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DTSTART:20260308T100000
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DTSTART:20261101T090000
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DTSTART;TZID=America/Los_Angeles:20260403T130000
DTEND;TZID=America/Los_Angeles:20260530T170000
DTSTAMP:20260504T223217
CREATED:20260221T012115Z
LAST-MODIFIED:20260221T012115Z
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SUMMARY:Deconstructing the Gaze: 'Forgotten Eyes': Contemporary Surrealism and Cubist Visions Challenge Perceptions of Reality
DESCRIPTION:Johansson Projects presents Forgotten Eyes an exhibition of painting by Pablo Benzo and sculpture by Soojin Choi. Known for their emotional and undulating compositions\, Benzo and Choi exploit the unstable boundaries between interior and exterior worlds. Their representations of life are warped\, distended\, burnished\, and ultimately engaged in a reality that is elastic rather than fixed\, shaped by memory\, intuition\, and shifting sensorial conditions.  \nOperating at the formal and conceptual nexus of Surrealism and Cubism\, Benzo’s paintings reinterpret early 20th-century modernism for the contemporary moment. Grounded in conventions of still life and portraiture\, his pastel-hued interiors are rendered as sites of mystery and multiplicity. In Benzo’s painted world flowers float as they wilt and the joints of furniture crease like flesh. Blending the quotidian with the otherworldly\, Benzo eschews realism for a dream-like plane of being\, offering a comfortable familiarity that always necessitates a double-take.  \nChoi’s ceramic sculptures similarly forgo conventional modes of representation in favor of more circuitous structures. Often figurative\, her work treats the human body as a plastic form. Limbs and faces emerge from painted underglaze applied to hand-built planes of flattened clay that twist and twine around each other. Choi’s figures never engage in a moment of recognition\, instead looking outward with ambivalent expressions. Their contorted anatomy foregrounds their alterity\, evoking the complexity of human connection\, individuation\, and the construction of the other.  \nForgotten Eyes will run Friday\, April 3 to Saturday\, May 30\, 2026. An opening reception will be held Friday\, April 3 from 5-8 pm.
URL:https://oaklandartmurmur.org/event/deconstructing-the-gaze-forgotten-eyes-contemporary-surrealism-and-cubist-visions-challenge-perceptions-of-reality/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260403T170000
DTEND;TZID=America/Los_Angeles:20260531T170000
DTSTAMP:20260504T223217
CREATED:20260301T115637Z
LAST-MODIFIED:20260301T184133Z
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SUMMARY:“Dreamscapes” art by Daisuke Okamoto + Brenda Cibrian
DESCRIPTION:Artist Statement: Daisuke Okamoto\nDaisuke Okamoto’s work\, “OKAINA IMAGE” is an elaborate and involved system of ink line drawings representing identity and transformation\, exploring the cycle of life in the complex\, biomorphic narratives of the organic. \nDaisuke Okamoto was born and raised in Tokyo\, Japan\, and currently works and resides in Los Angeles\, California.  Okamoto’s art is heavily influenced by science fiction and psychedelic culture. Given his intense passion for repetitive line drawing\, Okamoto has been known to work over a year on a single piece. \nOkamoto partnered with Microsoft on a Microsoft Surface Pro 8 and made a mural for the ad campaign in 2022. And he has also done collaborative projects with PBS KCET in Southern California.\nOkamoto’s murals are in CA\, TX\, NV\, OR\, UT\, MI\, NY in the United States\, Tokyo Japan\, and Berlin Germany. \nArtist statement: Brenda Cibrian\nThrough paintings and murals I seek to make art that uplifts and creates connection within ourselves and with the world around us. My work starts with a feeling first then subject matter\, I then add in playful elements with a whimsical visual flair. I use surreal colors\, combine imagery that is in and out of focus\, with graphical\, symbolic shapes to tie compositions together. I like to explore themes of identity\, introspection\, core memories and nostalgia. Nature\, abstract shapes and people are recurring elements in my art and my influences come from my Mexican American upbringing in South Central as well as early 2000s internet culture. \nApril 3rd – May 30th\, 2026\nReceptions: First Friday\, April 3rd\, 5-10pm\nReceptions: First Friday\, May 1st\, 5-10pm \nHours:\nSaturdays 1-5pm\nEvery first Friday of the month 5-9pm\notherwise by appointment
URL:https://oaklandartmurmur.org/event/dreamscapes-art-by-daisuke-okamoto-brenda-cibrian/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Art Walk,Ongoing Exhibitions,Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260425T100000
DTEND;TZID=America/Los_Angeles:20260522T160000
DTSTAMP:20260504T223217
CREATED:20260325T182634Z
LAST-MODIFIED:20260328T012913Z
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SUMMARY:Wandering Stars: Young Artists’ Portrait Show
DESCRIPTION:An exhibition showcasing OUSD High School students’ artwork. There are four schools represented in this show\, which are: Fremont High\, Skyline High\, Oakland High\, Oakland International\, and Madison Park Academy.\nIdentity\, home\, and the power of unapologetic presence run through this youth portrait exhibition. OUSD artists worked in photography\, digital media\, collage\, and painting—using symbols\, brush strokes\, color\, texture\, and imagination to portray what it means to be Oakland.\nThe evidence is in the details: facial expressions that don’t perform for anyone\, the way they hold their loved ones\, the specific choices that make each portrait theirs.\nRepresentation matters here. These young artists are about to graduate\, about to enter a world outside high school. But first\, they’re making visible what they know about themselves—their beauty\, their identity\, the fact of who they are.\nWandering Stars is a celebration of beauty\, selfhood\, and identity. These artists don’t wait to be seen. They make themselves visible.
