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SUMMARY:Jessica Cadkin & Michael Lynch: The End
DESCRIPTION:Michael Lynch\, The Final Act 1\, 2026\, 12″ x 15″ gouache on wood panel\, photo courtesy of the artist \nA few days after her uncle’s death\, Jessica Cadkin was out walking when she noticed a crow cawing at her. It followed her for several blocks\, seeming to want her attention. Only when she stopped and looked up at it did the crow alight on a nearby light post. They quietly stared at one another for a few minutes before it flew away. Crows appear prominently in mythology across cultures. In Native American traditions they are not only tricksters and wise guys\, but protectors. In some Asian myths they represent the divine; while in Norse lore\, Huginn (thought) and Muninn (memory) serve as the eyes and ears of the god Odin. In Hindu belief\, crows act as messengers of the dead\, bridging the living and the spiritual worlds. Drawing on these associations as well as her own personal encounter with a crow shortly after a family member’s death\, Cadkin’s sculpture\, Eulogy\, reflects on memory\, loss\, and connection. \nMichael Lynch’s work often arises from his keen interest in art\, natural science\, and physics. The paintings of birds striking windows\, The Final Act 1\, 2\, and 3\, are based on photographs of the keratin and oil from powder down feathers transferred onto the glass at the moment of impact. They represent just three of the more than one billion fatal bird-window collisions in the United States each year. The Short Story of the Owl and the Rabbit is a reconstruction of a memory from a scene Lynch encountered over 50 years ago\, one he always wished he had a way to record. Lynch often seeks to bring to life the stories and events in nature that might otherwise go unnoticed. \nBios:\nJessica Cadkin was born in Phoenix\, Arizona\, and grew up in Napa\, California. She received a BA in Sculpture and Painting from San Francisco State University. Her work has appeared in group shows internationally and throughout Northern California including the de Young Museum\, Headlands Center for the Arts\, Southern Exposure\, di Rosa Preserve\, Bateman Foundation Gallery of Nature\, Bedford Gallery\, Root Division\, and the Berkeley Art Center. Cadkin joined Mercury Twenty Gallery in 2020\, this is her fifth show with the gallery. \nMichael Lynch is a self-described artistic engineer. Over the course of the last 55 years\, he has had several distinct careers. He began as a cabinet and furniture maker\, followed by 30 years in the film special effects industry\, most of which were in the Industrial Light and Magic (ILM) model shop. During this period\, he earned more than 30 film credits and worked on countless commercials. Lynch then shifted his focus for a decade\, contracting with the U.S. Department of Defense to design and fabricate prototype parachute systems and combat trauma trainers for the military and NATO. Retired since 2023\, Lynch now spends his workweek in the studio in Sausalito\, CA. Much of the work he produces lies at the intersection of art\, natural history\, and physics. His work often tells a story or records events that might otherwise go unnoticed. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/jessica-cadkin-michael-lynch-the-end/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260731T120000
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SUMMARY:Monika Mayer: LINKED
DESCRIPTION:Monika Mayer\, Flow # 60 – Entangled\, 2025\, acrylic\, coffee and ink on canvas\, 22″ x 28″\, photo: Dana Davis \nMonika Mayer’s new body of work is inspired by the rocky shoreline along the California coast\, shaped by the tides. At low tide\, hidden worlds are revealed: clusters of mussels and barnacles clinging together\, surviving by holding on to each other. By gathering together\, they create shared conditions that protect them from crashing waves and harsh weather. Their strength comes from connection.\nWorking with gathered and repurposed materials including inner tubes and deconstructed soccer balls\, Mayer builds sculptural forms through layering and accumulation. Discarded and overlooked\, these pieces grow into organism-like clusters linked with zip ties and staples and are given new life. Her paintings extend this language through layered coffee\, paint\, and ink\, echoing the coastal environment’s organic patterns and rhythms. By presenting familiar objects in unfamiliar ways\, Mayer invites viewers into a space of ambiguity\, encouraging them to pause\, look closely\, and consider what lies beneath the surface. These works reflect on resilience\, not as something we achieve alone\, but as something we build together. \nBio:\nMonika Mayer is a multidisciplinary artist born in Germany and based in Berkeley\, CA. Largely self-taught\, she began developing a daily art practice during the COVID-19 lockdown\, allowing her to deepen her focus and commitment. She holds a BA in Social Education from the University of Applied Sciences in Cologne\, Germany and a MA in Educational Leadership from the University of the Pacific in Stockton\, CA. Mayer has been a member of Mercury 20 Gallery since 2023\, and is an alumna of the Kala Artist-in-Residency program in Berkeley\, CA. Her work is held in private collections in the U.S. and Germany and has been exhibited nationally and internationally\, including at Tryst International Art Fair in Los Angeles\, Kala Art Gallery\, and in the UK as a shortlisted artist for the International Football Art Prize. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/monika-mayer-linked/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTAMP:20260708T210148
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SUMMARY:Cade Salamanca: The Final Push
