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SUMMARY:Artist Reception: Gina Gaiser - Built Different
DESCRIPTION:Join us for the reception of Built Different\, a series of black-and-white urban studies that examines the constructed world through a distinctly attuned lens. In these photographs\, Gina Gaiser documents brick facades\, graffiti\, industrial textures\, and architectural grids—evidence of how humans have reshaped and engineered their environment. Working in monochrome\, she strips away distraction to foreground repetition\, geometry\, and contrast. Individual images are brought together to form converging patterns\, reflecting a way of seeing that gravitates toward structure and system. What may appear chaotic or incidental resolves into rhythm and order. In Built Different\, the title operates on multiple levels: the city is built\, the environment is built\, and the mind observing it is built differently. The work suggests that difference in perception is not a flaw but a precision\, and an ability to recognize pattern\, coherence\, and design embedded within the grit of the everyday. \nBuilt Different\nNew Work by Gina Gaiser\nApril 3 – May 9\, 2026\nArtist Reception: Saturday\, April 11\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, April 3 & May 1\, 5-8 pm
URL:https://oaklandartmurmur.org/event/artist-reception-gina-gaiser-built-different/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T150000
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SUMMARY:Opening Reception – Andrea Guskin: Signals Beneath The Surface
DESCRIPTION:The networks beneath our forest floors—where tree roots and mycorrhizal fungi share sustenance and signals through intertwined subterranean paths—served as a source of inspiration for Andrea Guskin’s exhibition\, Signals Beneath the Surface. This new work continues her exploration of scientific discovery as a metaphor\, using metal paintings and photographic processes to investigate themes of ancestry\, memory\, and interconnection.\nThread\, found objects\, and imprints of Guskin’s body on the metal paintings translate concealed activity into form\, mapping the connections that sustain life below ground and above it.\nWithin this exhibition\, she presents work from her recent project Local Roots\, a photo-based community arts project centered on ancestral relationships to herbs and spices\, and a new site-specific collaborative installation created with local artists Courtney Griffith and Yaminah Abdur-Rahim. \nBio:\nAndrea Guskin is a San Francisco Bay Area based artist working across the disciplines of photography\, sculpture\, and painting. She began drawing by pillaging her father’s office supplies for fine-tipped pens and yellow legal pads\, filling them with figures while lounging on a 1970s shag carpet in Kenosha\, Wisconsin. After studying painting at Antioch College in Ohio\, Guskin moved to New York City and became a part of the arts community on the Lower East Side. Since moving to the Bay Area in 2003\, she has exhibited her work throughout the state\, including at the Richmond Art Center\, Berkeley Art Center\, and Red Poppy Art House. She graduated with an MFA in Interdisciplinary Arts from Mills College at Northeastern University in April of 2023. Guskin lives in San Leandro with her husband and two sons. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm\nJoin Andrea Guskin in a participatory activity centered around ancestry on First Friday\, April 3\, 6:30-7:30 pm \nImage: Andrea Guskin\, “Radial Expansion” (Detail)\, Acrylic paint on Cinefoil\, 2026\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/opening-reception-andrea-guskin-signals-beneath-the-surface/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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SUMMARY:Opening Reception – Alec Marin: All That You Change/Changes You
DESCRIPTION:All That You Change/Changes You is a collection of work centered around Alec Marin’s life: painter\, scientist\, and Chicano from the South Texas border. Each piece is an exploration of some dimension of his varied interests and lived experience\, from the perceptual distortions that occur during the phases of intoxication to the hidden reality of racial and economic segregation along the Mexican American border. Recent work focuses on his read of the foundational principles of Mexica (Aztec) philosophy\, their symbols and spiritual practices within a contemporary framework. His two latest paintings build upon this by framing the images as the prophetic dreams of an ancestor whose life and works would catalyze the culture and religion of the Mexica people.\n\nBio:\nAlec Marin is an artist and neuroscientist based in Oakland\, California. His work has been published at knowingneurons.com and “The Beat\,” an art and literature journal published by The David Geffen School of Medicine at UCLA. His work has been exhibited at the Fremont Art Association’s Annual Art Show; “Beyond Boundaries\,” a juried exhibition at the Mercury 20 Gallery; and “Ripples” group exhibition at the UCSF School of Law. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Alec Marin\, “Reseeding the Garden\,” Oil on Canvas\, 36″x 48″\, 2025\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/opening-reception-alec-martin-all-that-you-change-changes-you/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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SUMMARY:Opening Reception – Group Show: Material Differences
