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DTSTART;TZID=America/Los_Angeles:20250924T110000
DTEND;TZID=America/Los_Angeles:20260426T160000
DTSTAMP:20260420T160920
CREATED:20250923T223524Z
LAST-MODIFIED:20250923T223524Z
UID:10003620-1758711600-1777219200@oaklandartmurmur.org
SUMMARY:100 Years of Creative Visions
DESCRIPTION:In celebration of the Mills College Art Museum’s centennial\, 100 Years of Creative Visions features an intergenerational and cross-cultural selection of major works from the permanent collection that emphasizes creative communities and the importance of artist friendships. Thematic sections throughout the exhibition highlight the strengths of the collection\, such as\, ceramics\, Modernist Photography\, California Impressionism\, Mexican Modernism\, Printmaking from Dürer to the Expressionists\, Asian and Asian American art\, and more.
URL:https://oaklandartmurmur.org/event/100-years-of-creative-visions/
LOCATION:Mills College Art Museum\, 5000 MacArthur Blvd.\, Oakland\, CA\, 94613\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="MIlls College Art Museum":MAILTO:MILLSARTMUSEUM@NORTHEASTERN.EDU
GEO:37.7829;-122.1819
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mills College Art Museum 5000 MacArthur Blvd. Oakland CA 94613 United States;X-APPLE-RADIUS=500;X-TITLE=5000 MacArthur Blvd.:geo:-122.1819,37.7829
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260306T100000
DTEND;TZID=America/Los_Angeles:20260425T180000
DTSTAMP:20260420T160920
CREATED:20260213T014005Z
LAST-MODIFIED:20260213T014008Z
UID:10004198-1772791200-1777140000@oaklandartmurmur.org
SUMMARY:Multi-Artist Exhibition -- March-April\, 2026
DESCRIPTION:Join us in welcoming these wonderful Bay Area artists to our first show of 2026.  Varied styles.  Varied mediums.  Enjoy their artistry!\n                    Arie Dallas\n                    Ken Knudsen\n                    Nina Krebs\n                    MacArthur Nelson\n                    Shu\n                    Diane Wang
URL:https://oaklandartmurmur.org/event/multi-artist-exhibition-march-april-2026/
LOCATION:Art@Archer\, 431 13th Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Art@Archer":MAILTO:greg@archerbike.com
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art@Archer 431 13th Street Oakland CA 94607 United States;X-APPLE-RADIUS=500;X-TITLE=431 13th Street:geo:-122.272476,37.804829
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260312T120000
DTEND;TZID=America/Los_Angeles:20260425T170000
DTSTAMP:20260420T160920
CREATED:20260311T045200Z
LAST-MODIFIED:20260311T045308Z
UID:10004230-1773316800-1777136400@oaklandartmurmur.org
SUMMARY:Frank D. Cole: The House Inside
DESCRIPTION:Gallery Hours: Thursdays\, Fridays and Saturdays\, 12 – 5 pm\, and by appointment\nOpening Reception: Saturday March 14th\, 1-4 pm\nArtist’s Talk: April 18\, starting at 2 pm \nTransmission Gallery is pleased to present The House Inside\, recent paintings by East Bay painter\, Frank D. Cole.  \nWorking from his West Oakland studio\, Frank Cole paints from a distance\, both geographic and temporal. His large-scale works emerge from reflections on his childhood in Mississippi\, with landscape\, weather\, and architecture forming an enduring visual vocabulary. In this work\, Mississippi becomes less a fixed geography than a felt condition\, a stand-in for memory and connection\, suspended between clarity and dream.  \nFramed by porches\, window casings\, and thresholds\, Cole’s paintings position the viewer in an interior space\, looking outward. Beams\, panes\, and floorboards divide and measure the picture plane acting as armatures for recollection\, holding in place fleeting impressions of light on water\, wind through tall grass\, or rain dissolving a stand of trees. The result is both architectural and narrative\, emerging as quiet meditations on place and time\, imbued with reverie and longing.  \nThe paintings carry a subtle tension between shelter and exposure\, presence and absence. No figures occupy these interiors; instead\, the viewer becomes the inhabitant. The threshold functions as a metaphor for memory–a point where the past remains visible yet inaccessible.  \nAccompanying the larger canvases\, small preparatory studies reveal the evolution of each composition. In these pieces\, Cole tests structure\, color temperature\, and atmosphere. The studies function as concentrated meditations—intimate works where gesture and light are first explored before expanding into the larger paintings. \nWhile rooted in a specific place\, these recollections resonate beyond their origin\, becoming a point of departure for a broader exploration of early embodied experience – how light filled a certain room\, the rhythm of rain on a roof\, the view framed by a familiar window. Through carefully constructed interiors and expansive vistas\, Frank Cole transforms personal memory into a contemplative space others can inhabit.
