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SUMMARY:GearBox Gallery Presents: Tilt Toward Joy\, Jenny Hacker and Maricris Briones Hansen
DESCRIPTION:Jenny Hacker and Maricris Briones Hansen\nNovember 5 – December 19\, 2026\nOpening Reception\nGearBox Gallery is pleased to present\, the winners of our Bay Area Open\, Jenny Hacker and Maricris Briones Hansen in their two person exhibition\, Tilt Toward Joy. November 5th through December 19th. With a special exhibition in the Inner Room Gallery\, Second Sight: views of the natural world\, photographic imagery by Joy Every \nReception for the Artists: Saturday\, November 7th at 1:00pm\nArtists’ Talks: Saturday\, December 12\, 2pm \nMore about Tilt Toward Joy: Both artists share a love of color and a playful approach to form\, Hacker with her free form sculptures and Briones-Hansen with her collage like paintings.  These two artists’ unique shapes appear to be in conversation with one another and lend an almost anthropomorphic quality to their abstract sculptures and paintings. Their work will be displayed together in the Main Gallery to create a colorful and joyous atmosphere —something we could all use right now.
URL:https://oaklandartmurmur.org/event/gearbox-gallery-presents-tilt-toward-joy-jenny-hacker-and-maricris-briones-hansen/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20261105T120000
DTEND;TZID=America/Los_Angeles:20270109T170000
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SUMMARY:Tiffany Schmierer: Aggregate Vision
DESCRIPTION:Tiffany Schmierer: Aggregate Vision\nNovember 5 – January 9\, 2027\n​(Closed Nov 26-28\, Dec 23 – Jan 2)​ \nArtist’s Reception: Saturday\, Nov 14th\, 1-4 pm\nStop by to greet the artist and enjoy the light refreshments with real people at a real place at a real time. \nArtist’s Talk: Saturday\, December 5th\, starting at 2 pm \nTransmission Gallery is pleased to present Aggregate Vision\, a solo exhibition of recent work by Tiffany Schmierer in the Small Space of the gallery\, at the top of the stairs. \nSchmierer’s ceramic sculptures bring together an intricate vocabulary of color\, pattern\, texture\, and form. Constructed from interlocking shapes and multi-planar facets\, the works balance geometric structure with organic movement. Each element has its own surface\, pattern\, and character\, yet contributes to a larger composition of surprising connections and visual complexity anchored by repeated motifs. \nThrough multiple glaze firings\, Schmierer builds richly layered surfaces\, combining varied colors\, graphic patterns\, and tactile details. Curves\, angles\, ridges\, and open spaces intersect and overlap\, creating a sense of movement and depth. As the eye travels across the work\, individual forms shift in relation to one another\, revealing new patterns and spatial relationships.  The interplay of structure\, color\, and surface gives the work an animated quality\, while the complexity of their construction holds the parts together as a cohesive whole. \nPlease join us for the Artist’s Reception\, concurrent with the Reception for No Life Guard on Duty. Stop in any time between 1 and 4 pm\, Saturday\, November 14th to greet the artists and check out the work while enjoying the light refreshments on our lovely outdoor deck (weather permitting). All are welcome!   \nAggregate Vision is one of two concurrent solo exhibitions at Transmission gallery\, with more art to see in the Artist’s Showroom.
URL:https://oaklandartmurmur.org/event/tiffany-schmierer-aggregate-vision/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261112T120000
DTEND;TZID=America/Los_Angeles:20270116T170000
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SUMMARY:Dana DeKalb: No Lifeguard on Duty
DESCRIPTION:November 12 – January 16\, 2027\nRegular Gallery Hours: Thursdays\, Fridays and Saturdays\, 12-5 pm\n​(Holiday Schedule: by appointment only from Nov 22-28 and Dec 22 – Jan 2)​​​ \nArtist’s Reception: Saturday\, November 14\, 1-4 pm \nArtist’s Talk: Saturday\, January 9th\, starting at 2 pm \nDana DeKalb’s Statement about No Lifeguard on Duty: \nSet within a long tradition of narrative art\, my figure paintings are riddles\, which balance the familiar and nostalgic with the surreal\, bringing a psychological charge to seemingly ordinary moments. The enigmatic subjects are situated in improbable dioramas\, which glow with the colors of a tinted photograph. With an inner emotion\, and a dash of humor\, they take on curious tasks and unforeseen events\, and are often caught in a moment of decision. At first\, they appear engaged in everyday actions; yet on closer inspection\, unexpected details reveal that something strange is unfolding. Each scene captures a narrative pause\, inviting viewers to unravel the plot and insert their own interpretation to complete the story. \nNo Lifeguard on Duty specifically focuses on the ocean\, an iconic environment by turns wildly beautiful\, serenely nurturing and dangerously volatile.  It’s tidal rhythm of ebb and flow is a symbol of transition and adaptation\, serving as an apt metaphor for the fluctuations of life. The figures in the paintings wobble in undersized lifeboats\, stilt walk determinedly through high tide\, or balance in a human tower on a diving platform. They build sandcastles\, play with inflatable toys\, and collect specimens from the sea and sky. Like the marooned seafarer Robinson Crusoe\, they are portrayed navigating their way through an unpredictable world. \nIn addition to figure paintings\, the show features a wall of miniature\, detailed panels of undersea zoophytes — an archaic term meaning\, literally\, “animal-plants” — which transition from lush color to cool monochrome. Mysterious and evocative\, they bring to mind alien flora and fauna\, while alluding to the bleaching of coral in warming ocean waters.