URL:https://oaklandartmurmur.org/event/wondering-stars-young-artists-portrait-show/2026-04-25/
LOCATION:East Bay Creative Lab\, 558 Bellevue Avenue\, Oakland\, CA\, 94610\, United States
CATEGORIES:Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260508T120000
DTEND;TZID=America/Los_Angeles:20260613T170000
DTSTAMP:20260504T223217
CREATED:20260425T163138Z
LAST-MODIFIED:20260425T163138Z
UID:10004792-1778241600-1781370000@oaklandartmurmur.org
SUMMARY:Opening Reception and Artist Talk – Abby Zhang: Private Weather
DESCRIPTION:Image: Abby Zhang\, “Caution! Wet Floor”\, 2025\, Acrylic and oil on canvas\, photo courtesy of the artist \nPrivate Weather brings together a new group of paintings by Abby Zhang that explores how thought\, feeling\, and visual memory take form in space. Built through improvisation\, revision\, and accumulation\, these works move between structure and instability\, allowing images to emerge without fully settling. Meaning develops through relation: between marks\, between paintings\, and between the work and the room. The exhibition treats painting as both image and atmosphere\, creating a space charged by tension\, proximity\, and change. Private Weather points to an inner climate made visible\, where perception stays open and everything remains slightly in motion. \nBio:\nAbby Zhang is a Bay Area–based painter whose work explores memory\, perception\, and psychological atmosphere through layered\, semi-abstract images. She received her MFA in Painting from Pratt Institute in 2021\, recently participated as a resident artist at Art Bias\, completed a residency at Kala Art Institute and Vermont Studio Center\, and has been selected for an upcoming residency at the Torrance Art Museum this summer. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\n﻿Oakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-and-artist-talk-abby-zhang-private-weather/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260509T130000
DTEND;TZID=America/Los_Angeles:20260509T160000
DTSTAMP:20260504T223217
CREATED:20260501T172932Z
LAST-MODIFIED:20260501T172932Z
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SUMMARY:WAXWORK
DESCRIPTION:WAXWORK- Experimental mono-prints and drawings on paper with cold wax by Denise Owen.\nMay1-31\, 2026 Reception Saturday May 9\, 1-4pm\nStudios11 near beautiful Jack London Square\, 560 2nd Street\, Oakland\, CA
URL:https://oaklandartmurmur.org/event/waxwork/
LOCATION:Studios 11\, 560 2nd St Oakland\, California\, Oakland\, CA\, 94607\, United States
CATEGORIES:Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T160000
DTSTAMP:20260504T223217
CREATED:20260430T183119Z
LAST-MODIFIED:20260501T015110Z
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SUMMARY:Artists’ Reception – Familiar Strangers
DESCRIPTION:Join Manna Gallery in celebrating the opening of Familiar Strangers\, a group exhibition featuring Devynn Barnes\, Madelyn Covey\, Monica Guillory\, Pamela Mooney\, Jillian Shea\, Julianne Sterling\, and Deirdre White. Meet the artists and be among the first to experience this thoughtful exploration of memory\, identity\, and image through contemporary figurative painting. The reception offers an opportunity to connect\, ask questions\, and engage with the work in a lively\, informal setting. \nMay 16 – June 20\, 2026\nArtists’ Reception: Saturday\, May 16\, 2-4 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm \nDevynn Barnes is an Oakland-based painter\, visual artist\, and archivist. Through her multi-disciplinary work\, she transforms archival fragments into portals of Afro-surreal conjure\, restoring suppressed Black queer presence and imagining landscapes of collective homecoming. Barnes invites viewers to confront their own narratives\, encouraging a collective awakening\, communal (melanated) homecoming\, and admittance to our interconnected archives.  \nMonica Guillory paints from vintage photographs\, transforming fleeting moments of intimacy and joy into layered compositions that mirror the fragility and emotional elasticity of memory—where figures emerge\, dissolve\, and persist through time. \nMadelyn Covey paints portraits of friends and family that examine the performance of identity within intimate\, domestic spaces. Working on found wallpaper\, she builds visual relationships between subject and surface\, creating textured reflections on connection\, care\, and the subtle ways we inhabit our roles. \nPamela Mooney reconfigures found imagery into compositions that are at once familiar and disorienting. Through distortion\, color disruption\, and chance\, her work challenges viewers to unravel embedded meanings while considering the impact our cultural narratives have on the possibilities of the future. \nJillian Shea captures nightlife scenes as sites of tension and agency\, where visibility and performance collide. Her paintings reframe femme presence as active and resistant\, emphasizing camaraderie and autonomy within spaces shaped by the dynamics of looking and being looked at. \nJulianne Wallace Sterling’s recent paintings are inspired by photos she took on vacation with her family. These photos are of cherished memories and travels with loved ones. These paintings begin in an atmospheric location but quickly dive into magical imaginings of place through light\, floral design\, and shadow. Sterling’s work is fundamentally portraiture\, but she has been exploring the figure in the complexity of cityscapes. \nDeirdre White constructs poetic\, often unsteady worlds drawn from memory\, landscape\, and imagination. Her paintings weave personal and collective narratives of life in the American West\, where grief\, wonder\, and resilience coexist within scenes of quiet upheaval.