URL:https://oaklandartmurmur.org/event/frank-d-cole-the-house-inside/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260313T120000
DTEND;TZID=America/Los_Angeles:20260418T170000
DTSTAMP:20260420T160920
CREATED:20260311T045759Z
LAST-MODIFIED:20260311T045759Z
UID:10004231-1773403200-1776531600@oaklandartmurmur.org
SUMMARY:Alternation: Kristie Hansen
DESCRIPTION:Gallery Hours: Thursdays\, Fridays\, Saturdays 12-5 pm and by appointment\nOpening Reception\, Saturday\, March 14th\, 1-4 pm\nArtist’s Talk\, Saturday\, April 11th \nTransmission Gallery is pleased to present Alternation\, recent work by Kristie Hansen\, now featured in our Small Space. \nDrawing on her love of second-hand fashion\, Hansen sources discarded garments and accessories to construct unconventional\, layered sculptures. In Alternation\, she transforms a single\, deeply personal object into a series of intimate sculptural forms. These works originate from a brown suede jacket that once belonged to the artist’s mother—an item passed on during a period of family transition marked by downsizing\, aging\, and the loss of a long-held home. \nRather than preserving the garment intact\, Hansen dismantles and reshapes it\, allowing one article of clothing to generate multiple sculptural works. The suede is folded\, stitched\, and formed into soft geometric shapes that retain traces of their earlier life while becoming something entirely new. Beads taken from her mother’s jewelry are embedded along the seams; introducing variation within repetition and suggesting the individuality of memories that emerge from shared histories. \nThrough this process\, Alternation reframes a private inheritance as a broader reflection on transformation. The work speaks to experiences familiar across generations: the passing down of belongings\, the reshaping of family narratives\, and the quiet negotiation between holding on and letting go. \nRather than presenting change as a singular event\, Hansen treats it as gradual and ongoing. One garment becomes many objects; one story unfolds into multiple forms. In this way\, Alternation approaches personal history not as something fixed\, but as material that can be continually rearranged—an evolving structure shaped by resilience\, adaptation\, and persistence over time
URL:https://oaklandartmurmur.org/event/alternation-kristie-hansen/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260314T130000
DTEND;TZID=America/Los_Angeles:20260509T170000
DTSTAMP:20260420T160920
CREATED:20260409T041239Z
LAST-MODIFIED:20260409T041239Z
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SUMMARY:Orange Crush
DESCRIPTION:ORANGE CRUSH\n8th annual juried color-themed photography exhibit \nShow dates: Saturday\, March 14 – May 9\, 2026\nOpening Reception: Saturday\, March 14\, 4:00 – 7:00 pm\nTessier Wine Tasting: Saturday\, April 18\, 3:00 – 5:00 pm\nClosing Reception: Saturday\, May 9\, 4:00 – 7:00 pm\nGallery address:  2889 Ford Street\, #32\, Oakland (Jingletown)\nWebsite:  www.grayloftgallery.com \nGray Loft Gallery is delighted to present Orange Crush – our 8th annual color-themed juried photography exhibition. This dynamic showcase explores the expressive range and emotional resonance of the color orange through an impressive selection of contemporary photographic works.\nThe exhibition features elegant and vibrant interpretations of orange across mixed media\, alternative processes\, traditional color imagery\, and hand-colored photographs. Eclectic and thought-provoking\, the collection captures the many facets of orange – its warmth and intensity\, its symbolism and ambiguity. \nPresented in conjunction with PhotoCarmel! Juried by Ann Jastrab\, Executive Director\, Center for Photographic Art; and Jan Watten\, founder\, Gray Loft Gallery.  