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DTSTART;TZID=America/Los_Angeles:20260711T130000
DTEND;TZID=America/Los_Angeles:20260711T160000
DTSTAMP:20260710T163331Z
CREATED:20260706T172954Z
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SUMMARY:Fragments of Belonging: Artists’ Reception at GearBox Gallery
DESCRIPTION:Join us Saturday\, July 11th from 1 – 4pm for the celebration of Gearbox Gallery artist Dalit Fresco and guest artist Jan Blythe’s exhibition\, Fragments of Belonging at GearBox Gallery.\nGearBox Gallery is located in the Art Building at 770 West Grand Avenue in Oakland. There’s always plenty of free parking on Grand.
URL:https://oaklandartmurmur.org/event/fragments-of-belonging-artists-reception-at-gearbox-gallery/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260711T140000
DTEND;TZID=America/Los_Angeles:20260711T160000
DTSTAMP:20260614T202942Z
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SUMMARY:Exhibition Opening & Artists' Reception - Everything Must Go
DESCRIPTION:Celebrate the official opening of Everything Must Go at Manna Gallery. Meet participating artists\, connect with fellow art enthusiasts\, and explore an exhibition that transforms the familiar language of clearance sales into a thoughtful meditation on change\, memory\, and new beginnings. Juried by Lisa Solomon\, this dynamic group show brings together nearly forty Bay Area artists whose works invite reflection on the objects\, experiences\, and emotions that shape our lives. Refreshments will be served as we welcome the community to this exciting exhibition. \nEverything Must Go Juried Group Show\nArtists: Norman Aragones\, Malachi Arthur\, Jordan Benton\, Laurie Caird\, Madelyn Covey\, Dana DeKalb\, Eden Evans\, Elizabeth Evans\, Shelley Gardner\, Elena Godina\, Monica Guillory\, Corrine Hatt\, Rachel Katz\, Kathryn Kenworth\, Sarah Klein\, Suzy Kopf\, Faridah Laffan\, Jenifer Lake\, Patricia Liverman\, Heath Massey\, Colin McAllister\, Erin McCluskey Wheeler\, Manuel Rodriguez\, John Rogers\, Tammi Salas\, John Sheridan\, Maureen Shields\, Renetta Sitoy\, Jamie Smith\, Hannah Claire Somerville\, Jennifer Sturgill\, Michelle Sweeney-Fillmore\, Sarah Travis Buck\, Yana Verba\, Amy Vidra\, Bill Ward\, Martin Webb\, Jia Wilson\, and Alexander Yoshikawa \nJuly 11 – August 8\, 2026\nExhibition Opening & Artists’ Reception: Saturday\, July 11\, 2-4 pm\nFirst Friday Oakland Art Walk: August 7\, 5-8 pm\nClosing Event / Exhibition Awards: Saturday\, August 8\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm\, First Fridays\, 5-8 pm & by appt
URL:https://oaklandartmurmur.org/event/exhibition-opening-artists-reception-everything-must-go/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260711T140000
DTEND;TZID=America/Los_Angeles:20260711T170000
DTSTAMP:20260623T035410Z
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SUMMARY:The Sight of Sound ~ Opening Reception
DESCRIPTION:Group show curated by Eric Murphy with Work by Pete Escovedo. Eric Murphy\, George Bernard III\, Cairo McCockran\, and Monica Faith Walker. July 1-31\, 2026 at Studios 11\, 560 Second Street\, Oakland\, CA
URL:https://oaklandartmurmur.org/event/the-sight-of-sound-opening-reception/
LOCATION:Studios 11\, 560 2nd St Oakland\, California\, Oakland\, CA\, 94607\, United States
CATEGORIES:Opening Reception
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260717
DTEND;VALUE=DATE:20260830
DTSTAMP:20260709T190900Z
CREATED:20260709T190900Z
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SUMMARY:Gestural Expressions
DESCRIPTION:SLATE Contemporary Gallery presents “Gestural Expressions”\, an exhibition which brings together five accomplished women artists working in gestural abstraction: Maria Burtis\, Amy Donaldson\, Nicole Mueller\, Karen Silve\, and Joanne Fox. This exhibition not only revisits the legacy of Abstract Expressionism\, but also reimagines its future through the work of five artists whose voices continue to broaden and enrich the field.  \nOpening Reception: Saturday\, August 8\, 4–6pm⁠\nJoin us with three of the exhibiting artists for an evening celebrating the show\, featuring specialty drinks from Rue de Rêve (@ruedereveaperitifs)\, a local women-owned apéritif producer.⁠\n⁠\nArtist Walkthrough: Saturday\, July 25\, 4–5pm⁠\nExplore the exhibition with artist Nicole Mueller for an intimate look into her process and perspective.⁠\n⁠\nGestural Expressions is on view at SLATE from July 15–August 29\, 2026.⁠
URL:https://oaklandartmurmur.org/event/gestural-expressions/2026-07-17/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260718T110000
DTEND;TZID=America/Los_Angeles:20260718T130000
DTSTAMP:20260702T180319Z
CREATED:20260702T180319Z
LAST-MODIFIED:20260702T180319Z
UID:10005221-1784372400-1784379600@oaklandartmurmur.org
SUMMARY:Urban Sketch Workshop with Cathy Raingarden
DESCRIPTION:We will meet at The Grand Gallery at 11am – Class is geared for all levels and is presented in easy bite sized lessons.\nArrive a few minutes earlier if you’d like to purchase a watercolor kit and pens. Wear comfortable clothing and walking shoes. Bring water and snacks. We will be sketching around Jack London. Sign up for class by clicking on the link below.\nClass Fee: $55\nOptional Materials Fee: $25\nhttps://docs.google.com/forms/d/e/1FAIpQLSeGoF1lm2sLXuyI41JCsCdK8f8uYmUz0RR5EqLA3-3swO-nRw/viewform?usp=dialog
URL:https://oaklandartmurmur.org/event/urban-sketch-workshop-with-cathy-raingarden/
LOCATION:The Grand Gallery\, 560 2nd Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Artists Talk
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ORGANIZER;CN="The Grand Gallery":MAILTO:thegrandgalleryoakland@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260718T120000
DTEND;TZID=America/Los_Angeles:20260718T170000
DTSTAMP:20260713T224730Z
CREATED:20260713T224543Z
LAST-MODIFIED:20260713T224730Z
UID:10005261-1784376000-1784394000@oaklandartmurmur.org
SUMMARY:National Craft Open Studios Weekend
DESCRIPTION:National Craft Open Studios Weekend is presented by the American Craft Council and launches as part of Craft in America’s Handwork: Celebrating American Craft 2026.  \nThis is a first-of-its-kind\, nationwide celebration inviting the public into the creative spaces of craft artists across the country.
