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DTSTART;TZID=America/Los_Angeles:20260403T130000
DTEND;TZID=America/Los_Angeles:20260530T170000
DTSTAMP:20260414T235356
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SUMMARY:Deconstructing the Gaze: 'Forgotten Eyes': Contemporary Surrealism and Cubist Visions Challenge Perceptions of Reality
DESCRIPTION:Johansson Projects presents Forgotten Eyes an exhibition of painting by Pablo Benzo and sculpture by Soojin Choi. Known for their emotional and undulating compositions\, Benzo and Choi exploit the unstable boundaries between interior and exterior worlds. Their representations of life are warped\, distended\, burnished\, and ultimately engaged in a reality that is elastic rather than fixed\, shaped by memory\, intuition\, and shifting sensorial conditions.  \nOperating at the formal and conceptual nexus of Surrealism and Cubism\, Benzo’s paintings reinterpret early 20th-century modernism for the contemporary moment. Grounded in conventions of still life and portraiture\, his pastel-hued interiors are rendered as sites of mystery and multiplicity. In Benzo’s painted world flowers float as they wilt and the joints of furniture crease like flesh. Blending the quotidian with the otherworldly\, Benzo eschews realism for a dream-like plane of being\, offering a comfortable familiarity that always necessitates a double-take.  \nChoi’s ceramic sculptures similarly forgo conventional modes of representation in favor of more circuitous structures. Often figurative\, her work treats the human body as a plastic form. Limbs and faces emerge from painted underglaze applied to hand-built planes of flattened clay that twist and twine around each other. Choi’s figures never engage in a moment of recognition\, instead looking outward with ambivalent expressions. Their contorted anatomy foregrounds their alterity\, evoking the complexity of human connection\, individuation\, and the construction of the other.  \nForgotten Eyes will run Friday\, April 3 to Saturday\, May 30\, 2026. An opening reception will be held Friday\, April 3 from 5-8 pm.
URL:https://oaklandartmurmur.org/event/deconstructing-the-gaze-forgotten-eyes-contemporary-surrealism-and-cubist-visions-challenge-perceptions-of-reality/
LOCATION:Johansson Projects\, 2300 Telegraph Ave\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260403T170000
DTEND;TZID=America/Los_Angeles:20260531T170000
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SUMMARY:“Dreamscapes” art by Daisuke Okamoto + Brenda Cibrian
DESCRIPTION:Artist Statement: Daisuke Okamoto\nDaisuke Okamoto’s work\, “OKAINA IMAGE” is an elaborate and involved system of ink line drawings representing identity and transformation\, exploring the cycle of life in the complex\, biomorphic narratives of the organic. \nDaisuke Okamoto was born and raised in Tokyo\, Japan\, and currently works and resides in Los Angeles\, California.  Okamoto’s art is heavily influenced by science fiction and psychedelic culture. Given his intense passion for repetitive line drawing\, Okamoto has been known to work over a year on a single piece. \nOkamoto partnered with Microsoft on a Microsoft Surface Pro 8 and made a mural for the ad campaign in 2022. And he has also done collaborative projects with PBS KCET in Southern California.\nOkamoto’s murals are in CA\, TX\, NV\, OR\, UT\, MI\, NY in the United States\, Tokyo Japan\, and Berlin Germany. \nArtist statement: Brenda Cibrian\nThrough paintings and murals I seek to make art that uplifts and creates connection within ourselves and with the world around us. My work starts with a feeling first then subject matter\, I then add in playful elements with a whimsical visual flair. I use surreal colors\, combine imagery that is in and out of focus\, with graphical\, symbolic shapes to tie compositions together. I like to explore themes of identity\, introspection\, core memories and nostalgia. Nature\, abstract shapes and people are recurring elements in my art and my influences come from my Mexican American upbringing in South Central as well as early 2000s internet culture. \nApril 3rd – May 30th\, 2026\nReceptions: First Friday\, April 3rd\, 5-10pm\nReceptions: First Friday\, May 1st\, 5-10pm \nHours:\nSaturdays 1-5pm\nEvery first Friday of the month 5-9pm\notherwise by appointment
URL:https://oaklandartmurmur.org/event/dreamscapes-art-by-daisuke-okamoto-brenda-cibrian/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Art Walk,Ongoing Exhibitions,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T130000
DTEND;TZID=America/Los_Angeles:20260411T160000
DTSTAMP:20260414T235356
