Opening Reception – Jill McLennan: Ancestral Pathways
2025-10-18 15:00 - 17:00 (America/Los_Angeles) | Mercury 20 Gallery, 475 25th Street, Oakland, CA, 94612, United States
Jill McLennan’s prints and poems depict humans and animals moving along ancestral pathways of migration. McLennan created this series while working as an Artist in Residence at Kala Art Institute in Berkeley. She printed her linoleum block images with haiku poems using the letterpress technique and a Vanderhoop Press. The series began with the story of a man who had escaped from Yemen to Africa on a rowboat with a cow. Inspired by her friend, Collin, and his song, Every Step you Take is a Migration, she began to seek out other migration stories. She discovered animal migrations that have been altered by humans due to habitat destruction, such as giraffes being transported by truck. She read stories of the people risking their lives to travel across borders seeking new homes. When the Klamath river dams were taken down and salmon began to swim up the river again, she carved the story of the Salmon People. “I am processing the shadows we have cast on our beloved natural world and sharing the stories of those who wander searching for light.”
Bio:
Jill McLennan creates paintings and prints of her surroundings. Her recent work is a series of linoleum block prints with poems, telling stories of migration and climate change from around the world, printed during her residency at Kala Art Institute in Berkeley, California. She has been an active member of Mercury 20 Gallery for over 17 years. She is a founding member of her neighborhood organization, Jingletown Arts, Business + Community (JABC), working on various projects from East Bay Open Studios to neighborhood beautification projects. McLennan completed two public art projects — Jingletown Birds at 401 Derby and Emeryville Perspectives at 65th and Christie Streets. Both are cut steel fences depicting the local environment, shoreline, and birds, designed by McLennan and executed by local fabricators. As an artist and teacher, she is deeply invested in protecting her environment, inspiring youth and spreading hope and joy into the world.
Gallery Hours: Friday and Saturday, 12 – 5 pm (and by appointment)
Oakland Style Week Tour: Saturday, October 11, 11:30- 12 pm
﻿Oakland Art Murmur / First Friday: Friday, November 7, 5 – 9 pm
Artists’ Talk: Saturday, November 15, 2 – 3:30 pm

FALL MULTI-ARTIST SHOW
2025-10-22 10:00 - 2025-11-29 18:00 | Art@Archer, 431 13th Street, Oakland, CA, 94607, United States
For our final exhibition of this year, we bring together four local artists whose varied styles and mediums are sure to catch your eye. There’s wool felting, pointillism, pencil, watercolor, acrylic on canvas and wood-burning. The artists who bring you this wonderful work are: Wally Fields, Dalit Fresco, Christie Langley and Murray Nelson. Don’t miss it.

Curator Tour of 100 Years of Creative Visions
2025-10-25 13:00 - 14:00 | Mills College Art Museum, 5000 MacArthur Blvd., Oakland, CA, 94613, United States
Stephanie Hanor, MCAM Director and curator of 100 Years of Creative Visions, will lead attendees on a tour of this very special centennial exhibition. 100 Years of Creative Visions features an intergenerational and cross-cultural selection of major works from the permanent collection that emphasizes creative communities and the importance of artist friendships.