DESCRIPTION:Leigh Barbier\, Jessika Cadkin\, Laura Malone\, Christine Meuris\nThe four artists featured in Material Differences work in painting\, sculpture\, and weaving. Considered together\, their works draw attention to the ways texture\, material choice\, and scale shape the dynamics of the exhibition.\nLeigh Barbier’s series Under the Influence features ceramic heads informed by her intuitive drawing process: pieces created during moments of inspiration\, anxiety\, or relief. They capture glimpses of an idea\, feeling\, or dream; fragments of her imagination.\nJessica Cadkin’s sculpture\, Cavity\, depicts a large‑scale molar\, reflecting a lifelong fascination with her teeth and her aversion to dentist visits. Her work explores the tension between attraction and repulsion\, presenting the tooth as something both familiar and unsettling.\nExamining human subjectivity\, Laura Malone’s paintings traverse a range of emotional landscapes. From jubilant bursts of vermilion in one piece to gentle splashes of gray in another\, Malone invites viewers to gambol here\, only to rest in stillness there.\nChristine Meuris’s pieces are examples of overshot weaving\, in which a contrasting pattern thread is interwoven with the structural plain weave threads; and the process of inlay\, in which areas of pattern are placed only where the weaver wants them. For Meuris\, making them was an experiment in layering structures of form and pattern. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Left to right\, Leigh Barbier\, Under the Influence (WIP)\, Ceramics\, 5″x5″x3″\, 2026; Laura Malone\, Fire Season\, Oil on Linen\, 40″x40″\, 2026; Christine Meuris\, Balance\, Woven Cotton\, 2 panels at 48″x19″ each\, 2024; all photos courtesy of the artists
URL:https://oaklandartmurmur.org/event/opening-reception-group-show-material-differences/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T160000
DTEND;TZID=America/Los_Angeles:20260411T180000
DTSTAMP:20260503T024421
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SUMMARY:WOMEN IN CARS – new works by Erin McCluskey-Wheeler
DESCRIPTION:women\nin\ncars\nby\nErin McCluskey Wheeler \nopening at Mighty Mighty Studio\nApril 11th\nSaturday\n4:00 – 6:00 \nWomen in Cars \nis an ongoing series a decade in the making\, exploring escapism\, longing\, and the quietly unresolved moments of a woman’s inner life. Each painting begins with a vintage car advertisement\,  collaged directly onto the canvas\, \nbefore Erin paints a new and uncertain world around the driver. Where is she going? She may never arrive. And perhaps that is exactly the point. \nEach piece is presented in a vintage frame personally collected and paired by the artist\, making every work a singular and complete object.
URL:https://oaklandartmurmur.org/event/women-in-cars-new-works-by-erin-mccluskey-wheeler/
LOCATION:Mighty Mighty Studio\, 480 23rd Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260418T140000
DTEND;TZID=America/Los_Angeles:20260418T143000
DTSTAMP:20260503T024421
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SUMMARY:Artist's Talk - Frank D. Cole: The House Inside
DESCRIPTION:Frank Cole Artist’s Talk\, April 18th starting at 2 pm.\nExhibition on view through April 25th. \nFrank D. Cole will discuss his work on view in “The House Inside” at Transmission Gallery\, starting at 2 pm\, Saturday\, April 18th. \nFramed by porches\, window casings\, and thresholds\, Cole’s paintings position the viewer in an interior space\, looking outward. Beams\, panes\, and floorboards divide and measure the picture plane acting as armatures for recollection\, holding in place fleeting impressions of light on water\, wind through tall grass\, or rain dissolving a stand of trees. The result is both architectural and narrative\, emerging as quiet meditations on place and time\, imbued with tranquility.  \nSee the work through April 25th. With concurrent solo shows\, more artwork on view in the Gallery Office and GearBox Gallery just downstairs\, Transmission Gallery is an unexpected art oasis upstairs in the “ART” building at 770 West Grand Ave. in West Oakland.