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SUMMARY:Women in Focus - by Denise Deleray
DESCRIPTION:Art showing at the Studios11 Gallery\, 560 Second Street in Oakland\, near beautiful Jack London Square.\nPortraits of women from multiple backgrounds on view.\nSaturday April 11\, 2026 Opening Reception 1-4pm
URL:https://oaklandartmurmur.org/event/women-in-focus-by-denise-deleray/
LOCATION:Studios 11\, 560 2nd St Oakland\, California\, Oakland\, CA\, 94607\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T150000
DTEND;TZID=America/Los_Angeles:20260411T170000
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SUMMARY:Artist Reception: Gina Gaiser - Built Different
DESCRIPTION:Join us for the reception of Built Different\, a series of black-and-white urban studies that examines the constructed world through a distinctly attuned lens. In these photographs\, Gina Gaiser documents brick facades\, graffiti\, industrial textures\, and architectural grids—evidence of how humans have reshaped and engineered their environment. Working in monochrome\, she strips away distraction to foreground repetition\, geometry\, and contrast. Individual images are brought together to form converging patterns\, reflecting a way of seeing that gravitates toward structure and system. What may appear chaotic or incidental resolves into rhythm and order. In Built Different\, the title operates on multiple levels: the city is built\, the environment is built\, and the mind observing it is built differently. The work suggests that difference in perception is not a flaw but a precision\, and an ability to recognize pattern\, coherence\, and design embedded within the grit of the everyday. \nBuilt Different\nNew Work by Gina Gaiser\nApril 3 – May 9\, 2026\nArtist Reception: Saturday\, April 11\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, April 3 & May 1\, 5-8 pm
URL:https://oaklandartmurmur.org/event/artist-reception-gina-gaiser-built-different/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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SUMMARY:Opening Reception – Andrea Guskin: Signals Beneath The Surface
DESCRIPTION:The networks beneath our forest floors—where tree roots and mycorrhizal fungi share sustenance and signals through intertwined subterranean paths—served as a source of inspiration for Andrea Guskin’s exhibition\, Signals Beneath the Surface. This new work continues her exploration of scientific discovery as a metaphor\, using metal paintings and photographic processes to investigate themes of ancestry\, memory\, and interconnection.\nThread\, found objects\, and imprints of Guskin’s body on the metal paintings translate concealed activity into form\, mapping the connections that sustain life below ground and above it.\nWithin this exhibition\, she presents work from her recent project Local Roots\, a photo-based community arts project centered on ancestral relationships to herbs and spices\, and a new site-specific collaborative installation created with local artists Courtney Griffith and Yaminah Abdur-Rahim. \nBio:\nAndrea Guskin is a San Francisco Bay Area based artist working across the disciplines of photography\, sculpture\, and painting. She began drawing by pillaging her father’s office supplies for fine-tipped pens and yellow legal pads\, filling them with figures while lounging on a 1970s shag carpet in Kenosha\, Wisconsin. After studying painting at Antioch College in Ohio\, Guskin moved to New York City and became a part of the arts community on the Lower East Side. Since moving to the Bay Area in 2003\, she has exhibited her work throughout the state\, including at the Richmond Art Center\, Berkeley Art Center\, and Red Poppy Art House. She graduated with an MFA in Interdisciplinary Arts from Mills College at Northeastern University in April of 2023. Guskin lives in San Leandro with her husband and two sons. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm\nJoin Andrea Guskin in a participatory activity centered around ancestry on First Friday\, April 3\, 6:30-7:30 pm \nImage: Andrea Guskin\, “Radial Expansion” (Detail)\, Acrylic paint on Cinefoil\, 2026\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/opening-reception-andrea-guskin-signals-beneath-the-surface/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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SUMMARY:Opening Reception – Alec Marin: All That You Change/Changes You