URL:https://oaklandartmurmur.org/event/national-craft-open-studios-weekend/
LOCATION:Werkshack\, 481 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Special Events
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ORGANIZER;CN="Werkshack":MAILTO:werkshack@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260718T130000
DTEND;TZID=America/Los_Angeles:20260718T140000
DTSTAMP:20260709T070835Z
CREATED:20260709T070835Z
LAST-MODIFIED:20260709T070835Z
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SUMMARY:Artist's Talk - M. Mark Bauer: THE\, THE
DESCRIPTION:Artist’s Talk\nSaturday\, July 18th\, starting at 1 pm \nGallery Hours: Thursdays\, Fridays\, and Saturdays\, 12 – 5 pm \nGreat to see in person\, these paintings are not fast-read paintings. Check out a few details on our website\, come in for the full experience. For a complete explanation\, if that’s even possible\, please join us Saturday\, July 18th\, to hear from M. Mark Bauer about his work\, starting at 1 pm. \nWhat the ? \nWhat does it mean? Where DO we stand? \n​Mixed messages\, absurd scenarios\, improbable unrealities – M. Mark Bauer wades into dynamic narratives and an onslaught of incomprehensible untruths\, pervasive and invasive\, redirecting the course of events and outcome potentials at hand.  Mesmerizing rhythmic patterns groove in undulating serenity as wildly complex scenarios unfold in the eight canvases on view. Hybrid creatures and colorful characters cavort in a surreal concoction that speaks to the consequences of our collective insanity on each other and the natural world while sly humor entertains with bursts of sudden recognition. The Artist observes as Eye-hook\, Snake Tongue\, Bo Peep and a Sheep and The Big Bad Wolf join in this precisely executed spectacle of chaos.
URL:https://oaklandartmurmur.org/event/artists-talk-m-mark-bauer-the-the/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260719T120000
DTEND;TZID=America/Los_Angeles:20260719T170000
DTSTAMP:20260713T225026Z
CREATED:20260713T225026Z
LAST-MODIFIED:20260713T225026Z
UID:10005628-1784462400-1784480400@oaklandartmurmur.org
SUMMARY:National Craft Open Studios Weekend
DESCRIPTION:National Craft Open Studios Weekend is presented by the American Craft Council and launches as part of Craft in America’s Handwork: Celebrating American Craft 2026.  \nThis is a first-of-its-kind\, nationwide celebration inviting the public into the creative spaces of craft artists across the country.
URL:https://oaklandartmurmur.org/event/national-craft-open-studios-weekend-2/
LOCATION:Werkshack\, 481 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Special Events
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ORGANIZER;CN="Werkshack":MAILTO:werkshack@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T120000
DTEND;TZID=America/Los_Angeles:20260725T140000
DTSTAMP:20260508T154625Z
CREATED:20260508T154615Z
LAST-MODIFIED:20260508T154625Z
UID:10004806-1784980800-1784988000@oaklandartmurmur.org
SUMMARY:Cyanotype Printing Workshop
DESCRIPTION:Master the art of sun printing! Create two 8×10 Prussian us foliage and lace in this hands-on 2-hour workshop with Aidan Jung \nInstructor: Aidan Jung \nDescription: Discover the magic of the historic cyanotype process—one of the earliest forms of photography—while creating your own striking Prussian blue prints. In this hands-on workshop\, participants will learn how to coat paper with light-sensitive chemicals\, arrange organic and textured materials like foliage and lace\, and expose their compositions using sunlight or UV light. \nThrough guided experimentation\, you’ll explore the expressive possibilities of photograms and leave with two finished 8×10 prints. No prior experience is necessary—this workshop is designed for beginners and creatives of all backgrounds. \nMaterials: All materials are provided. Participants are also encouraged to bring small objects with interesting silhouettes—such as leaves\, lace\, or personal items—if they’d like to incorporate their own materials into the process.
URL:https://oaklandartmurmur.org/event/cyanotype-printing-workshop/
LOCATION:Dictée Art & Exhibitions\, 2117 11th Avenue\, Oakland\, CA\, 94606\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T150000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260529T000745Z
CREATED:20260529T000745Z
LAST-MODIFIED:20260529T000745Z
UID:10005004-1784991600-1784998800@oaklandartmurmur.org
SUMMARY:Pat O’Connor: Reclaimed | Closing Reception and Talk
DESCRIPTION:Pat O’Connor\, “Winter Sun and Shadow\,” 2026\, 48” x 36” x 2”\, salvaged cardboard\, acrylic paint\, birch board \nPat O’Connor’s work has long explored the intersection of object\, time\, and narrative. Beginning with paper pulp castings over structures at a former World War II naval base\, O’Connor developed a sustained interest in materials marked by history. In her exhibit\, Reclaimed\, she is drawn to surfaces shaped by wear\, weather\, and works with cardboard salvaged from the streets\, recycling bins\, and packaging. Through folding\, layering\, stitching\, printing\, and painting\, she transforms these fragments and other seemingly incongruent materials into richly layered assemblages. Guided by shifts in patina and form\, O’Connor builds surfaces dense with histories\, lush harmonies\, and active surfaces. Cardboard\, humble and impermanent\, originates from trees. O’Connor links the material back to the natural world. In some works\, she introduces imagery of branches and tree forms\, creating both calm and unsettling dialogues between the material’s fragile present and its living origin. In a culture shaped by disposability\, O’Connor elevates overlooked materials\, inviting viewers to sense the stories embedded in ordinary things as well as imagine ways the industrial and natural worlds might endure together. \nBio:\nPat O’Connor is an artist whose practice spans drawing\, painting\, assemblage\, and site-responsive sculpture. Her work has been exhibited widely\, most recently at the de Young Museum in San Francisco\, Transmission Gallery in Oakland\, the Sasse Museum of Art in Pomona\, California\, and O’Hanlon Center for the Arts in Mill Valley. Her pieces are held in public and private collections\, including a public commission at the University of California\, San Francisco Medical Center. Pat received her BA in Painting and Drawing from UC Davis and pursued graduate study in textile arts at San Francisco State University. Honors include a San Francisco Foundation Grant\, the Robert Rauschenberg-hosted Power of Art Award from the Lab School of Washington\, D.C.\, and the Arts Educator of the Year Award from the San Francisco Unified School District. O’Connor has taught widely at notable institutions\, including San Francisco State University\, UC Berkeley Extension\, and the de Young Museum. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/pat-oconnor-reclaimed-closing-reception-and-talk/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T150000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260529T002950Z
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SUMMARY:Emily Shepard: In Flux  | Closing Reception and Talk
