BEGIN:VCALENDAR
VERSION:2.0
PRODID:-// - ECPv6.6.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://oaklandartmurmur.org
X-WR-CALDESC:Events for 
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20260308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20261101T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T160000
DTSTAMP:20260610T083848
CREATED:20260430T183119Z
LAST-MODIFIED:20260501T015110Z
UID:10004799-1778940000-1778947200@oaklandartmurmur.org
SUMMARY:Artists’ Reception – Familiar Strangers
DESCRIPTION:Join Manna Gallery in celebrating the opening of Familiar Strangers\, a group exhibition featuring Devynn Barnes\, Madelyn Covey\, Monica Guillory\, Pamela Mooney\, Jillian Shea\, Julianne Sterling\, and Deirdre White. Meet the artists and be among the first to experience this thoughtful exploration of memory\, identity\, and image through contemporary figurative painting. The reception offers an opportunity to connect\, ask questions\, and engage with the work in a lively\, informal setting. \nMay 16 – June 20\, 2026\nArtists’ Reception: Saturday\, May 16\, 2-4 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm \nDevynn Barnes is an Oakland-based painter\, visual artist\, and archivist. Through her multi-disciplinary work\, she transforms archival fragments into portals of Afro-surreal conjure\, restoring suppressed Black queer presence and imagining landscapes of collective homecoming. Barnes invites viewers to confront their own narratives\, encouraging a collective awakening\, communal (melanated) homecoming\, and admittance to our interconnected archives.  \nMonica Guillory paints from vintage photographs\, transforming fleeting moments of intimacy and joy into layered compositions that mirror the fragility and emotional elasticity of memory—where figures emerge\, dissolve\, and persist through time. \nMadelyn Covey paints portraits of friends and family that examine the performance of identity within intimate\, domestic spaces. Working on found wallpaper\, she builds visual relationships between subject and surface\, creating textured reflections on connection\, care\, and the subtle ways we inhabit our roles. \nPamela Mooney reconfigures found imagery into compositions that are at once familiar and disorienting. Through distortion\, color disruption\, and chance\, her work challenges viewers to unravel embedded meanings while considering the impact our cultural narratives have on the possibilities of the future. \nJillian Shea captures nightlife scenes as sites of tension and agency\, where visibility and performance collide. Her paintings reframe femme presence as active and resistant\, emphasizing camaraderie and autonomy within spaces shaped by the dynamics of looking and being looked at. \nJulianne Wallace Sterling’s recent paintings are inspired by photos she took on vacation with her family. These photos are of cherished memories and travels with loved ones. These paintings begin in an atmospheric location but quickly dive into magical imaginings of place through light\, floral design\, and shadow. Sterling’s work is fundamentally portraiture\, but she has been exploring the figure in the complexity of cityscapes. \nDeirdre White constructs poetic\, often unsteady worlds drawn from memory\, landscape\, and imagination. Her paintings weave personal and collective narratives of life in the American West\, where grief\, wonder\, and resilience coexist within scenes of quiet upheaval.