URL:https://oaklandartmurmur.org/event/artists-talk-frank-d-cole-the-house-inside/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260425T100000
DTEND;TZID=America/Los_Angeles:20260522T160000
DTSTAMP:20260503T024421
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SUMMARY:Wandering Stars: Young Artists’ Portrait Show
DESCRIPTION:An exhibition showcasing OUSD High School students’ artwork. There are four schools represented in this show\, which are: Fremont High\, Skyline High\, Oakland High\, Oakland International\, and Madison Park Academy.\nIdentity\, home\, and the power of unapologetic presence run through this youth portrait exhibition. OUSD artists worked in photography\, digital media\, collage\, and painting—using symbols\, brush strokes\, color\, texture\, and imagination to portray what it means to be Oakland.\nThe evidence is in the details: facial expressions that don’t perform for anyone\, the way they hold their loved ones\, the specific choices that make each portrait theirs.\nRepresentation matters here. These young artists are about to graduate\, about to enter a world outside high school. But first\, they’re making visible what they know about themselves—their beauty\, their identity\, the fact of who they are.\nWandering Stars is a celebration of beauty\, selfhood\, and identity. These artists don’t wait to be seen. They make themselves visible.
URL:https://oaklandartmurmur.org/event/wondering-stars-young-artists-portrait-show/2026-04-25/
LOCATION:East Bay Creative Lab\, 558 Bellevue Avenue\, Oakland\, CA\, 94610\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260425T130000
DTEND;TZID=America/Los_Angeles:20260425T160000
DTSTAMP:20260503T024421
CREATED:20260423T011318Z
LAST-MODIFIED:20260423T011318Z
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SUMMARY:EDGES of ATTENTION Opening Reception
DESCRIPTION:On Saturday\, April 25th at 1pm\, GearBox Gallery presents an Opening Reception for Edges of Attention artists Javier Arizmendi-Kalb and Susana Arias. Edges of Attention is on view through May 23. Thursday -Saturday\, Noon – 5pm\nGearBox Gallery\n770 West Grand Ave\nOakland\, CA 94612
URL:https://oaklandartmurmur.org/event/edges-of-attention-opening-reception/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260426T160000
DTEND;TZID=America/Los_Angeles:20260426T180000
DTSTAMP:20260503T024421
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SUMMARY:Wandering Stars: Young Artists’ Portrait Show
DESCRIPTION:An exhibition showcasing OUSD High School students’ artwork. There are four schools represented in this show\, which are: Fremont High\, Skyline High\, Oakland High\, Oakland International\, and Madison Park Academy.\nIdentity\, home\, and the power of unapologetic presence run through this youth portrait exhibition. OUSD artists worked in photography\, digital media\, collage\, and painting—using symbols\, brush strokes\, color\, texture\, and imagination to portray what it means to be Oakland.\nThe evidence is in the details: facial expressions that don’t perform for anyone\, the way they hold their loved ones\, the specific choices that make each portrait theirs.\nRepresentation matters here. These young artists are about to graduate\, about to enter a world outside high school. But first\, they’re making visible what they know about themselves—their beauty\, their identity\, the fact of who they are.\nWandering Stars is a celebration of beauty\, selfhood\, and identity. These artists don’t wait to be seen. They make themselves visible.
URL:https://oaklandartmurmur.org/event/wondering-stars-young-artists-portrait-show/2026-04-26/
LOCATION:East Bay Creative Lab\, 558 Bellevue Avenue\, Oakland\, CA\, 94610\, United States
CATEGORIES:Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260501T170000
DTEND;TZID=America/Los_Angeles:20260501T200000
DTSTAMP:20260503T024421
CREATED:20260308T053640Z
LAST-MODIFIED:20260308T053640Z
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SUMMARY:Open First Friday: Built Different - Gina Gaiser
DESCRIPTION:Built Different is a black-and-white photography series by Gina Gaiser that examines the logic embedded in the urban landscape. Focusing on brickwork\, graffiti\, industrial surfaces\, and architectural grids\, Gaiser isolates fragments of the built environment and reframes them as studies in repetition\, contrast\, and form. Stripped of color\, the images emphasize structure and rhythm\, allowing overlooked details to surface with clarity. When assembled\, the photographs converge into larger visual systems\, revealing order within what might otherwise register as visual noise. Built Different reflects on construction in multiple senses\, of cities\, of environments\, and of perception itself\, proposing that heightened attention to pattern and geometry is not deviation\, but insight. \nApril 3 – May 9\, 2026\nArtist Reception: Saturday\, April 11\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, April 3 & May 1\, 5-8 pm
URL:https://oaklandartmurmur.org/event/open-first-friday-built-different-gina-gaiser/2026-05-01/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Art Walk
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DTSTART;TZID=America/Los_Angeles:20260502T130000
DTEND;TZID=America/Los_Angeles:20260502T150000
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SUMMARY:Hands-on art making event: Collage
DESCRIPTION:Join us for a fun\, family-friendly afternoon of creativity at Manna Gallery! As part of Built Different\, a black-and-white photography exhibition by Oakland-based artist Gina Gaiser\, we’re hosting a hands-on art-making event for all ages. \nOn Saturday\, May 2\, from 1–3 pm\, visitors are invited to explore paper collage using provided materials or bring their own to personalize their creations. Inspired by Gina’s experimental approach and her keen eye for Oakland’s urban landscape\, this activity encourages playful discovery and artistic expression for the whole family. \nBuilt Different runs April 3 – May 9\, 2026\, with additional events including Oakland Art Murmur First Fridays (April 3 & May 1\, 5–8 pm) and an Artist Reception on Saturday\, April 11 (3–5 pm). Gallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm. \nAll events and gallery admission are free. Come make art\, get inspired\, and experience Oakland through a new lens!