DESCRIPTION:Emily Shepard\, “Conversant\,” 2026\, 32” x 71”\, photo courtesy of the artist  \nEmily Shepard’s large-scale abstract paintings pull viewers into an immersive\, otherworldly space — one of shifting depths\, interacting layers\, and arched forms that float like portals above restless water. Working on unstretched canvas\, she builds richly textured surfaces through gestural mark-making\, watery drips\, and stitched canvas shapes. Indecipherable loops of script speak to rhythm\, breath\, and cycles.\nShepard’s work is mirrored by her practice as a year round swimmer in the San Francisco Bay: moving her body through cold water\, attuned to tides and currents\, releasing into the hypnotic push and pull. Her painting practice and bay swimming share the need for focused attention\, awareness of sensation\, and internal states. Each artwork\, like each swim\, is a search for wholeness\, presence\, and embodied learning. \nBio:\nEmily Shepard is a Bay Area painter\, born in Boston\, Massachusetts. She earned her MFA with distinction from the California College of the Arts where she received the Barclay Simpson Award. She has shown her work locally and nationally\, including the Crocker–Kingsley Exhibition at the Crocker Art Museum in Sacramento. Currently she has three pieces on exhibit in “Voices without Boundaries” at the Sasse Museum of Art in Pomona\, CA. Shepard is a Kipaipai Fellow and member of the artist-run gallery\, Mercury 20 in Oakland\, CA. Her work is included in private and corporate collections. Shepard swims year round without a wetsuit in the San Francisco Bay. The practice of cold-water swimming focuses her senses\, challenges her will\, and informs her art. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/emily-shepard-in-flux-closing-reception-and-talk/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260725
DTEND;VALUE=DATE:20260726
DTSTAMP:20260709T190900Z
CREATED:20260709T190900Z
LAST-MODIFIED:20260709T190900Z
UID:10005253-1784995200-1784998800@oaklandartmurmur.org
SUMMARY:Gestural Expressions
DESCRIPTION:SLATE Contemporary Gallery presents “Gestural Expressions”\, an exhibition which brings together five accomplished women artists working in gestural abstraction: Maria Burtis\, Amy Donaldson\, Nicole Mueller\, Karen Silve\, and Joanne Fox. This exhibition not only revisits the legacy of Abstract Expressionism\, but also reimagines its future through the work of five artists whose voices continue to broaden and enrich the field.  \nOpening Reception: Saturday\, August 8\, 4–6pm⁠\nJoin us with three of the exhibiting artists for an evening celebrating the show\, featuring specialty drinks from Rue de Rêve (@ruedereveaperitifs)\, a local women-owned apéritif producer.⁠\n⁠\nArtist Walkthrough: Saturday\, July 25\, 4–5pm⁠\nExplore the exhibition with artist Nicole Mueller for an intimate look into her process and perspective.⁠\n⁠\nGestural Expressions is on view at SLATE from July 15–August 29\, 2026.⁠
URL:https://oaklandartmurmur.org/event/gestural-expressions/2026-07-25/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260905T170000
DTSTAMP:20260709T005654Z
CREATED:20260709T003651Z
LAST-MODIFIED:20260709T005654Z
UID:10005245-1785499200-1788627600@oaklandartmurmur.org
SUMMARY:Jessica Cadkin & Michael Lynch: The End
DESCRIPTION:Michael Lynch\, The Final Act 1\, 2026\, 12″ x 15″ gouache on wood panel\, photo courtesy of the artist \nA few days after her uncle’s death\, Jessica Cadkin was out walking when she noticed a crow cawing at her. It followed her for several blocks\, seeming to want her attention. Only when she stopped and looked up at it did the crow alight on a nearby light post. They quietly stared at one another for a few minutes before it flew away. Crows appear prominently in mythology across cultures. In Native American traditions they are not only tricksters and wise guys\, but protectors. In some Asian myths they represent the divine; while in Norse lore\, Huginn (thought) and Muninn (memory) serve as the eyes and ears of the god Odin. In Hindu belief\, crows act as messengers of the dead\, bridging the living and the spiritual worlds. Drawing on these associations as well as her own personal encounter with a crow shortly after a family member’s death\, Cadkin’s sculpture\, Eulogy\, reflects on memory\, loss\, and connection. \nMichael Lynch’s work often arises from his keen interest in art\, natural science\, and physics. The paintings of birds striking windows\, The Final Act 1\, 2\, and 3\, are based on photographs of the keratin and oil from powder down feathers transferred onto the glass at the moment of impact. They represent just three of the more than one billion fatal bird-window collisions in the United States each year. The Short Story of the Owl and the Rabbit is a reconstruction of a memory from a scene Lynch encountered over 50 years ago\, one he always wished he had a way to record. Lynch often seeks to bring to life the stories and events in nature that might otherwise go unnoticed. \nBios:\nJessica Cadkin was born in Phoenix\, Arizona\, and grew up in Napa\, California. She received a BA in Sculpture and Painting from San Francisco State University. Her work has appeared in group shows internationally and throughout Northern California including the de Young Museum\, Headlands Center for the Arts\, Southern Exposure\, di Rosa Preserve\, Bateman Foundation Gallery of Nature\, Bedford Gallery\, Root Division\, and the Berkeley Art Center. Cadkin joined Mercury Twenty Gallery in 2020\, this is her fifth show with the gallery. \nMichael Lynch is a self-described artistic engineer. Over the course of the last 55 years\, he has had several distinct careers. He began as a cabinet and furniture maker\, followed by 30 years in the film special effects industry\, most of which were in the Industrial Light and Magic (ILM) model shop. During this period\, he earned more than 30 film credits and worked on countless commercials. Lynch then shifted his focus for a decade\, contracting with the U.S. Department of Defense to design and fabricate prototype parachute systems and combat trauma trainers for the military and NATO. Retired since 2023\, Lynch now spends his workweek in the studio in Sausalito\, CA. Much of the work he produces lies at the intersection of art\, natural history\, and physics. His work often tells a story or records events that might otherwise go unnoticed. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/jessica-cadkin-michael-lynch-the-end/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
GEO:37.804829;-122.272476
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260905T170000
DTSTAMP:20260709T005131Z
CREATED:20260709T005021Z
LAST-MODIFIED:20260709T005131Z
UID:10005246-1785499200-1788627600@oaklandartmurmur.org
SUMMARY:Monika Mayer: LINKED
DESCRIPTION:Monika Mayer\, Flow # 60 – Entangled\, 2025\, acrylic\, coffee and ink on canvas\, 22″ x 28″\, photo: Dana Davis \nMonika Mayer’s new body of work is inspired by the rocky shoreline along the California coast\, shaped by the tides. At low tide\, hidden worlds are revealed: clusters of mussels and barnacles clinging together\, surviving by holding on to each other. By gathering together\, they create shared conditions that protect them from crashing waves and harsh weather. Their strength comes from connection.\nWorking with gathered and repurposed materials including inner tubes and deconstructed soccer balls\, Mayer builds sculptural forms through layering and accumulation. Discarded and overlooked\, these pieces grow into organism-like clusters linked with zip ties and staples and are given new life. Her paintings extend this language through layered coffee\, paint\, and ink\, echoing the coastal environment’s organic patterns and rhythms. By presenting familiar objects in unfamiliar ways\, Mayer invites viewers into a space of ambiguity\, encouraging them to pause\, look closely\, and consider what lies beneath the surface. These works reflect on resilience\, not as something we achieve alone\, but as something we build together. \nBio:\nMonika Mayer is a multidisciplinary artist born in Germany and based in Berkeley\, CA. Largely self-taught\, she began developing a daily art practice during the COVID-19 lockdown\, allowing her to deepen her focus and commitment. She holds a BA in Social Education from the University of Applied Sciences in Cologne\, Germany and a MA in Educational Leadership from the University of the Pacific in Stockton\, CA. Mayer has been a member of Mercury 20 Gallery since 2023\, and is an alumna of the Kala Artist-in-Residency program in Berkeley\, CA. Her work is held in private collections in the U.S. and Germany and has been exhibited nationally and internationally\, including at Tryst International Art Fair in Los Angeles\, Kala Art Gallery\, and in the UK as a shortlisted artist for the International Football Art Prize. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/monika-mayer-linked/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