GlitchesAreLikeWildAnimalsInLatentSpace!-BOVINE Karin + Shane Denson
2025-10-30 08:00 - 17:00, 2025-10-30 12:00 - 2025-12-06 17:00 | Gearbox Gallery, 770 West Grand Avenue, Oakland, CA, 94612, United States
GlitchesAreLikeWildAnimalsInLatentSpace!—BOVINE
Karin + Shane Denson
A Special Installation in the Inner Room Gallery
Running concurrently with Material Dialogues: Danny Rosales &
Jules Campbell.
Dates: October 30 – December 6
Opening Reception: Saturday, November 1, 1-4pm
Artists’ Talk: Saturday, December 6 at 2pm (with Danny Rosales and Jules Campbell
as well)
GearBox Gallery is pleased to present this year’s winning Inner Room Call for
Entries proposal, GlitchesAreLikeWildAnimalsInLatentSpace!—BOVINE by
Karen and Shane Denson.
Inspired in equal parts by glitch-art vernaculars, the chronophotography of
Eadweard Muybridge and Étienne-Jules Marey, the cut-up methods of Brion
Gysin and William Burroughs, and generative practices from Oulipo to Brian Eno
and beyond, our ongoing series GlitchesAreLikeWildAnimalsInLatentSpace!
stages an encounter between human imagination and automated image-making.
We begin by training AI models on a set of Karin’s glitch paintings, which are
produced by subjecting wildlife videos (all shot by Karin) to aleatoric
“databending” processes. The digital videos break and reveal their underlying
protocols and infrastructures in the form of glitches and compression artifacts.
Selected images are then painted by hand in acrylic on canvas. Fed back into the
machine, deep learning models are prompted to generate new images in the
style of Karin’s glitch paintings. But since contemporary (“diffusion”-based) AI
models are effectively trained to eliminate “noise” and glitches, we are pushing
them against their intended purpose—and the results are accordingly
unpredictable.
Having obtained a new image, Karin translates it back onto canvas. In this case,
we are working with a cow that the AI surprisingly, and humorously, generated in
response to the prompt “glitches are like wild animals.” Shane then takes an
image of the new painting as the “seed” for an AI-generated video. Produced in
short bursts of animation and strung together, the video is then subjected to the
original glitch processes that are responsible for its training data.
Because the video is broken, it plays differently in different software. When the
various versions are combined, they fall out of phase with one another, producing
a ghostly effect. The soundtrack is also produced through generative methods by
computationally (mis)interpreting a jpeg of the original painting as an audio file.
Custom software cuts and combines the video in real time and draws on Shane’s
book Discorrelated Images to generate novel sentences.
Finally, the generative video serves as a kind of latent space for the production of
new painted images. In this iteration of the project, Karin has chosen five frames
from the video and painted a slice of each one as a panel of a pentaptych, thus
capturing the video’s temporal progression in a spatial form that is equal parts
digital chrono(post)photography, automated cutup, and human resistance to
automation.
Through this recursive and collaborative process, which shuttles repeatedly
between the digital and the physical, the invisible and the perceptible, we hope to
open for viewers a space of glitchy imagination, if not insight, into the opaque
black-boxed operations of the algorithmic media that are rapidly reshaping our
visual cultures and environments.
About the Artists
Karin Denson is a Bay Area artist working with paint, photography, video, and
collage. Shane Denson teaches media theory and aesthetics at Stanford’s
Department of Art & Art History. In their collaborative work, they travel back and
forth between theory and practice, implementing generative and aleatoric
principles across the media of pigment and pixel, canvas and concept, machinic
and manual production.
Karin Denson: In my paintings, collages, and photography, I explore the fragile
intersections of nature and technology. Drawing inspiration from digital glitches
and broken ecosystems, my work engages with visual metaphors for the
disruptions and imbalances shaping our world today. Glitch aesthetics—those
accidental or aleatoric artifacts of malfunction—become a lens through which to
examine ecological collapse, transformation, and the possibility of renewal.
My work emerges from a deep love of the natural world and a sustained curiosity
about digital processes, especially their wild, unpredictable outcomes. Through
abstract forms and layered imagery, I aim to express concern for endangered
environments while also revealing their unexpected beauty and resilience. Some
species, like the California Brown Pelican, have been pushed to the brink of
extinction more than once, only to return through ecotechnical interventions.
Others are adapting in real time, expanding into human-altered habitats and
reconfiguring old boundaries.
I hope to make these entanglements—between species, systems, and
technologies—visible in the fleeting, fragile passage of time. My work asks
viewers to sit with malfunction, not as error, but as a mode of attention to the
interdependence and precarity that characterize life in the Anthropocene.
Shane Denson is Professor of Film and Media Studies and, by Courtesy, of
German Studies and of Communication at Stanford University, where he also
serves as Director of the PhD Program in Modern Thought & Literature. His
research interests span a variety of media and historical periods, including
phenomenological and media-philosophical approaches to media arts, film,
digital media, and serialized popular forms. He collaborates with Karin Denson
on generative media art projects and is a member, along with Brett Amory and
Karin Denson, of the non/phenomenal collective. He is the author of four books:
Bride of Frankenstein [film|minutes] (Lever Press, 2025), Post-Cinematic Bodies
(meson press, 2023), Discorrelated Images (Duke University Press, 2020) and
Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface
(Transcript-Verlag, 2014). See shanedenson.com for more information.
All are welcome to join us for the Opening Reception celebrating a decade of presenting
contemporary art in Oakland. Stop in anytime Saturday, November 1, 1-4pm to greet
the artists and enjoy the light refreshments. Free street parking in the nearby
neighborhood.
770 West Grand Ave, Oakland, CA 94612
Contact: info@gearboxgallery.com
Homepage