DESCRIPTION:All That You Change/Changes You is a collection of work centered around Alec Marin’s life: painter\, scientist\, and Chicano from the South Texas border. Each piece is an exploration of some dimension of his varied interests and lived experience\, from the perceptual distortions that occur during the phases of intoxication to the hidden reality of racial and economic segregation along the Mexican American border. Recent work focuses on his read of the foundational principles of Mexica (Aztec) philosophy\, their symbols and spiritual practices within a contemporary framework. His two latest paintings build upon this by framing the images as the prophetic dreams of an ancestor whose life and works would catalyze the culture and religion of the Mexica people.\n\nBio:\nAlec Marin is an artist and neuroscientist based in Oakland\, California. His work has been published at knowingneurons.com and “The Beat\,” an art and literature journal published by The David Geffen School of Medicine at UCLA. His work has been exhibited at the Fremont Art Association’s Annual Art Show; “Beyond Boundaries\,” a juried exhibition at the Mercury 20 Gallery; and “Ripples” group exhibition at the UCSF School of Law. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Reception: Saturday\, April 11\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Alec Marin\, “Reseeding the Garden\,” Oil on Canvas\, 36″x 48″\, 2025\, photo courtesy of the artist
URL:https://oaklandartmurmur.org/event/opening-reception-alec-martin-all-that-you-change-changes-you/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T150000
DTEND;TZID=America/Los_Angeles:20260411T170000
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SUMMARY:Opening Reception – Group Show: Material Differences
DESCRIPTION:Leigh Barbier\, Jessika Cadkin\, Laura Malone\, Christine Meuris\nThe four artists featured in Material Differences work in painting\, sculpture\, and weaving. Considered together\, their works draw attention to the ways texture\, material choice\, and scale shape the dynamics of the exhibition.\nLeigh Barbier’s series Under the Influence features ceramic heads informed by her intuitive drawing process: pieces created during moments of inspiration\, anxiety\, or relief. They capture glimpses of an idea\, feeling\, or dream; fragments of her imagination.\nJessica Cadkin’s sculpture\, Cavity\, depicts a large‑scale molar\, reflecting a lifelong fascination with her teeth and her aversion to dentist visits. Her work explores the tension between attraction and repulsion\, presenting the tooth as something both familiar and unsettling.\nExamining human subjectivity\, Laura Malone’s paintings traverse a range of emotional landscapes. From jubilant bursts of vermilion in one piece to gentle splashes of gray in another\, Malone invites viewers to gambol here\, only to rest in stillness there.\nChristine Meuris’s pieces are examples of overshot weaving\, in which a contrasting pattern thread is interwoven with the structural plain weave threads; and the process of inlay\, in which areas of pattern are placed only where the weaver wants them. For Meuris\, making them was an experiment in layering structures of form and pattern. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, April 3\, May 1\, 5 – 9 pm \nImage: Left to right\, Leigh Barbier\, Under the Influence (WIP)\, Ceramics\, 5″x5″x3″\, 2026; Laura Malone\, Fire Season\, Oil on Linen\, 40″x40″\, 2026; Christine Meuris\, Balance\, Woven Cotton\, 2 panels at 48″x19″ each\, 2024; all photos courtesy of the artists
URL:https://oaklandartmurmur.org/event/opening-reception-group-show-material-differences/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260411T160000
DTEND;TZID=America/Los_Angeles:20260411T180000
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SUMMARY:WOMEN IN CARS – new works by Erin McCluskey-Wheeler
DESCRIPTION:women\nin\ncars\nby\nErin McCluskey Wheeler \nopening at Mighty Mighty Studio\nApril 11th\nSaturday\n4:00 – 6:00 \nWomen in Cars \nis an ongoing series a decade in the making\, exploring escapism\, longing\, and the quietly unresolved moments of a woman’s inner life. Each painting begins with a vintage car advertisement\,  collaged directly onto the canvas\, \nbefore Erin paints a new and uncertain world around the driver. Where is she going? She may never arrive. And perhaps that is exactly the point. \nEach piece is presented in a vintage frame personally collected and paired by the artist\, making every work a singular and complete object.
URL:https://oaklandartmurmur.org/event/women-in-cars-new-works-by-erin-mccluskey-wheeler/
LOCATION:Mighty Mighty Studio\, 480 23rd Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Opening Reception
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