GEO:37.804829;-122.272476
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260905T170000
DTSTAMP:20260709T010110Z
CREATED:20260709T005554Z
LAST-MODIFIED:20260709T010110Z
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SUMMARY:Cade Salamanca: The Final Push
DESCRIPTION:Cade Salamanca\, Come As You Are\, 2026\, mixed media\, 36″ x 36″ x 2″\, photo courtesy of the artist \nThe Final Push marks a pivotal chapter in Cade Salamanca’s artistic and personal journey. In 2026\, Salamanca embraced a new name—an act of self-definition that became a powerful affirmation of identity and a catalyst for creative transformation. Freed from expectations that once constrained her\, her work has entered a period of greater clarity\, confidence\, and emotional depth. \nThis body of work explores the liberation that emerges when authenticity is fully embraced. The introduction of wire mesh and draped chains began as formal material investigations but evolved into potent metaphors for the protective barriers Salamanca had constructed around herself over time. Fragmented mesh and suspended chains symbolize the dismantling of fear\, self-doubt\, and inherited expectations\, revealing a renewed sense of freedom and possibility. Alongside 12 paintings\, Salamanca will debut six double exposure self portraits that mark the beginning of a new practice with Film Photography on a Canon AE-1 Program. Both deeply personal and universally resonant\, The Final Push is a celebration of self-acceptance\, courage\, and transformation—a declaration of identity expressed without apology and an invitation to witness the power of becoming fully seen. \nBio:\nThe Final Push marks Cade Salamanca’s second solo exhibition with Mercury 20 Gallery. Throughout her artistic journey\, Salamanca has explored diverse mediums including ceramics and photography. After experimenting with different painting styles\, she developed a distinctive voice that combines techniques she has honed over the years—from smooth color transitions to rich textured layers.Salamanca’s work has been shown at the Blue Mountain Gallery in New York City; Made In California 2024\, Brea Gallery\, in La Brea\, CA; Reflections of Us (Juror Sergio Gomez)\, Warnes Contemporary\, in Brooklyn\, NY; Metal Haus Gallery\, in San Francisco\, CA; and others. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/cade-salamanca-the-final-push/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
GEO:37.804829;-122.272476
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260905T170000
DTSTAMP:20260709T184442Z
CREATED:20260709T010026Z
LAST-MODIFIED:20260709T184442Z
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SUMMARY:Rainey Straus: re(COMPOSING)
DESCRIPTION:Rainey Straus\, re(Composing)\, 2026\, site specific Installation: cast paper and bioplastic\, dimensions variable\, photo courtesy of the artist \nRainey Straus’s work begins with walking\, listening\, and close attention to the living world. Created for Mercury 20\, re(Composing) turns that attention toward fungi\, following the ways matter breaks down\, gathers\, and becomes something else. The installation takes decomposers as a starting point: organisms that are also composers\, transforming one kind of matter into another. Straus’s materials follow this logic. Paper is shredded\, pulped\, and cast over found\, downed wood\, echoing the way paper wasps chew wood fiber into shelter. Lacing through these casts are bioplastic forms\, spun like spider silk until gesture becomes structure. By working with already fallen wood\, Straus treats the tree not as an ending but as part of an ongoing cycle of transformation. The work invites attention to other intelligences: the pathfinding of slime molds\, mycelial networks\, and forms of sensing beyond human perception. Rather than representing ecological change\, re(Composing) takes part in it: paper returns to pulp\, pulp takes the impression of wood\, and matter reorganizes itself into temporary form: fragile\, provisional\, and alive to what comes next. \nBio:\nRainey Straus is the award winner from Mercury 20’s 2026 exhibition\, Mapping Time\, awarded by juror Minoosh Zomorodinia. Straus is a Bay Area interdisciplinary artist whose work grows from fieldwork into sculpture\, installation\, painting\, and cyanotype. After working as a Bay Area tech designer\, she returned to artmaking in response to ecological urgency. Solo exhibitions include Spinning Time into Form\, Gallery Route One\, Point Reyes Station\, CA and The Old Growth Project at MarinMOCA. Her work has appeared in Bodies and Borders: Ecologies of Consent with Women Eco Artists Dialog\, Forest Unseen at Petaluma Arts Center\, The New Geologic Epoch with Ecoartspace\, and exhibitions at Yerba Buena Center for the Arts\, San Francisco\, and the San Jose Museum of Art. Straus has held residencies at BigCi Residence in Australia\, Lucid Art Foundation\, and Morris Graves Foundation. Her work has been featured in Dark Mountain Journal\, Sculpture Magazine\, Rhizome\, San Francisco Chronicle\, and Point Reyes National Seashore Association. She holds a BFA from State University of New York (SUNY) Purchase and an MFA from California College of the Arts. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/rainey-strauss-recomposing/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
GEO:37.804829;-122.272476
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260806T120000
DTEND;TZID=America/Los_Angeles:20260927T170000
DTSTAMP:20260717T194520Z
CREATED:20260717T194520Z
LAST-MODIFIED:20260717T194520Z
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SUMMARY:Andrew Catanese Solo Exhibition | I Watched Your Leaves Grow Silver in the Wind
DESCRIPTION:Johansson Projects presents I Watched Your Leaves Grow Silver in the Wind\, an exhibition featuring paintings by Andrew Catanese. The exhibition explores ecologies of recollection\, as Catanese channels connections among places and individuals\, particularly those who linger only in memory. \nFor Catanese\, painting is a narrative medium that moves across time and space\, reshaping how we see the everyday world. Their canvases feature landscapes\, shifting weather\, animals\, and spectral figures\, each serving as a portal to distinct moments and memories the artist calls “slips” in time and place. Painting becomes a bridge to people and environs that have been lost\, abandoned\, or rediscovered. Gazes\, where they appear\, are slant\, unfocused. Animals sulk through forests\, searching\, unaware that they are being watched. Full figures\, with backs turned\, are ensconced in brambles\, alienating them from the viewer. Imbued with distance and uncertainty\, Catanese’s lush compositions swim in windswept\, haunting ambiguity. \nA mysterious and quiet spirituality permeates the work\, suggesting something just beyond reach. Catanese’s expressive use of color deepens the atmosphere\, intensifying the sense of connection and longing throughout the exhibition. Amid today’s uncertainty and division\, Catanese’s paintings remind us of our deep-rooted desire for kinship. These poetic works encourage reflection and uncover the bonds that persist\, even in the most turbulent times. \nI Watched Your Leaves Grow Silver in the Wind will run from August 6 to September 27\, 2026.