URL:https://oaklandartmurmur.org/event/artists-reception-familiar-strangers/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
ATTACH;FMTTYPE=image/jpeg:https://oaklandartmurmur.org/wp-content/uploads/2026/04/SqCy-image-figure-show.jpeg
GEO:37.8144;-122.2672
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Manna Gallery 473 25th St. Oakland CA 94612 United States;X-APPLE-RADIUS=500;X-TITLE=473 25th St.:geo:-122.2672,37.8144
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T150000
DTEND;TZID=America/Los_Angeles:20260516T170000
DTSTAMP:20260610T083848
CREATED:20260425T160544Z
LAST-MODIFIED:20260425T160544Z
UID:10004791-1778943600-1778950800@oaklandartmurmur.org
SUMMARY:Opening Reception and Artist Talk – Charlie Milgrim: Crude Futures
DESCRIPTION:Image: Charlie Milgrim\, “Crude Futures #1”\, 2026\, used motor oil on paper\, photo Bri Cheng \nTwenty-five years ago\, in the shadow of the September 11 attacks\, Charlie Milgrim searched for a way to confront the deeper forces fueling global conflict. She turned to the very substance that was a catalyst in those struggles: oil. With a bowling ball as her brush\, she rolled long lines across thick paper with used motor oil\, setting the “landscapes” in motion. Over the decades\, the contaminants in the motor oil slowly seeped outwards\, its unpredictable spread mirroring the drifting\, uncontrollable nature of an oil spill. Time became an important collaborator in the piece\, shaping its quiet but constant transformation.\nNow\, after more than two decades\, the oil has left an indelible stain—much like the omnipresent residue of oil spills that continue to haunt the environment. Despite the rise of renewable energy over these same years\, the politics surrounding oil remain largely unchanged. The work stands as a reflection of that persistence: a grim reminder that the world still grapples with the long shadow of oil dependency\, its consequences rippling through our present day wars. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-and-artist-talk-charlie-milgrim-crude-futures/
ATTACH;FMTTYPE=image/jpeg:https://oaklandartmurmur.org/wp-content/uploads/2026/04/Charlie-Milgrim_Crude-Futures-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T150000
DTEND;TZID=America/Los_Angeles:20260516T170000
DTSTAMP:20260610T083848
CREATED:20260424T182735Z
LAST-MODIFIED:20260424T182843Z
UID:10004789-1778943600-1778950800@oaklandartmurmur.org
SUMMARY:Opening Reception and Artist Talk – Gustave Carlson: New American Stillness
DESCRIPTION:Gustave Carlson\, “Inverness Midday”\, 2026\, photo courtesy of the artist \nNew American Stillness by Gustave Carlson explores the quiet psychological presence of the contemporary American landscape. Focusing on ordinary architecture—coastal houses\, open lawns\, interiors\, still lifes\, and expansive skies—these paintings place absence at the center of experience. Rather than narrative\, Carlson emphasizes observation\, structure\, and atmosphere. Buildings act as anchors within broad fields of light and color\, suggesting both stability and solitude. Subtle tonal shifts allow spaces to feel at once specific and timeless\, inviting viewers to consider how shadow\, memory\, and perception shape place. While Edward Hopper often conveys psychological isolation and Fairfield Porter captures domestic intimacy\, Carlson draws from both to explore architecture as a perceptual construct rather than a narrative stage. In these restrained scenes\, stillness is not emptiness but presence—an invitation to look longer and see more. His work suggests that the contemporary American landscape\, when closely observed\, continues to offer moments of quiet depth and reflection. \nBio:\nGustave Carlson is an architect and principal of Gustave Carlson Design in Berkeley\, California\, and a painter exploring the quiet tension between architecture\, light\, and lived space. He is the author of Pacific Modern Houses of Northern California (ORO Editions\, 2018)\, a widely acclaimed survey of regional modernism. His award-winning architectural work has received international recognition and appears in Elle Decor\, Dwell\, Wallpaper\, The New York Times\, and the San Francisco Chronicle. Carlson holds a Master of Architecture from the University of Pennsylvania and studied painting there under Color Field painter Adele Alsop. He has attended residencies at Edgewood Farm at Castle Hill in Truro\, Massachusetts\, and Studio Faire in Nérac\, France. His paintings have earned honors including Best in Show at the Greenwich Art Society and have been exhibited at the Provincetown Art Association and Museum\, Castle Hill Center for the Arts\, Tiburon Library Gallery\, Greenwich Art Society\, and Mercury 20 Gallery. His work is held in private collections. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-new-american-stillness-2/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
ATTACH;FMTTYPE=image/jpeg:https://oaklandartmurmur.org/wp-content/uploads/2026/04/Inverness-Elevation-Midday-Final-Gustave-Carlson-1.jpeg
GEO:37.804829;-122.272476
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mercury 20 Gallery 475 25th Street Oakland CA 94612 United States;X-APPLE-RADIUS=500;X-TITLE=475 25th Street:geo:-122.272476,37.804829
END:VEVENT
END:VCALENDAR