(510) 271-0822
Gallery Hours: Thursdays-Saturdays, 12-5 pm

Material Dialogues
2025-10-30 12:00 - 2025-12-06 17:00 | Gearbox Gallery, 770 West Grand Avenue, Oakland, CA, 94612, United States
Featuring Artists: Danny Rosales/Jules Campbell
Dates: October 30, 2025 – December 6, 2025
Reception: Saturday, November 1, 1-4pm
Artists’ Talk: Saturday, December 6, 2pm
770 West Grand Ave, Oakland, CA 94612
Contact: info@gearboxgallery.com
Homepage

(510) 271-0822
Gallery Hours: Thursdays – Saturdays, 12 – 5pm
In Material Dialogues the works of Jules Campbell and Danny Rosales converge in a conversation
around structure, surface, and the materiality of the urban environment.
Jules Campbell’s mixed-media panels emerge from direct observation of the terrain around her
West Oakland studio, a neighborhood marked by cycles of industrial activity, neglect, and renewal.
Her works are not representations but tactile documents: layered, scraped, abraded, and
embedded with texture. Grit, muted pigments, and gestural marks combine to evoke concrete
walls, scorched pavement, and traces of graffiti long worn away. These surfaces speak of history
not through narrative, but through material—each mark and texture holding the residue of time, use,
and erosion. Campbell’s work positions the city as archive, where every surface has a story to tell.
In contrast, Danny Rosales approaches his sculptural practice from the perspective of balance,
immediacy, and spatial relationship. Using steel, concrete, and glass, Rosales fabricates intricate
forms that engage the language of architecture and industrial design while resisting the rigidity of
either. His constructions are dynamic—full of lines that intersect, planes that oppose, and tensions
that seem just on the verge of collapse or flight. There is a precision to his compositions, but also a
freedom: rods bend into gesture, concrete slumps with organic imperfection, and glass hovers
delicately within engineered frames. His work lives in the present, responding to material properties
and spatial logic. It asks: how do forms hold together? Where do we find the balance between
stability and uncertainty?
While their visual languages differ, both artists treat materials as agents—active, expressive, and
responsive. Campbell’s panels pull us into surfaces worn by time, drawing attention to the quiet
weight of place. Rosales’s sculptures stretch outward, creating a dialogue of form and force in real
time. One looks at what endures; the other at what emerges. Together, they offer a compelling
meditation on the physical, social, and spatial dynamics of the urban environment—a space where
memory and movement, structure and erosion, coexist in constant negotiation.
Press Images: Jules Campbell, Ghost Town 3, installation 4×4 each pc, 2025. Danny Rosales, Bent
#2, concrete, steel and glass, 14x13x12, 2025

Wrapped Up
2025-11-01 - 2025-12-13 | Manna Gallery, 473 25th St., Oakland, CA, 94612, United States
Manna Gallery is pleased to present Wrapped Up, a celebratory end-of-year group exhibition featuring small works by nine talented Bay Area artists: Wayne Armstrong, Rita Benton, Patrick Crotty, Gina Gaiser, Julia Marchand, Olivia Meurk, Carole Moore, Halloran Parry & Sandra Wong Orloff. The show includes an engaging mix of drawings, paintings, photography, and wood inlay, each piece thoughtfully crafted and reasonably priced—perfect for collectors and gift-givers alike.
November 1 – December 13, 2025
Artists’ Reception: Saturday, November 15, 2-4 pm
25th St Galleries Holiday Party: Saturday, December 13, 2-5 pm
First Fridays: November 7 & December 5, 5-8 pm
Gallery Hours: Saturdays, 12-5 pm & First Fridays, 5-8 pm

Hot Rods, Art and Rock ‘N Roll by Stanley Mouse
2025-11-01 12:00 - 2025-11-30 17:00 | The Grand Gallery, 560 2nd Street, Oakland, CA, 94607, United States
Old and new works by legendary artist Stanley Mouse at The Grand Gallery, 560 2nd Street, Oakland.
Opening reception with Stanley Mouse, Saturday, November 1st. 1-5pm Show continues through November 30th

Stanley Mouse ~ Artist Opening Reception
2025-11-01 13:00 - 17:00 | The Grand Gallery, 560 2nd Street, Oakland, CA, 94607, United States
Hot Rods, Art and Rock ‘n Rock. New and classic artworks by Stanley Mouse. Most famous for his album cover illustrations for The Grateful Dead.
Stanley will be present at the Opening Reception 1-5pm November 1st.
The Grand Gallery, 560 Second Street, Oakland.