This year’s exhibit highlights the work of 80 talented Bay Area photographers who bring fresh\, distinctive perspectives to the color orange. \nFeatured Artists:\nDebra Achen\, Stephen Albair\, Laurel Anderson\, Francis Baker\, Janet Beaty\, Tony Victor Bellaver\, Bonnie Blake-Drucker\, Rose Borden\, Barbara Brundage\, Maria Budner\, Kimberley Campisano\, Mima Cataldo\, Ginnie Chabre\, Jessica Chen\, Susan Chainey\, Mark Citret\, Marna Clarke\, Crystal\, Lynn Collins \, Jeff Cullen\, Fairlight de Michele\, Tony DeVarco\, Allyson Ely\, Susan Felter\, Diane Fenster\, Ginger Fierstein\, Laurie Gabriel\, David Gardner\, J. M. Golding\, Cheryl L. Guerrero\, Najib Joe Hakim\, Arvian Heidir\, Edie Hoffman\, Irene Imfeld\, Judi Iranyi\, Josie Iselin\, Becky Jaffee\, Patrick Jagger\, Sherry Karver\, Ellen Konar / Steve Goldband\, Patricia Leeds\, Scott Leon \, Lisa Levine\, Nadine Levin\, Laurel Malinovksy\, Max Malcolms\, Jeanne Marino\, Lou McCorkle\, Melina M Meza\, Don Melandry\, Sonia Melnikova-Raich\, Carolyn Moore\, Charles Moulton\, Clay Myers-Bowman\, Steve Napoli\, Charlotte Niel\, Fletcher Oakes\, Deborah O’Grady\, Eben Ostby\, Mark Overgaard\, Karen Palamos\, Anne Morrison Rabe\, Mark Reynolds\, Malcolm Ryder\, Dennis Segers\, Neo Serafimidis\, Nancy Sevier\, Chris Stevens-Yu\, Douglas Stinson\, Kelly Sullivan\, Michael Teresko\, Vince Thomas\, Cole Thorpe\, Pavan Trikutam\, Jacqui Turner\, Jim Van Slyke\, Jennifer Waicukauski\, Sally Weber\, Susan West\, Jeff Weston\, Stephanie Williamson\, Nick Winkworth\, Yelena Zhavoronkova
URL:https://oaklandartmurmur.org/event/orange-crush/
LOCATION:Gray Loft Gallery\, 2889 Ford Street\, 3rd floor\, Oakland\, CA\, 94601\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Gray Loft Gallery":MAILTO:grayloftgallery@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260327T120000
DTEND;TZID=America/Los_Angeles:20260502T170000
DTSTAMP:20260420T160920
CREATED:20260318T224134Z
LAST-MODIFIED:20260318T224134Z
UID:10004240-1774612800-1777741200@oaklandartmurmur.org
SUMMARY:Andrea Guskin: Signals Beneath The Surface
DESCRIPTION:The networks beneath our forest floors—where tree roots and mycorrhizal fungi share sustenance and signals through intertwined subterranean paths—served as a source of inspiration for Andrea Guskin’s exhibition\, Signals Beneath the Surface. This new work continues her exploration of scientific discovery as a metaphor\, using metal paintings and photographic processes to investigate themes of ancestry\, memory\, and interconnection.\nThread\, found objects\, and imprints of Guskin’s body on the metal paintings translate concealed activity into form\, mapping the connections that sustain life below ground and above it.\nWithin this exhibition\, she presents work from her recent project Local Roots\, a photo-based community arts project centered on ancestral relationships to herbs and spices\, and a new site-specific collaborative installation created with local artists Courtney Griffith and Yaminah Abdur-Rahim. \nBio:\nAndrea Guskin is a San Francisco Bay Area based artist working across the disciplines of photography\, sculpture\, and painting. She began drawing by pillaging her father’s office supplies for fine-tipped pens and yellow legal pads\, filling them with figures while lounging on a 1970s shag carpet in Kenosha\, Wisconsin. After studying painting at Antioch College in Ohio\, Guskin moved to New York City and became a part of the arts community on the Lower East Side. Since moving to the Bay Area in 2003\, she has exhibited her work throughout the state\, including at the Richmond Art Center\, BerkeleyArt Center\, and Red Poppy Art House.She graduated with an MFA in Interdisciplinary Arts from Mills College at Northeastern University in April of 2023. Guskin lives in San Leandro with her husband and two sons. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\n﻿Oakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm\nJoin Andrea Guskin in a participatory activity centered around ancestry on First Friday\, April 3\, 6:30-7:30 pm \nImage: Andrea Guskin\, “Radial Expansion\,” Acrylic paint on Cinefoil\, 2026\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/andrea-guskin-signals-beneath-the-surface/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260327T120000