URL:https://oaklandartmurmur.org/event/artists-reception-familiar-strangers/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T150000
DTEND;TZID=America/Los_Angeles:20260516T170000
DTSTAMP:20260504T223217
CREATED:20260424T182735Z
LAST-MODIFIED:20260424T182843Z
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SUMMARY:Opening Reception and Artist Talk – Gustave Carlson: New American Stillness
DESCRIPTION:Gustave Carlson\, “Inverness Midday”\, 2026\, photo courtesy of the artist \nNew American Stillness by Gustave Carlson explores the quiet psychological presence of the contemporary American landscape. Focusing on ordinary architecture—coastal houses\, open lawns\, interiors\, still lifes\, and expansive skies—these paintings place absence at the center of experience. Rather than narrative\, Carlson emphasizes observation\, structure\, and atmosphere. Buildings act as anchors within broad fields of light and color\, suggesting both stability and solitude. Subtle tonal shifts allow spaces to feel at once specific and timeless\, inviting viewers to consider how shadow\, memory\, and perception shape place. While Edward Hopper often conveys psychological isolation and Fairfield Porter captures domestic intimacy\, Carlson draws from both to explore architecture as a perceptual construct rather than a narrative stage. In these restrained scenes\, stillness is not emptiness but presence—an invitation to look longer and see more. His work suggests that the contemporary American landscape\, when closely observed\, continues to offer moments of quiet depth and reflection. \nBio:\nGustave Carlson is an architect and principal of Gustave Carlson Design in Berkeley\, California\, and a painter exploring the quiet tension between architecture\, light\, and lived space. He is the author of Pacific Modern Houses of Northern California (ORO Editions\, 2018)\, a widely acclaimed survey of regional modernism. His award-winning architectural work has received international recognition and appears in Elle Decor\, Dwell\, Wallpaper\, The New York Times\, and the San Francisco Chronicle. Carlson holds a Master of Architecture from the University of Pennsylvania and studied painting there under Color Field painter Adele Alsop. He has attended residencies at Edgewood Farm at Castle Hill in Truro\, Massachusetts\, and Studio Faire in Nérac\, France. His paintings have earned honors including Best in Show at the Greenwich Art Society and have been exhibited at the Provincetown Art Association and Museum\, Castle Hill Center for the Arts\, Tiburon Library Gallery\, Greenwich Art Society\, and Mercury 20 Gallery. His work is held in private collections. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\n﻿Oakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-new-american-stillness-2/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260605T170000
DTEND;TZID=America/Los_Angeles:20260801T170000
DTSTAMP:20260504T223217
CREATED:20260301T183513Z
LAST-MODIFIED:20260301T183538Z
UID:10004221-1780678800-1785603600@oaklandartmurmur.org
SUMMARY:“Positively Cynical” recent work by Ryan Tesluk
DESCRIPTION:Ryan Tesluk’s art provides viewers with honest\, unadulterated content that triggers a\nplethora of emotions. While many individuals may be uncomfortable with what they see\, the fact that some may feel such discomfort when looking at his paintings means Tesluk is doing\nsomething right. \nMore soon!  \nJune 5th – August 1st\, 2026\nReceptions:  First Friday\, June 5th\, 5-10pm\nReceptions:  First Friday\, July 3rd\, 5-10pm \nHours:\nSaturdays 1-5pm\nEvery first Friday of the month 5-9pm\notherwise by appointment
URL:https://oaklandartmurmur.org/event/positively-cynical-recent-work-by-ryan-tesluk/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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