Closing Reception - Pint Size 3
2025-11-01 14:00 - 17:00 | Transmission Gallery, 770 West Grand Ave., Suite A, Oakland, CA, 94612, United States
Need a little antidote to these uncertain times? There’s still time to see Pint Size 3! Minimal, maximal, thoughtful or playful, this is a great show to see in person with more than 260 small scale artworks on view through November 1st.
All are welcome to join us for the Closing Reception, Saturday, November 1st from 2-5 pm! Come out to enjoy the lively conversations, light refreshments and your last chance to see it all in real life!

Open First Friday: Wrapped Up
2025-11-07 17:00 - 20:00, 2025-12-05 17:00 - 20:00 | Manna Gallery, 473 25th St., Oakland, CA, 94612, United States
Wrapped Up is a celebratory end-of-year group exhibition featuring small works by nine talented Bay Area artists: Wayne Armstrong, Rita Benton, Patrick Crotty, Gina Gaiser, Julia Marchand, Olivia Meurk, Carole Moore, Halloran Parry & Sandra Wong Orloff. The show includes an engaging mix of drawings, paintings, photography, and wood inlay, each piece thoughtfully crafted and reasonably priced—perfect for collectors and gift-givers alike.
November 1 – December 13, 2025
First Fridays: November 7 & December 5, 5-8 pm
25th St Galleries Holiday Party: Saturday, December 13, 2-5 pm
Gallery Hours: Saturdays, 12-5 pm & First Fridays, 5-8 pm

First Friday Reception for "Fall Multi-Artist Show"
2025-11-07 18:00 - 21:00 | Art@Archer, 431 13th Street, Oakland, CA, 94607, United States
Join us for our last First Friday reception of the year. Our four Bay Area artists bring you their varied styles and mediums — wool felting, pointillism, abstract acrylic on canvas, pencil drawing, watercolor, and wood burning. Come share the experience with us.
Wally Fields
Dalit Fresco
Christie Langley
Murray Nelson
Refreshments will be served.

East Bay Art Yesterday: 100 Years of Bay Area Photography & Ceramics
2025-11-08 14:00 - 15:30 | Mills College Art Museum, 5000 MacArthur Blvd., Oakland, CA, 94613, United States
Join Mills College Art Museum for a discussion that reflects upon the history of photography and ceramics in the Bay Area, MCAM’s role within that history, and where Bay Area art is headed in the future.
Moderated by Liam O’Donoghue, local journalist and host of the podcast East Bay Yesterday, the conversation will feature MCAM Director Stephanie Hanor, Erik Scollon, Associate Professor and Head of Ceramics at California College of the Arts, and Shana Lopes, Assistant Curator of Photography at the San Francisco Museum of Modern Art.
The quartet will discuss Bay Area artists’ roles in transforming both photography and ceramics into respected fine art forms; the artists, professors, and museum directors who have passed through this campus and shaped the Art Museum’s collection; and the artistic innovation that happened both on campus and in the wider Bay Area.

Feast: L. Song Wu Solo Exhibition Opening
2025-11-08 15:00 - 17:00 | Johansson Projects, 2300 Telegraph Ave, Oakland, CA, 94612, United States
Feast is structured like an Italian full-course meal, unfolding in stages that explore the eroticism, performance, and violence behind acts of eating and consumption. Each painting resembles a thumbnail for a mukbang video, marked by surreal excess, seductive abundance, and intimate spectacle. Food is arranged with deliberate absurdity, pulled from internet virality, childhood memory, and embodied fantasy, reflecting L. Song Wu’s cross-cultural experiences across the U.S., China, and Italy, three places with deeply distinct but overlapping food traditions, aesthetics, and anxieties.
Feast will be on view at Johansson Projects from November 7 – January 3, 2026 with an opening reception and artist talk on November 8, from 3-5pm.