DTEND;TZID=America/Los_Angeles:20260502T170000
DTSTAMP:20260420T160920
CREATED:20260318T230028Z
LAST-MODIFIED:20260319T221617Z
UID:10004241-1774612800-1777741200@oaklandartmurmur.org
SUMMARY:Alec Marin: All That You Change/Changes You
DESCRIPTION:All That You Change/Changes You is a collection of work centered around Alec Marin’s life: painter\, scientist\, and Chicano from the South Texas border. Each piece is an exploration of some dimension of his varied interests and lived experience\, from the perceptual distortions that occur during the phases of intoxication to the hidden reality of racial and economic segregation along the Mexican American border. Recent work focuses on his read of the foundational principles of Mexica (Aztec) philosophy\, their symbols and spiritual practices within a contemporary framework. His two latest paintings build upon this by framing the images as the prophetic dreams of an ancestor whose life and works would catalyze the culture and religion of the Mexica people.\n﻿\nBio:\nAlec Marin is an artist and neuroscientist based in Oakland\, California. His work has been published at knowingneurons.com and “The Beat\,” an art and literature journal published by The David Geffen School of Medicine at UCLA. His work has been exhibited at the Fremont Art Association’s Annual Art Show; “Beyond Boundaries\,” a juried exhibition at the Mercury 20 Gallery; and “Ripples” group exhibition at the UCSF School of Law. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\n﻿Oakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Alec Marin\, “Momentary Condensations of Teotl\,” Oil on Canvas\, 28″x22″\, 2024\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/alec-martin-all-that-you-change-changes-you/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260327T120000
DTEND;TZID=America/Los_Angeles:20260502T170000
DTSTAMP:20260420T160920
CREATED:20260319T214626Z
LAST-MODIFIED:20260319T214626Z
UID:10004245-1774612800-1777741200@oaklandartmurmur.org
SUMMARY:Leigh Barbier\, Jessika Cadkin\, Laura Malone\, Christine Meuris: Material Differences
DESCRIPTION:The four artists featured in Material Differences work in painting\, sculpture\, and weaving. Considered together\, their works draw attention to the ways texture\, material choice\, and scale shape the dynamics of the exhibition.\nLeigh Barbier’s series Under the Influence features ceramic heads informed by her intuitive drawing process: pieces created during moments of inspiration\, anxiety\, or relief. They capture glimpses of an idea\, feeling\, or dream; fragments of her imagination.\nJessica Cadkin’s sculpture\, Cavity\, depicts a large‑scale molar\, reflecting a lifelong fascination with her teeth and her aversion to dentist visits. Her work explores the tension between attraction and repulsion\, presenting the tooth as something both familiar and unsettling.\nExamining human subjectivity\, Laura Malone’s paintings traverse a range of emotional landscapes. From jubilant bursts of vermilion in one piece to gentle splashes of gray in another\, Malone invites viewers to gambol here\, only to rest in stillness there.\nChristine Meuris’s pieces are examples of overshot weaving\, in which a contrasting pattern thread is interwoven with the structural plain weave threads; and the process of inlay\, in which areas of pattern are placed only where the weaver wants them. For Meuris\, making them was an experiment in layering structures of form and pattern. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\n﻿Oakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Left to right\, Laura Malone\, Fire Season\, Oil on Linen\, 40″x40″\, 2026; Christine Meuris\, Balance\, Woven Cotton\, 2 panels at 48″x19″ each\, 2024; Leigh Barbier\, Under the Influence (WIP)\, Ceramics\, 5″x5″x3″\, 2026; all photos courtesy of the artists
URL:https://oaklandartmurmur.org/event/leigh-barbier-jessika-cadkin-laura-malone-christine-meuris-material-differences/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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