URL:https://oaklandartmurmur.org/event/andrew-catanese-solo-exhibition-i-watched-your-leaves-grow-silver-in-the-wind/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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ORGANIZER;CN="Johansson Projects":MAILTO:info@johanssonprojects.com
GEO:37.804829;-122.272476
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Johansson Projects 2300 Telegraph Ave Oakland CA 94612 United States;X-APPLE-RADIUS=500;X-TITLE=2300 Telegraph Ave:geo:-122.272476,37.804829
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260807T170000
DTEND;TZID=America/Los_Angeles:20260807T200000
DTSTAMP:20260614T213012Z
CREATED:20260614T203356Z
LAST-MODIFIED:20260614T213012Z
UID:10005207-1786122000-1786132800@oaklandartmurmur.org
SUMMARY:First Friday Oakland Art Walk
DESCRIPTION:Join Manna Gallery for Oakland’s celebrated First Friday Art Walk and experience Everything Must Go as part of the city’s vibrant arts scene. Explore the exhibition during extended evening hours\, connect with fellow art lovers\, and discover the diverse perspectives of Bay Area artists responding to themes of release\, transition\, and renewal. Whether you’re revisiting the show or seeing it for the first time\, First Friday offers a lively opportunity to engage with the artwork and the creative energy of Oakland’s Uptown Arts District. \nEverything Must Go Juried Group Show\nJuror: Lisa Solomon\nArtists: Norman Aragones\, Malachi Arthur\, Jordan Benton\, Laurie Caird\, Madelyn Covey\, Dana DeKalb\, Eden Evans\, Elizabeth Evans\, Shelley Gardner\, Elena Godina\, Monica Guillory\, Corrine Hatt\, Rachel Katz\, Kathryn Kenworth\, Sarah Klein\, Suzy Kopf\, Faridah Laffan\, Jenifer Lake\, Patricia Liverman\, Heath Massey\, Colin McAllister\, Erin McCluskey Wheeler\, Manuel Rodriguez\, John Rogers\, Tammi Salas\, John Sheridan\, Maureen Shields\, Renetta Sitoy\, Jamie Smith\, Hannah Claire Somerville\, Jennifer Sturgill\, Michelle Sweeney-Fillmore\, Sarah Travis Buck\, Yana Verba\, Amy Vidra\, Bill Ward\, Martin Webb\, Jia Wilson\, and Alexander Yoshikawa \nJuly 11 – August 8\, 2026\nFirst Friday Oakland Art Walk: August 7\, 5-8 pm\nClosing Event / Exhibition Awards: Saturday\, August 8\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm\, First Fridays\, 5-8 pm & by appt \nManna Gallery\, established in 2010\, is an art space in Oakland’s Uptown Arts District dedicated to showcasing the work of local and regional artists. As a long-time partner and venue of Oakland Art Murmur—a 501(c)(3) organization that connects Bay Area artists and collectors through free public programs\, exhibitions\, and events—Manna fosters a vibrant and supportive community for artists and art lovers alike. Through diverse and engaging exhibitions\, the gallery celebrates Oakland’s dynamic visual arts scene and seeks to inspire and enrich the community.\nFollow us on instagram: @mannagalleryoakland
URL:https://oaklandartmurmur.org/event/first-friday-oakland-art-walk/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Art Walk
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260807T170000
DTEND;TZID=America/Los_Angeles:20260807T210000
DTSTAMP:20260713T231009Z
CREATED:20260713T225757Z
LAST-MODIFIED:20260713T231009Z
UID:10005629-1786122000-1786136400@oaklandartmurmur.org
SUMMARY:First Friday Art Walk - Society of Artists and Makers Student Show
DESCRIPTION:The Society of Artists and Makers is a club created by community college art students in the East Bay. The club was founded in Spring 2026 following the decision to demolish the Laney Tower Building\, and as a result\, decommission the June Steingart Art Gallery (aka the Laney Art Gallery).  \nGoals of the club include increasing accessibility around showcasing art\, fostering community among students outside of class\, and responding to the ongoing loss of art spaces in the Bay Area.  \nThe werkshack Student Show is the inaugural show of The Society of Artists and Makers. Some artists are showing work for the very first time and others are decades into their careers. All work is made by current students enrolled at College of Alameda\, Berkeley City College\, Merritt College\, and Laney College. Mediums including painting\, printmaking\, mixed media\, sculpture\, ceramics\, and more will be on view from July 3 – August 29. \nArtists: Abby Hilling\, Angela Kaewsuriya Roberts\, Ava Gulassa\, Cassia Artanegara\, Christi Showers-Evans\, Debbie Lin Grow\, Diana Castillo\, Donald Diggs\, Emmet Bush\, Gabriela Zambrano\, Hilda Wang\, kiki reitano\, Liam Cunningham\, Malena\, Moss\, Penny Flood\,  Ping Gong\, Rania Siddique\, Rena Tom\, Ruth Charlotte Kneass\, Sam Cadigan\, Sarai Cobos\, V. Hendrix Oppenhimer
URL:https://oaklandartmurmur.org/event/first-friday-art-walk/
LOCATION:Werkshack\, 481 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Art Walk
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ORGANIZER;CN="Werkshack":MAILTO:werkshack@gmail.com
GEO:37.804829;-122.272476
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Werkshack 481 25th Street Oakland CA 94612 United States;X-APPLE-RADIUS=500;X-TITLE=481 25th Street:geo:-122.272476,37.804829
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260807T180000
DTEND;TZID=America/Los_Angeles:20260807T210000
DTSTAMP:20260706T223007Z
CREATED:20260706T223007Z
LAST-MODIFIED:20260706T223007Z
UID:10005229-1786125600-1786136400@oaklandartmurmur.org
SUMMARY:FIRST FRIDAY RECEPTION -- July-August Multi-Artist Show
DESCRIPTION:Join us on this First Friday to celebrate the art of three local artists.  Different styles.  Different mediums.  Makes for a very interesting show.  Come and talk to the artists about their work and their passion. \n               Vida Karamooz\n               MacArthur Nelson\n               Melva Spigner \nRefreshments will be served.