URL:https://oaklandartmurmur.org/event/hands-on-art-making-event-collage/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260502T130000
DTEND;TZID=America/Los_Angeles:20260502T160000
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SUMMARY:Opening Reception - Jeff Dikio: This Must Be the Place
DESCRIPTION:Opening Reception\, Saturday\, May 2nd\, 1-4 pm\nConcurrent with the Opening Reception for Sonia Gill: Memento Vivere / Remember to Live\, also at Transmission Gallery at 770 West Grand Ave in Oakland. \nAll are welcome so please join us to greet the artist\, enjoy the light refreshments and check out Jeff Dikio’s recent colorful paint chip collages celebrating Bay Area neighborhoods. \nIn This Must Be the Place\, Jeff Dikio reflects on the quiet spaces where memory\, environment\, and emotion intersect. Borrowing its title from the Talking Heads song\, the exhibition considers “place” not as a fixed location\, but as a feeling—something recognized in passing\, in fragments\, in moments of stillness. \nUsing paint chips in his collages\, Dikio reconstructs familiar “every day” scenes  into compositions that feel both grounded and unsettled. What emerges is a visual language of belonging\, where home is less about geography and more about resonance.” \nJeff Dikio is a Bay Area artist born in 1975 on Clark Air Force Base in the Philippines. Raised within a transient military culture\, he found early grounding in drawing and observation\, developing a lifelong sensitivity to place\, movement\, and change. \nIn his recent collages\, Dikio tries to capture the colorful and quirky architecture and scenes found in his immediate surroundings that are distinctive of the surrounding Bay Area. \nHe received his BA in Fine Arts from the University of California\, Santa Cruz in 1997\, and has since worked across figurative\, landscape\, and mixed-media practices.
URL:https://oaklandartmurmur.org/event/opening-reception-jeff-dikio-this-must-be-the-place/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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SUMMARY:Artist's Reception - Sonia Gill: Memento Vivere / Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere / Remember to Live\, Artist’s Reception\, Saturday\, May 2nd\, 1-4 pm \nAll are welcome\, please stop by between 1 and 4 pm Saturday\, May 2nd\, to greet the artist\, check out new work in the gallery and enjoy the light refreshments served up on our lovely deck outside (weather permitting). Look for the “ART” building at 770 West Grand Ave in Oakland with free street parking along West Grand and the neighborhood south. Also on hand will be artist\, Jeff Dikio\, with new paint chip collage work at Transmission in “This Must Be the Place.” See both shows at Transmission with more artwork in the Office and\, while you’re in the building\, check out Gearbox Gallery just downstairs. \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. \nBeginning with a photographic reference drawn from her everyday life\, Gill builds her compositions piece by piece through a slow and contemplative process. Drawing from a vast archive of printed matter: pages of magazines\, discarded scraps\, and remnants of images once whole\, she assembles hundreds of paper fragments translating the image into a new state of presence. Within this self-imposed constraint\, she embarks on a rigorous and intuitive search for the exact hue\, value\, or texture needed to bring a scene to life. \n​At its core\, this body of work is an homage to the quiet\, enduring moments that define human life: reading together\, tending to small rituals\, routine tasks and moments of reflection. In an era often marked by business and noise\, Gill’s practice offers a counterpoint—a deliberate slowing down\, a careful reconstruction of meaning through attention and care reminding us that life’s significance resides not in spectacle\, but in the accumulation of small\, luminous moments. This work is a reminder – remember to live. \nTrained as a painter and influenced by mentor’s Jay DeFeo and Ron Dahl\, Gill graduated with a BFA from California College of Arts and Crafts\, in addition to degrees from Michigan State University in French. With a robust exhibition history\, she has shown extensively in the Bay Area with solo exhibitions dating  over the past twenty years and inclusion in a long list of juried shows. Her work has been published in Studio Visit Magazine and 48 Hills\, among other publications\, and recognition in painting and watercolor with awards from the Sebastopol Center for the Arts\, Northern National Art Competition\, Richmond Art Center and Fort Bragg Art Center.