Artist Talk – Jill McLennan: Ancestral Pathways
2025-11-15 02:00 - 15:30 | Mercury 20 Gallery, 475 25th Street, Oakland, CA, 94612, United States
Jill McLennan’s prints and poems depict humans and animals moving along ancestral pathways of migration. McLennan created this series while working as an Artist in Residence at Kala Art Institute in Berkeley. She printed her linoleum block images with haiku poems using the letterpress technique and a Vanderhoop Press. The series began with the story of a man who had escaped from Yemen to Africa on a rowboat with a cow. Inspired by her friend, Collin, and his song, Every Step you Take is a Migration, she began to seek out other migration stories. She discovered animal migrations that have been altered by humans due to habitat destruction, such as giraffes being transported by truck. She read stories of the people risking their lives to travel across borders seeking new homes. When the Klamath river dams were taken down and salmon began to swim up the river again, she carved the story of the Salmon People. “I am processing the shadows we have cast on our beloved natural world and sharing the stories of those who wander searching for light.”
Bio:
Jill McLennan creates paintings and prints of her surroundings. Her recent work is a series of linoleum block prints with poems, telling stories of migration and climate change from around the world, printed during her residency at Kala Art Institute in Berkeley, California. She has been an active member of Mercury 20 Gallery for over 17 years. She is a founding member of her neighborhood organization, Jingletown Arts, Business + Community (JABC), working on various projects from East Bay Open Studios to neighborhood beautification projects. McLennan completed two public art projects — Jingletown Birds at 401 Derby and Emeryville Perspectives at 65th and Christie Streets. Both are cut steel fences depicting the local environment, shoreline, and birds, designed by McLennan and executed by local fabricators. As an artist and teacher, she is deeply invested in protecting her environment, inspiring youth and spreading hope and joy into the world.
Gallery Hours: Friday and Saturday, 12 – 5 pm (and by appointment)
Oakland Style Week Tour: Saturday, October 11, 11:30- 12 pm
Opening Reception: Saturday, October 18, 3 – 5 pm
﻿Oakland Art Murmur / First Friday: Friday, November 7, 5 – 9 pm

Artist Talk – Laura Malone: The Shimmering Self
2025-11-15 14:00 - 15:30 | Mercury 20 Gallery, 475 25th Street, Oakland, CA, 94612, United States
Laura Malone’s exhibition of figurative oil paintings, The Shimmering Self, continues her ongoing exploration of embodied female subjectivity. Through the nuances of her subjects’ body language, as well as her own gestures as she moves paint across a surface, Malone investigates the feminine body and its connection to self and surroundings. Spanning half a decade, these mostly large-scale works traverse a wide range between representation and abstraction, often within a single piece. Moments of ferocious gesture slow to delicate precision, inviting the viewer into a rhythmic journey of brush and body. This sense of continuous flux expresses flowing states of consciousness and is the essence of her point of view. As her subjects’ inner experiences radiate into the environment, they are simultaneously permeated by their surroundings. In this way she invites viewers into an evolving conversation between inner and outer worlds, asking, what really is a self?
Bio:
Born into a family of artists and academics, Laura Malone grew up in the thorny heat of Tucson, Arizona. The greys of her surroundings and the measured reserve of her intellectual household drove her to create work that is intimate and lush. This melding of the arid emotional climate of her youth with the parched desert environment became an ongoing investigation into the porosity between self and world. Her parallel career as a somatic therapist informs the core of her artistic practice, where paintings translate ineffable, felt states into form. Malone lives and works in the wooded hills of Oakland. Her paintings have been exhibited across the U.S. Honors include a Sheridan Prize for Art, acceptance into The Crocker Kingsley Art Competition, 2022 and inclusion in Disrupted Realism, curated by John Seed. Her work has been featured in publications including the East Bay Times, 48 Hills Magazine, and Artsy Shark. She is represented by Studio Shop Gallery in Burlingame and exhibits regularly with Mercury 20 Gallery.
Gallery Hours: Friday and Saturday, 12 – 5 pm (and by appointment)
Oakland Style Week Tour: Saturday, October 11, 11:30- 12 pm
Opening Reception: Saturday, October 18, 3 – 5 pm
﻿Oakland Art Murmur / First Friday: Friday, November 7, 5 – 9 pm
Image: Laura Malone, “Tangled”, 27” x 60”, 2021, oil on aluminum panel, photo courtesy of the artist