DESCRIPTION:Cade Salamanca\, Come As You Are\, 2026\, mixed media\, 36″ x 36″ x 2″\, photo courtesy of the artist \nThe Final Push marks a pivotal chapter in Cade Salamanca’s artistic and personal journey. In 2026\, Salamanca embraced a new name—an act of self-definition that became a powerful affirmation of identity and a catalyst for creative transformation. Freed from expectations that once constrained her\, her work has entered a period of greater clarity\, confidence\, and emotional depth. \nThis body of work explores the liberation that emerges when authenticity is fully embraced. The introduction of wire mesh and draped chains began as formal material investigations but evolved into potent metaphors for the protective barriers Salamanca had constructed around herself over time. Fragmented mesh and suspended chains symbolize the dismantling of fear\, self-doubt\, and inherited expectations\, revealing a renewed sense of freedom and possibility. Alongside 12 paintings\, Salamanca will debut six double exposure self portraits that mark the beginning of a new practice with Film Photography on a Canon AE-1 Program. Both deeply personal and universally resonant\, The Final Push is a celebration of self-acceptance\, courage\, and transformation—a declaration of identity expressed without apology and an invitation to witness the power of becoming fully seen. \nBio:\nThe Final Push marks Cade Salamanca’s second solo exhibition with Mercury 20 Gallery. Throughout her artistic journey\, Salamanca has explored diverse mediums including ceramics and photography. After experimenting with different painting styles\, she developed a distinctive voice that combines techniques she has honed over the years—from smooth color transitions to rich textured layers.Salamanca’s work has been shown at the Blue Mountain Gallery in New York City; Made In California 2024\, Brea Gallery\, in La Brea\, CA; Reflections of Us (Juror Sergio Gomez)\, Warnes Contemporary\, in Brooklyn\, NY; Metal Haus Gallery\, in San Francisco\, CA; and others. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/cade-salamanca-the-final-push/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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SUMMARY:Rainey Strauss: re(COMPOSING)
DESCRIPTION:Rainey Straus\, re(Composing)\, 2026\, site specific Installation: cast paper and bioplastic\, dimensions variable\, photo courtesy of the artist \nRainey Straus’s work begins with walking\, listening\, and close attention to the living world. Created for Mercury 20\, re(Composing) turns that attention toward fungi\, following the ways matter breaks down\, gathers\, and becomes something else. The installation takes decomposers as a starting point: organisms that are also composers\, transforming one kind of matter into another. Straus’s materials follow this logic. Paper is shredded\, pulped\, and cast over found\, downed wood\, echoing the way paper wasps chew wood fiber into shelter. Lacing through these casts are bioplastic forms\, spun like spider silk until gesture becomes structure. By working with already fallen wood\, Straus treats the tree not as an ending but as part of an ongoing cycle of transformation. The work invites attention to other intelligences: the pathfinding of slime molds\, mycelial networks\, and forms of sensing beyond human perception. Rather than representing ecological change\, re(Composing) takes part in it: paper returns to pulp\, pulp takes the impression of wood\, and matter reorganizes itself into temporary form: fragile\, provisional\, and alive to what comes next. \nBio:\nRainey Straus is the award winner from Mercury 20’s 2026 exhibition\, Mapping Time\, awarded by juror Minoosh Zomorodinia. Straus is a Bay Area interdisciplinary artist whose work grows from fieldwork into sculpture\, installation\, painting\, and cyanotype. After working as a Bay Area tech designer\, she returned to artmaking in response to ecological urgency. Solo exhibitions include Spinning Time into Form\, Gallery Route One\, Point Reyes Station\, CA and The Old Growth Project at MarinMOCA. Her work has appeared in Bodies and Borders: Ecologies of Consent with Women Eco Artists Dialog\, Forest Unseen at Petaluma Arts Center\, The New Geologic Epoch with Ecoartspace\, and exhibitions at Yerba Buena Center for the Arts\, San Francisco\, and the San Jose Museum of Art. Straus has held residencies at BigCi Residence in Australia\, Lucid Art Foundation\, and Morris Graves Foundation. Her work has been featured in Dark Mountain Journal\, Sculpture Magazine\, Rhizome\, San Francisco Chronicle\, and Point Reyes National Seashore Association. She holds a BFA from State University of New York (SUNY) Purchase and an MFA from California College of the Arts. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/rainey-strauss-recomposing/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260905T100000
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SUMMARY:Exploring the Art of Collage: A Workshop Series with Raha
DESCRIPTION:Join local multi-media artist Raha for an immersive\, hands-on journey into the world of collage. Whether you are a complete beginner or an artist looking to refine your creative process\, this workshop is designed to help you explore new stylistic constraints and stretch your imagination. \nDate & Time: Saturday\, September 5 \nMorning Session\n10:00 AM – 1:00 PM \nAfternoon Session\n2:00 PM – 5:00 PM
URL:https://oaklandartmurmur.org/event/exploring-the-art-of-collage-a-workshop-series-with-raha/2026-09-05/1/
LOCATION:Dictée Art & Exhibitions\, 2117 11th Avenue\, Oakland\, CA\, 94606\, United States
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DTSTART;TZID=America/Los_Angeles:20260905T140000
DTEND;TZID=America/Los_Angeles:20260905T170000
DTSTAMP:20260708T210148
CREATED:20260401T170150Z
LAST-MODIFIED:20260629T174323Z
UID:10005219-1788616800-1788627600@oaklandartmurmur.org
SUMMARY:Exploring the Art of Collage: A Workshop Series with Raha
DESCRIPTION:Join local multi-media artist Raha for an immersive\, hands-on journey into the world of collage. Whether you are a complete beginner or an artist looking to refine your creative process\, this workshop is designed to help you explore new stylistic constraints and stretch your imagination. \nDate & Time: Saturday\, September 5 \nMorning Session\n10:00 AM – 1:00 PM \nAfternoon Session\n2:00 PM – 5:00 PM
URL:https://oaklandartmurmur.org/event/exploring-the-art-of-collage-a-workshop-series-with-raha/2026-09-05/2/
LOCATION:Dictée Art & Exhibitions\, 2117 11th Avenue\, Oakland\, CA\, 94606\, United States
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