URL:https://oaklandartmurmur.org/event/artists-reception-sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260502T130000
DTEND;TZID=America/Los_Angeles:20260502T170000
DTSTAMP:20260503T024421
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SUMMARY:Weight of Air - Opening Reception
DESCRIPTION:Saturday May 2nd 1-5pm.  The Grand Gallery is excited to announce the opening of Duncan Sherwood-Forbes  – Weight of Air.  Forbes is a multimedia artist based in Oakland specializing in figurative metalwork. His sculptures have been exhibited at galleries and art fairs both nationally and internationally. His approach to wire is rooted in line drawing. “I use wire to divide air\, treating space itself as the primary medium.” This effect commands your attention as the figures appear to be suspended in mid-thought. The negative space is just as relevant as the wire itself.
URL:https://oaklandartmurmur.org/event/weight-of-air/
LOCATION:The Grand Gallery\, 560 2nd Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Opening Reception
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ORGANIZER;CN="The Grand Gallery":MAILTO:thegrandgalleryoakland@gmail.com
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DTSTART;TZID=America/Los_Angeles:20260508T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
DTSTAMP:20260503T024421
CREATED:20260425T163138Z
LAST-MODIFIED:20260425T163138Z
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SUMMARY:Opening Reception and Artist Talk – Abby Zhang: Private Weather
DESCRIPTION:Image: Abby Zhang\, “Caution! Wet Floor”\, 2025\, Acrylic and oil on canvas\, photo courtesy of the artist \nPrivate Weather brings together a new group of paintings by Abby Zhang that explores how thought\, feeling\, and visual memory take form in space. Built through improvisation\, revision\, and accumulation\, these works move between structure and instability\, allowing images to emerge without fully settling. Meaning develops through relation: between marks\, between paintings\, and between the work and the room. The exhibition treats painting as both image and atmosphere\, creating a space charged by tension\, proximity\, and change. Private Weather points to an inner climate made visible\, where perception stays open and everything remains slightly in motion. \nBio:\nAbby Zhang is a Bay Area–based painter whose work explores memory\, perception\, and psychological atmosphere through layered\, semi-abstract images. She received her MFA in Painting from Pratt Institute in 2021\, recently participated as a resident artist at Art Bias\, completed a residency at Kala Art Institute and Vermont Studio Center\, and has been selected for an upcoming residency at the Torrance Art Museum this summer. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-and-artist-talk-abby-zhang-private-weather/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260509T130000
DTEND;TZID=America/Los_Angeles:20260509T160000
DTSTAMP:20260503T024421
CREATED:20260501T172932Z
LAST-MODIFIED:20260501T172932Z
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SUMMARY:WAXWORK
DESCRIPTION:WAXWORK- Experimental mono-prints and drawings on paper with cold wax by Denise Owen.\nMay1-31\, 2026 Reception Saturday May 9\, 1-4pm\nStudios11 near beautiful Jack London Square\, 560 2nd Street\, Oakland\, CA
URL:https://oaklandartmurmur.org/event/waxwork/
LOCATION:Studios 11\, 560 2nd St Oakland\, California\, Oakland\, CA\, 94607\, United States
CATEGORIES:Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T143000
DTSTAMP:20260503T024421
CREATED:20260416T233131Z
LAST-MODIFIED:20260416T234715Z
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SUMMARY:Artist’s Talk – Sonia Gill: Memento Vivere / Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere / Remember to Live\nArtist’s Talk starts at 2 pm – please join us – all are welcome! Free street parking nearby. \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. Indeed\, Gill often refers to her collages as paintings. Thoughtful of composition and content\, Gill’s imagery emerges through a contemplative process with color drawn from a vast trove of magazine imagery.  \nImages pay homage to the daily moments from which our lives are built\, quiet\, repetitive\, and precious as they are. \nCome out to the artist’s talk to hear more from Sonia about her art practice\, philosophy and the development of the figurative work on view at Transmission Gallery. Events are free and open to the public. \nCan’t make the talk? See the work April 23 – June 6\, Thursdays\, Fridays and Saturdays\, 12-5pm and by appointment.