URL:https://oaklandartmurmur.org/event/first-friday-reception-july-august-multi-artist-show/
LOCATION:Art@Archer\, 431 13th Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Art@Archer":MAILTO:greg@archerbike.com
GEO:37.804829;-122.272476
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art@Archer 431 13th Street Oakland CA 94607 United States;X-APPLE-RADIUS=500;X-TITLE=431 13th Street:geo:-122.272476,37.804829
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260808T120000
DTEND;TZID=America/Los_Angeles:20260808T160000
DTSTAMP:20260722T160635Z
CREATED:20260722T160635Z
LAST-MODIFIED:20260722T160635Z
UID:10005638-1786190400-1786204800@oaklandartmurmur.org
SUMMARY:Broad Strokes  ~  The Art of Brian Clark aka Les Toil ~  Opening Reception
DESCRIPTION:Brian Clarke aka Les Toil\, grew up in Berkeley\, CA. Surrounded by Big Daddy Roth model cars\, the Fantastic Four\, MAD Magazine\, The Jackson Five and Bruce Lee the very forces that became the foundational threads shaping his work.\nYou can see those threads in his new show Broad Strokes this August at the Grand Gallery.\nMeet Les Toil at the:\nArtist Reception\nAugust 8th 12Noon -4pm\nThe Grand Gallery\n560 2nd St. Oakland
URL:https://oaklandartmurmur.org/event/broad-strokes-the-art-of-brian-clark-aka-les-toil-opening-reception/
LOCATION:The Grand Gallery\, 560 2nd Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Opening Reception
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ORGANIZER;CN="The Grand Gallery":MAILTO:thegrandgalleryoakland@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260808T150000
DTEND;TZID=America/Los_Angeles:20260808T170000
DTSTAMP:20260614T204116Z
CREATED:20260614T204116Z
LAST-MODIFIED:20260614T204116Z
UID:10005208-1786201200-1786208400@oaklandartmurmur.org
SUMMARY:Everything Must Go - Closing Event\, Juror Talk & Awards
DESCRIPTION:Join acclaimed Bay Area artist\, educator\, author\, and curator Lisa Solomon for a special closing event celebrating Everything Must Go Juried Group Show. Known for her mixed-media works and large-scale installations that explore themes of identity\, craft\, domesticity\, and personal history\, Solomon has exhibited nationally and internationally and is the author of several books on art and creativity\, including the forthcoming Art/Craft/Color. During this brief presentation\, she will share insights into her selection process\, discuss the exhibition’s themes\, and highlight works that resonated with her vision as juror. Following the talk\, she will present two exhibition awards that extend opportunities beyond the exhibition itself. The Juror Award includes a featured hallway exhibition at Manna Gallery during the 2026–27 exhibition season\, while the Manna Gallery Award includes an invitation to the gallery’s annual year-end group exhibition. As Manna Gallery’s first juried exhibition\, Everything Must Go reflects our commitment to building new relationships with artists throughout the Bay Area and creating meaningful opportunities for future exhibition\, visibility\, and community engagement within our gallery program. \nEverything Must Go Juried Group Show Artists\nNorman Aragones\, Malachi Arthur\, Jordan Benton\, Laurie Caird\, Madelyn Covey\, Dana DeKalb\, Eden Evans\, Elizabeth Evans\, Shelley Gardner\, Elena Godina\, Monica Guillory\, Corrine Hatt\, Rachel Katz\, Kathryn Kenworth\, Sarah Klein\, Suzy Kopf\, Faridah Laffan\, Jenifer Lake\, Patricia Liverman\, Heath Massey\, Colin McAllister\, Erin McCluskey Wheeler\, Manuel Rodriguez\, John Rogers\, Tammi Salas\, John Sheridan\, Maureen Shields\, Renetta Sitoy\, Jamie Smith\, Hannah Claire Somerville\, Jennifer Sturgill\, Michelle Sweeney-Fillmore\, Sarah Travis Buck\, Yana Verba\, Amy Vidra\, Bill Ward\, Martin Webb\, Jia Wilson\, and Alexander Yoshikawa \nJuly 11 – August 8\, 2026\nClosing Event / Exhibition Awards: Saturday\, August 8\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm\, First Fridays\, 5-8 pm & by appt
URL:https://oaklandartmurmur.org/event/everything-must-go-closing-event-juror-talk-awards/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260808
DTEND;VALUE=DATE:20260809
DTSTAMP:20260709T190900Z
CREATED:20260709T190900Z
LAST-MODIFIED:20260709T190900Z
UID:10005254-1786204800-1786212000@oaklandartmurmur.org
SUMMARY:Gestural Expressions
DESCRIPTION:SLATE Contemporary Gallery presents “Gestural Expressions”\, an exhibition which brings together five accomplished women artists working in gestural abstraction: Maria Burtis\, Amy Donaldson\, Nicole Mueller\, Karen Silve\, and Joanne Fox. This exhibition not only revisits the legacy of Abstract Expressionism\, but also reimagines its future through the work of five artists whose voices continue to broaden and enrich the field.  \nOpening Reception: Saturday\, August 8\, 4–6pm⁠\nJoin us with three of the exhibiting artists for an evening celebrating the show\, featuring specialty drinks from Rue de Rêve (@ruedereveaperitifs)\, a local women-owned apéritif producer.⁠\n⁠\nArtist Walkthrough: Saturday\, July 25\, 4–5pm⁠\nExplore the exhibition with artist Nicole Mueller for an intimate look into her process and perspective.⁠\n⁠\nGestural Expressions is on view at SLATE from July 15–August 29\, 2026.⁠
URL:https://oaklandartmurmur.org/event/gestural-expressions/2026-08-08/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260814T160000
DTEND;TZID=America/Los_Angeles:20260814T210000
DTSTAMP:20260727T221338Z
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SUMMARY:Earthseed Remnants Gallery Exhibition
DESCRIPTION:Earthseed Remnants\nCurated by: Jy Jimmie Gabiola & Lynse Cooper\nOpening Reception: Friday\, August 14\, 2026\, 4PM–9PM\nExhibition Dates: August 10 – September 18\, 2026\nVenue: ARTogether\, 1200 Harrison St\, Oakland\, CA 94612\nArtists: Cole Lata\, Jasmine Narkita Wiley\, Jenn Ban\, Nele Ponce\, Zoe Miles \nDescription:\nEarthseed Remnants is a group art exhibition on endurance\, presence\, and shaping the future from trace and memory. Curated by Jy Jimmie Gabiola and Lynse Cooper\, the show brings together five artists whose practices excavate what persists — in land\, in body\, in archive\, in imagination. Across photography\, alternative process\, sculpture\, and installation\, Earthseed Remnants asks: what do we carry forward\, and what do we allow to transform?