Artist Talk – Leah Korican: These Truths
2025-11-15 14:00 - 15:30 | Mercury 20 Gallery, 475 25th Street, Oakland, CA, 94612, United States
The United States Government has removed over 350 words from official websites, according to PEN America. Words that reflect truths about diversity, the environment, health, immigration, LGBTQ+ identity, racism, and women’s issues, among others that have been systematically deleted as a tactic for creating fear, and in an attempt to make the ideas and people behind these words vanish. These Truths is a meditation on holding onto values and beliefs in the face of censorship. In a series of works on paper, including a window installation, Korican layers text, cut paper, and paint, to explore and combat the current erasure of the truths we hold. In other cut paper pieces, Korican uses the tarot image of “The Hanged Man” to express the feeling of free fall she has been experiencing since the 2024 election.
Bio:
Leah Korican is a visual artist and writer based in Oakland, California. Korican has a BA from UC Berkeley and an MFA from the San Francisco Art Institute. Her work has been exhibited nationally, including the Richmond Art Center, Bedford Gallery, and Triton Museum. Her public art commissions include a large-scale site-specific cut-out for the Nashville International Airport and permanent artworks for Kehilla Community Synagogue and Rumsey Engineers in Oakland. Her writing has been published in literary magazines and anthologies. She is currently writing a memoir about growing up on a commune in the backwoods of Oregon.
Gallery Hours: Friday and Saturday, 12 – 5 pm (and by appointment)
Oakland Style Week Tour: Saturday, October 11, 11:30- 12 pm
Opening Reception: Saturday, October 18, 3 – 5 pm
﻿Oakland Art Murmur / First Friday: Friday, November 7, 5 – 9 pm

Artists' Reception - Wrapped Up
2025-11-15 14:00 - 16:00 | Manna Gallery, 473 25th St., Oakland, CA, 94612, United States
Join us for a celebratory end-of year group exhibition featuring small works by nine talented Bay Area artists: Wayne Armstrong, Rita Benton, Patrick Crotty, Gina Gaiser, Julia Marchand, Olivia Meurk, Carole Moore, Halloran Parry & Sandra Wong Orloff
Artists’ Reception: Saturday, November 15, 2-4 pm
25th St Galleries Holiday Party: Saturday, December 13, 2-5 pm
First Fridays: November 7 & December 5, 5-8 pm
Gallery Hours: Saturdays, 12-5 pm & First Fridays, 5-8 pm

O V E R / E X P O S E D - Art Exhibition
2025-11-21 17:00 - 20:00 | ARTogether Center, 1200 Harrison Street, Oakland, 94612, United States
A group show by the 2025 ARTogether Artists in Residence.
What parts of ourselves do we keep safe from the hostility aimed at our communities? How do we share our art when we aren’t fully seen to begin with? How can we redirect the gaze to expose the oppressive systems themselves? When do we decide to reveal the true nature of our lives despite all this?
As immigrants, diasporic, queer, nonbinary, Black, mixed-race artists, femmes, parents, and healers, we are searching for a balance between what we choose to expose of ourselves and being overexposed to the greed and hatred around us. Our work takes up space and asks us to be vulnerable while we insist on the safety and dignity of our loved ones and neighbors.
Our works include mixed media, painting, sculpture, animation, installations, prints, and performance that move between disclosure and opacity. Some fragments are offered plainly, others remain guarded, resisting the demand to translate or explain. Here, exposure is not a spectacle, but a dialogue.
Exhibition Dates
September 26 – November 23, 2025
Opening Reception
Friday, September 26, 5 – 8 PM
Artists Talk
Friday, October 17th, 5 – 8pm
Closing Reception & Performance
Friday, November 21st, 5 – 8pm
Gallery Hours
Fridays and Saturdays, 4 – 7 PM
Sundays, 11 – 5 PM
This event is free and open to the public!
ARTogether Center
1200 Harrison Street
Downtown Oakland
Paid street parking onsite
Accessible by 12th street BART

25th St Galleries Holiday Party - Wrapped Up
2025-12-13 14:00 - 17:00 | Manna Gallery, 473 25th St., Oakland, CA, 94612, United States
Join us for a celebratory end-of-year holiday party on 25th St! This is the last day to see Wrapped Up, a group exhibition by nine Bay Area artists: Wayne Armstrong, Rita Benton, Patrick Crotty, Gina Gaiser, Julia Marchand, Olivia Meurk, Carole Moore, Halloran Parry & Sandra Wong Orloff. We hope you can come and meet the artists.
November 1 – December 13, 2025
25th St Galleries Holiday Party: Saturday, December 13, 2-5 pm
Gallery Hours: Saturday, 12-5 pm