URL:https://oaklandartmurmur.org/event/artists-talk-sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T160000
DTSTAMP:20260503T024421
CREATED:20260430T183119Z
LAST-MODIFIED:20260501T015110Z
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SUMMARY:Artists’ Reception – Familiar Strangers
DESCRIPTION:Join Manna Gallery in celebrating the opening of Familiar Strangers\, a group exhibition featuring Devynn Barnes\, Madelyn Covey\, Monica Guillory\, Pamela Mooney\, Jillian Shea\, Julianne Sterling\, and Deirdre White. Meet the artists and be among the first to experience this thoughtful exploration of memory\, identity\, and image through contemporary figurative painting. The reception offers an opportunity to connect\, ask questions\, and engage with the work in a lively\, informal setting. \nMay 16 – June 20\, 2026\nArtists’ Reception: Saturday\, May 16\, 2-4 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm \nDevynn Barnes is an Oakland-based painter\, visual artist\, and archivist. Through her multi-disciplinary work\, she transforms archival fragments into portals of Afro-surreal conjure\, restoring suppressed Black queer presence and imagining landscapes of collective homecoming. Barnes invites viewers to confront their own narratives\, encouraging a collective awakening\, communal (melanated) homecoming\, and admittance to our interconnected archives.  \nMonica Guillory paints from vintage photographs\, transforming fleeting moments of intimacy and joy into layered compositions that mirror the fragility and emotional elasticity of memory—where figures emerge\, dissolve\, and persist through time. \nMadelyn Covey paints portraits of friends and family that examine the performance of identity within intimate\, domestic spaces. Working on found wallpaper\, she builds visual relationships between subject and surface\, creating textured reflections on connection\, care\, and the subtle ways we inhabit our roles. \nPamela Mooney reconfigures found imagery into compositions that are at once familiar and disorienting. Through distortion\, color disruption\, and chance\, her work challenges viewers to unravel embedded meanings while considering the impact our cultural narratives have on the possibilities of the future. \nJillian Shea captures nightlife scenes as sites of tension and agency\, where visibility and performance collide. Her paintings reframe femme presence as active and resistant\, emphasizing camaraderie and autonomy within spaces shaped by the dynamics of looking and being looked at. \nJulianne Wallace Sterling’s recent paintings are inspired by photos she took on vacation with her family. These photos are of cherished memories and travels with loved ones. These paintings begin in an atmospheric location but quickly dive into magical imaginings of place through light\, floral design\, and shadow. Sterling’s work is fundamentally portraiture\, but she has been exploring the figure in the complexity of cityscapes. \nDeirdre White constructs poetic\, often unsteady worlds drawn from memory\, landscape\, and imagination. Her paintings weave personal and collective narratives of life in the American West\, where grief\, wonder\, and resilience coexist within scenes of quiet upheaval.
