklandartmurmur.org/event/100-years-of-creative-visions/
LOCATION:Mills College Art Museum\, 5000 MacArthur Blvd.\, Oakland\, CA\, 94613\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Leigh Barbier\, Jessika Cadkin\, Laura Malone\, Christine Meuris: Material Differences
DESCRIPTION:The four artists featured in Material Differences work in painting\, sculpture\, and weaving. Considered together\, their works draw attention to the ways texture\, material choice\, and scale shape the dynamics of the exhibition.\nLeigh Barbier’s series Under the Influence features ceramic heads informed by her intuitive drawing process: pieces created during moments of inspiration\, anxiety\, or relief. They capture glimpses of an idea\, feeling\, or dream; fragments of her imagination.\nJessica Cadkin’s sculpture\, Cavity\, depicts a large‑scale molar\, reflecting a lifelong fascination with her teeth and her aversion to dentist visits. Her work explores the tension between attraction and repulsion\, presenting the tooth as something both familiar and unsettling.\nExamining human subjectivity\, Laura Malone’s paintings traverse a range of emotional landscapes. From jubilant bursts of vermilion in one piece to gentle splashes of gray in another\, Malone invites viewers to gambol here\, only to rest in stillness there.\nChristine Meuris’s pieces are examples of overshot weaving\, in which a contrasting pattern thread is interwoven with the structural plain weave threads; and the process of inlay\, in which areas of pattern are placed only where the weaver wants them. For Meuris\, making them was an experiment in layering structures of form and pattern. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Left to right\, Laura Malone\, Fire Season\, Oil on Linen\, 40″x40″\, 2026; Christine Meuris\, Balance\, Woven Cotton\, 2 panels at 48″x19″ each\, 2024; Leigh Barbier\, Under the Influence (WIP)\, Ceramics\, 5″x5″x3″\, 2026; all photos courtesy of the artists
URL:https://oaklandartmurmur.org/event/leigh-barbier-jessika-cadkin-laura-malone-christine-meuris-material-differences/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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