URL:https://oaklandartmurmur.org/event/earthseed-remnants-gallery-exhibition/
LOCATION:ARTogether Center\, 1200 Harrison Street\, Oakland\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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ORGANIZER;CN="ARTogether":MAILTO:https://www.artogether.org/contact-us/
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260815
DTEND;VALUE=DATE:20260920
DTSTAMP:20260714T060824Z
CREATED:20260714T060824Z
LAST-MODIFIED:20260714T060824Z
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SUMMARY:Are you with me NOW? - Jeanne Lorenz
DESCRIPTION:Manna Gallery is pleased to present Are you with me NOW?\, a solo exhibition by Jeanne Lorenz\, featuring new abstract paintings that emerge from an expansive daily drawing practice. Guided by the belief that art can metabolize the emotional and ecological turbulence of our time\, Lorenz transforms accumulated gestures into luminous vertical paintings that balance vulnerability with resilience. She embraces painting as an act of participation rather than escape\, one that holds grief\, humor\, light\, and hope in dynamic tension. Lorenz invites viewers into a contemplative space where attention itself becomes a form of repair\, and where abstraction offers a language for imagining what might grow from uncertainty. \nAugust 15 – September 19\, 2026\nArtist’s reception: Saturday\, August 22\, 2-4 pm\nOakland Art Murmur First Friday: September 4\, 5-8 pm\nArtist talk/Closing reception: Saturday\, September 19\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm\nAll events and entrance to the gallery are free of charge
URL:https://oaklandartmurmur.org/event/are-you-with-me-now-jeanne-lorenz/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260815T130000
DTEND;TZID=America/Los_Angeles:20260815T150000
DTSTAMP:20260717T182117Z
CREATED:20260717T181708Z
LAST-MODIFIED:20260717T182117Z
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SUMMARY:Fragments of Belonging: Artists’ Talk with Dalit Fresco and Jan Blythe at GearBox Gallery
DESCRIPTION:Dalit Fresco and Jan Blythe will discuss their exhibition Fragments of Belonging at GearBox Gallery on Saturday\, August 15th at 1:00pm.  Come join the conversation. \nAbout Dalit Fresco: Growing up at the intersection of Asia\, Europe and Africa\, a place where varied layers of cultures and traditions\, languages and signs\, music and soundscapes\, have all shaped Dalit’s outlook\, offering a visual abundance of colors and designs. Fragments of Belonging is a collection of recent pieces that are influenced by an emotional sensitivity to events of loss\, as well as confidently reaching out for a dialogue between ways of seeing\, with a constant reflection of memories and current state of observing and interacting. \nAbout Jan Blythe: Born in Scotland\, Jan was raised in Glasgow\, a city with strong arts and cultural heritage.  Her recent works in the show encompass personal\, found and natural materials\, which are hand stitched together to form sculptures. Another work is a stack of cut\, tartan wool fabrics\, Jan has collected over the years.  She includes a piece of sculpture made from strips of reclaimed swimming pool cover draped over a wooden form. \nGearBox Gallery is open Thursdays\, Fridays and Saturdays from 12pm to 5pm\nLocated in the Art Building at 770 West Grand Ave in Oakland.
URL:https://oaklandartmurmur.org/event/fragments-of-belonging-artists-talk-at-gearbox-gallery/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260815T143000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260709T184257Z
CREATED:20260709T184257Z
LAST-MODIFIED:20260709T184257Z
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SUMMARY:Opening Reception – Rainey Straus: re(COMPOSING)
DESCRIPTION:Rainey Straus\, re(Composing)\, fragment\, 2026\, Cast Paper\, 13 H x 35 W x 26 D in\, Photo Courtesy of the Artist \nRainey Straus’s work begins with walking\, listening\, and close attention to the living world. Created for Mercury 20\, re(Composing) turns that attention toward fungi\, following the ways matter breaks down\, gathers\, and becomes something else. The installation takes decomposers as a starting point: organisms that are also composers\, transforming one kind of matter into another. Straus’s materials follow this logic. Paper is shredded\, pulped\, and cast over found\, downed wood\, echoing the way paper wasps chew wood fiber into shelter. Lacing through these casts are bioplastic forms\, spun like spider silk until gesture becomes structure. By working with already fallen wood\, Straus treats the tree not as an ending but as part of an ongoing cycle of transformation. The work invites attention to other intelligences: the pathfinding of slime molds\, mycelial networks\, and forms of sensing beyond human perception. Rather than representing ecological change\, re(Composing) takes part in it: paper returns to pulp\, pulp takes the impression of wood\, and matter reorganizes itself into temporary form: fragile\, provisional\, and alive to what comes next. \nBio:\nRainey Straus is the award winner from Mercury 20’s 2026 exhibition\, Mapping Time\, awarded by juror Minoosh Zomorodinia. Straus is a Bay Area interdisciplinary artist whose work grows from fieldwork into sculpture\, installation\, painting\, and cyanotype. After working as a Bay Area tech designer\, she returned to artmaking in response to ecological urgency. Solo exhibitions include Spinning Time into Form\, Gallery Route One\, Point Reyes Station\, CA and The Old Growth Project at MarinMOCA. Her work has appeared in Bodies and Borders: Ecologies of Consent with Women Eco Artists Dialog\, Forest Unseen at Petaluma Arts Center\, The New Geologic Epoch with Ecoartspace\, and exhibitions at Yerba Buena Center for the Arts\, San Francisco\, and the San Jose Museum of Art. Straus has held residencies at BigCi Residence in Australia\, Lucid Art Foundation\, and Morris Graves Foundation. Her work has been featured in Dark Mountain Journal\, Sculpture Magazine\, Rhizome\, San Francisco Chronicle\, and Point Reyes National Seashore Association. She holds a BFA from State University of New York (SUNY) Purchase and an MFA from California College of the Arts. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtist Talk: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-rainey-straus-recomposing/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260815T150000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260710T174733Z
CREATED:20260710T174733Z
LAST-MODIFIED:20260710T174733Z
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SUMMARY:Opening Reception – Jessica Cadkin & Michael Lynch: The End