URL:https://oaklandartmurmur.org/event/artists-reception-familiar-strangers/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260516T150000
DTEND;TZID=America/Los_Angeles:20260516T170000
DTSTAMP:20260503T024421
CREATED:20260424T182735Z
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SUMMARY:Opening Reception and Artist Talk – Gustave Carlson: New American Stillness
DESCRIPTION:Gustave Carlson\, “Inverness Midday”\, 2026\, photo courtesy of the artist \nNew American Stillness by Gustave Carlson explores the quiet psychological presence of the contemporary American landscape. Focusing on ordinary architecture—coastal houses\, open lawns\, interiors\, still lifes\, and expansive skies—these paintings place absence at the center of experience. Rather than narrative\, Carlson emphasizes observation\, structure\, and atmosphere. Buildings act as anchors within broad fields of light and color\, suggesting both stability and solitude. Subtle tonal shifts allow spaces to feel at once specific and timeless\, inviting viewers to consider how shadow\, memory\, and perception shape place. While Edward Hopper often conveys psychological isolation and Fairfield Porter captures domestic intimacy\, Carlson draws from both to explore architecture as a perceptual construct rather than a narrative stage. In these restrained scenes\, stillness is not emptiness but presence—an invitation to look longer and see more. His work suggests that the contemporary American landscape\, when closely observed\, continues to offer moments of quiet depth and reflection. \nBio:\nGustave Carlson is an architect and principal of Gustave Carlson Design in Berkeley\, California\, and a painter exploring the quiet tension between architecture\, light\, and lived space. He is the author of Pacific Modern Houses of Northern California (ORO Editions\, 2018)\, a widely acclaimed survey of regional modernism. His award-winning architectural work has received international recognition and appears in Elle Decor\, Dwell\, Wallpaper\, The New York Times\, and the San Francisco Chronicle. Carlson holds a Master of Architecture from the University of Pennsylvania and studied painting there under Color Field painter Adele Alsop. He has attended residencies at Edgewood Farm at Castle Hill in Truro\, Massachusetts\, and Studio Faire in Nérac\, France. His paintings have earned honors including Best in Show at the Greenwich Art Society and have been exhibited at the Provincetown Art Association and Museum\, Castle Hill Center for the Arts\, Tiburon Library Gallery\, Greenwich Art Society\, and Mercury 20 Gallery. His work is held in private collections. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-new-american-stillness-2/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260522T180000
DTEND;TZID=America/Los_Angeles:20260522T200000
DTSTAMP:20260503T024421
CREATED:20260428T183652Z
LAST-MODIFIED:20260428T183652Z
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SUMMARY:Getting the Shot: How Photojournalism Works Today
DESCRIPTION:As AI-generated imagery has enabled the mass spreading of misinformation\, the role of photojournalists in documenting reality is more crucial than ever. Yet the economic implosion of the media industry means that there are relatively few full-time positions left\, even at major news outlets. Amidst this challenging landscape\, how are photojournalists adapting to changing technologies\, maintaining their careers\, and covering the stories that deserve to be covered?\nTo answer these questions and more\, East Bay Yesterday host Liam O’Donoghue will be moderating a panel discussion with several Bay Area photojournalists. Expect to hear an illuminating conversation on the ethics\, logistics\, and love of taking pictures for a living.  \nFeaturing:\nAmir Aziz\, Bay Nature Documentary Photography Fellow and co-founder of Coyote Media Collective\nCharles Russo\, SF Gate Senior Editor of Photography & Design\nJane Tyska\, East Bay Times/Oakland Tribune photojournalist \nThis event is part of the closing reception for “Visible Labor: The East Bay at Work\,” an exhibition of local photographers on display at Oakland Photo Workshop until May 24\, 2026. This is a free event\, but pre-registration is recommended. You can pre-register here: https://www.zeffy.com/en-US/ticketing/aac64c32-a84d-4107-9ff1-9f175b146f6f
URL:https://oaklandartmurmur.org/event/getting-the-shot-how-photojournalism-works-today/
LOCATION:Oakland Photo Workshop\, 312 8th St\, Oakland\, CA\, 94607\, United States
CATEGORIES:Artists Talk
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ORGANIZER;CN="Oakland Photo Workshop/East Bay Photo Collective":MAILTO:info@ebpco.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T170000
DTEND;TZID=America/Los_Angeles:20260801T170000
DTSTAMP:20260503T024421
CREATED:20260301T183513Z
LAST-MODIFIED:20260301T183538Z
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SUMMARY:“Positively Cynical” recent work by Ryan Tesluk
DESCRIPTION:Ryan Tesluk’s art provides viewers with honest\, unadulterated content that triggers a\nplethora of emotions. While many individuals may be uncomfortable with what they see\, the fact that some may feel such discomfort when looking at his paintings means Tesluk is doing\nsomething right. \nMore soon!  \nJune 5th – August 1st\, 2026\nReceptions:  First Friday\, June 5th\, 5-10pm\nReceptions:  First Friday\, July 3rd\, 5-10pm \nHours:\nSaturdays 1-5pm\nEvery first Friday of the month 5-9pm\notherwise by appointment
URL:https://oaklandartmurmur.org/event/positively-cynical-recent-work-by-ryan-tesluk/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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