URL:https://oaklandartmurmur.org/event/dana-dekalb-no-lifeguard-on-duty/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261121T130000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-21/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261126T130000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-26/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261127T130000
DTEND;TZID=America/Los_Angeles:20270115T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-27/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTEND;TZID=America/Los_Angeles:20270116T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-11-28/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261203T130000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-03/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;VALUE=DATE:20261204
DTEND;VALUE=DATE:20270131
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SUMMARY:2026 FM Annual: “I Left My Heart In Oakland”
DESCRIPTION:For December and January we will be hosting the 2026 FM Annual.  This is a show featuring the latest work by every studio member in FM Oakland\, and serves as a celebration our eclectic lineup\, as we highlight each artistic talent outside their individual studio settings. This years theme is\, “I Left My Heart In Oakland.”  Come see how each artist interprets this concept as we honor our town Oakland which we love so dearly. \nOur lineup features Chico Barretto\, Maria Blanco\, Ricardo Cervantes\, Jervis Corner\, Joseph Kowalczyk\, Karen Lopez\, Stefanie Papaiacovou\, Ryan Tesluk\, Azar Vaghefi\, and Katie Yarnold. \n“FM Annual 2026”\nDecember 4th\, 2026 – January 30th\, 2027\nArt Murmur Receptions:\nFriday\, December 4th\, 5-10pm\nFriday\, January 1st (likely to be rescheduled for the 8th)\, 5-10pm
URL:https://oaklandartmurmur.org/event/2026-fm-annual-i-left-my-heart-in-oakland/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-04/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261205T130000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-05/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-10/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-11/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-12/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-17/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-18/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20261219T130000
DTEND;TZID=America/Los_Angeles:20270206T170000
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SUMMARY:Nicole Irene Anderson // Land Figures
DESCRIPTION:Johansson Projects presents Land Figures\, Nicole Irene Anderson’s second solo exhibition of landscape paintings and drawings with the gallery.  \nKnown for her haunting California landscapes\, Nicole Irene Anderson renders subjects not as static portraits but as living atmospheres—shifting\, flickering\, and at times nearly dissolving into their environments. These forms become little islands unto themselves\, bound not by topography but by the emotional weather of their surroundings. Her work stirs with an uncanny\, near-hallucinatory stillness\, drawing us into moments where the familiar becomes spectral and the personal\, mythic. \nIn Anderson’s world\, the human condition is not a singular state but a diffuse\, mercurial experience. Our disparate and illusory natures seek to know each other in the darkness. The artist’s subjects—sometimes solitary\, sometimes accompanied—are lanterns in the fog. They search for connection\, and occasionally\, they find it in ways we do: in familiarity\, in strangeness\, in memory\, and the mirrors of perception. Her work suggests that this kind of connection\, fragile and radiant\, is possible only when we open ourselves to the ache of vulnerability. To witness the illusion of stillness in an entropic universe. \nTo describe Nicole Irene Anderson as simply a painter is to understate the force majeure she embodies in the studio. She mines the emotional terrain with an unrelenting commitment\, refusing sentimentality in favor of something sharper\, truer. Her hyperrealities are not polished simulations but cracked and flickering truths formed in the crucible of lived experience. They are a response to a world that often feels unreal—and a defiant claim that feeling\, in all its terror and tenderness\, is real. \nThis is not escapism. It is a radical kind of noticing. \nI’d like to believe her singular ability to reconstitute contemporary landscapes—both internal and external —was born from her formative time here on the Central Coast. A terrain too stark and too honest to allow for illusion. There is a coastal realism that imprints itself on those who grow up alongside its fog-drenched cliffs and fractured light. It teaches you to see things for what they are\, even when they hide. Anderson never stopped looking. Her paintings speak the visual language of that upbringing: attuned to absence\, lit by empathy\, edged with mystery. \nIn the lineage of artists who collapse the boundaries between place\, psyche\, and spirit\, Anderson is carving out her own topography—one that is deeply rooted\, relentlessly curious\, and wholly her own. \nBy Charles Smith \nLand Figures runs November 21\, 2026 to January 9\, 2027.  \nAn opening reception will be held Saturday\, November 21 from 3-5pm.
URL:https://oaklandartmurmur.org/event/nicole-irene-anderson-land-figures/2026-12-19/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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