DESCRIPTION:Image: Michael Lynch\, A Short Story of an Owl and the Rabbit\, 2026\, Gouache on Wood Panel\, 12” x 15” \nJessica Cadkin & Michael Lynch: The End \nA few days after her uncle’s death\, Jessica Cadkin was out walking when she noticed a crow cawing at her. It followed her for several blocks\, seeming to want her attention. Only when she stopped and looked up at it did the crow alight on a nearby light post. They quietly stared at one another for a few minutes before it flew away. Crows appear prominently in mythology across cultures. In Native American traditions they are not only tricksters and wise guys\, but protectors. In some Asian myths they represent the divine; while in Norse lore\, Huginn (thought) and Muninn (memory) serve as the eyes and ears of the god Odin. In Hindu belief\, crows act as messengers of the dead\, bridging the living and the spiritual worlds. Drawing on these associations as well as her own personal encounter with a crow shortly after a family member’s death\, Cadkin’s sculpture\, Eulogy\, reflects on memory\, loss\, and connection. \nMichael Lynch’s work often arises from his keen interest in art\, natural science\, and physics. The paintings of birds striking windows\, The Final Act 1\, 2\, and 3\, are based on photographs of the keratin and oil from powder down feathers transferred onto the glass at the moment of impact. They represent just three of the more than one billion fatal bird-window collisions in the United States each year. The Short Story of the Owl and the Rabbit is a reconstruction of a memory from a scene Lynch encountered over 50 years ago\, one he always wished he had a way to record. Lynch often seeks to bring to life the stories and events in nature that might otherwise go unnoticed. \nBios:\nJessica Cadkin was born in Phoenix\, Arizona\, and grew up in Napa\, California. She received a BA in Sculpture and Painting from San Francisco State University. Her work has appeared in group shows internationally and throughout Northern California including the de Young Museum\, Headlands Center for the Arts\, Southern Exposure\, di Rosa Preserve\, Bateman Foundation Gallery of Nature\, Bedford Gallery\, Root Division\, and the Berkeley Art Center. Cadkin joined Mercury Twenty Gallery in 2020\, this is her fifth show with the gallery. \nMichael Lynch is a self-described artistic engineer. Over the course of the last 55 years\, he has had several distinct careers. He began as a cabinet and furniture maker\, followed by 30 years in the film special effects industry\, most of which were in the Industrial Light and Magic (ILM) model shop. During this period\, he earned more than 30 film credits and worked on countless commercials. Lynch then shifted his focus for a decade\, contracting with the U.S. Department of Defense to design and fabricate prototype parachute systems and combat trauma trainers for the military and NATO. Retired since 2023\, Lynch now spends his workweek in the studio in Sausalito\, CA. Much of the work he produces lies at the intersection of art\, natural history\, and physics. His work often tells a story or records events that might otherwise go unnoticed. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtist Talk: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-jessica-cadkin-michael-lynch-the-end/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260815T150000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260710T180120Z
CREATED:20260710T180120Z
LAST-MODIFIED:20260710T180120Z
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SUMMARY:Opening Reception – Cade Salamanca: The Final Push
DESCRIPTION:Image: Cade Salamanca\, The Clock is Ticking\, 2026\, Mixed media on canvas\, 24” x 36” \nThe Final Push marks a pivotal chapter in Cade Salamanca’s artistic and personal journey. In 2026\, Salamanca embraced a new name—an act of self-definition that became a powerful affirmation of identity and a catalyst for creative transformation. Freed from expectations that once constrained her\, her work has entered a period of greater clarity\, confidence\, and emotional depth.\nThis body of work explores the liberation that emerges when authenticity is fully embraced. The introduction of wire mesh and draped chains began as formal material investigations but evolved into potent metaphors for the protective barriers Salamanca had constructed around herself over time. Fragmented mesh and suspended chains symbolize the dismantling of fear\, self-doubt\, and inherited expectations\, revealing a renewed sense of freedom and possibility. Alongside 12 paintings\, Salamanca will debut six double exposure self portraits that mark the beginning of a new practice with Film Photography on a Canon AE-1 Program. Both deeply personal and universally resonant\, The Final Push is a celebration of self-acceptance\, courage\, and transformation—a declaration of identity expressed without apology and an invitation to witness the power of becoming fully seen. \nBio:\nThe Final Push marks Cade Salamanca’s second solo exhibition with Mercury 20 Gallery. Throughout her artistic journey\, Salamanca has explored diverse mediums including ceramics and photography. After experimenting with different painting styles\, she developed a distinctive voice that combines techniques she has honed over the years—from smooth color transitions to rich textured layers.Salamanca’s work has been shown at the Blue Mountain Gallery in New York City; Made In California 2024\, Brea Gallery\, in La Brea\, CA; Reflections of Us (Juror Sergio Gomez)\, Warnes Contemporary\, in Brooklyn\, NY; Metal Haus Gallery\, in San Francisco\, CA; and others. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtist Talk: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-cade-salamanca-the-final-push/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260815T150000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260710T181038Z
CREATED:20260710T181038Z
LAST-MODIFIED:20260710T181038Z
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SUMMARY:Opening Reception – Monika Mayer: LINKED
DESCRIPTION:Image: Monika Mayer_Flow # 60 – Entangled\, 2025 (detail)\, Acrylic\, coffee and ink on canvas\, 22” x 28”\,  Photo: Dana Davis \nMonika Mayer’s new body of work is inspired by the rocky shoreline along the California coast\, shaped by the tides. At low tide\, hidden worlds are revealed: clusters of mussels and barnacles clinging together\, surviving by holding on to each other. By gathering together\, they create shared conditions that protect them from crashing waves and harsh weather. Their strength comes from connection.\nWorking with gathered and repurposed materials including inner tubes and deconstructed soccer balls\, Mayer builds sculptural forms through layering and accumulation. Discarded and overlooked\, these pieces grow into organism-like clusters linked with zip ties and staples and are given new life. Her paintings extend this language through layered coffee\, paint\, and ink\, echoing the coastal environment’s organic patterns and rhythms. By presenting familiar objects in unfamiliar ways\, Mayer invites viewers into a space of ambiguity\, encouraging them to pause\, look closely\, and consider what lies beneath the surface. These works reflect on resilience\, not as something we achieve alone\, but as something we build together. \nBio:\nMonika Mayer is a multidisciplinary artist born in Germany and based in Berkeley\, CA. Largely self-taught\, she began developing a daily art practice during the COVID-19 lockdown\, allowing her to deepen her focus and commitment. She holds a BA in Social Education from the University of Applied Sciences in Cologne\, Germany and a MA in Educational Leadership from the University of the Pacific in Stockton\, CA. Mayer has been a member of Mercury 20 Gallery since 2023\, and is an alumna of the Kala Artist-in-Residency program in Berkeley\, CA. Her work is held in private collections in the U.S. and Germany and has been exhibited nationally and internationally\, including at Tryst International Art Fair in Los Angeles\, Kala Art Gallery\, and in the UK as a shortlisted artist for the International Football Art Prize. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtist Talk: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-monika-mayer-linked/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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ORGANIZER;CN="Mercury 20 Gallery":MAILTO:mercurytwenty@gmail.com
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