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DTSTART;TZID=America/Los_Angeles:20260508T120000
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SUMMARY:Opening Reception and Artist Talk – Abby Zhang: Private Weather
DESCRIPTION:Image: Abby Zhang\, “Caution! Wet Floor”\, 2025\, Acrylic and oil on canvas\, photo courtesy of the artist \nPrivate Weather brings together a new group of paintings by Abby Zhang that explores how thought\, feeling\, and visual memory take form in space. Built through improvisation\, revision\, and accumulation\, these works move between structure and instability\, allowing images to emerge without fully settling. Meaning develops through relation: between marks\, between paintings\, and between the work and the room. The exhibition treats painting as both image and atmosphere\, creating a space charged by tension\, proximity\, and change. Private Weather points to an inner climate made visible\, where perception stays open and everything remains slightly in motion. \nBio:\nAbby Zhang is a Bay Area–based painter whose work explores memory\, perception\, and psychological atmosphere through layered\, semi-abstract images. She received her MFA in Painting from Pratt Institute in 2021\, recently participated as a resident artist at Art Bias\, completed a residency at Kala Art Institute and Vermont Studio Center\, and has been selected for an upcoming residency at the Torrance Art Museum this summer. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/opening-reception-and-artist-talk-abby-zhang-private-weather/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260516T120000
DTEND;TZID=America/Los_Angeles:20260516T140000
DTSTAMP:20260511T194453Z
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SUMMARY:Artist Talk ~ Duncan Sherwood Forbes
DESCRIPTION:From paper and pen to wire and air\, Duncan Sherwood-Forbes creates sculpture that uses air as medium. Forbes captures figures in mid-thought\, breathtakingly suspended in time. \nThe Grand Gallery is excited to announce the opening of Duncan Sherwood-Forbes – Weight of Air. Forbes is a multimedia artist based in Oakland specializing in figurative metalwork. His sculptures have been exhibited at galleries and art fairs both nationally and internationally. His approach to wire is rooted in line drawing. “I use wire to divide air\, treating space itself as the primary medium.” This effect commands your attention as the figures appear to be suspended in mid-thought. The negative space is just as relevant as the wire itself. \n“Like contour drawing\, my version of wire sculpture traces boundaries. The core element of sculpture\, that differentiates it from other media\, is the use of mass. My work is an inversion of that tenet: the wire sculptures do not occupy space so much as propose it; they describe form through absence by using material not to depict the subject directly\, but to outline where it would be.” \nThere is so much freedom in Forbes’s work. The lines appear to have been lifted off the page and magically transferred to air. It’s this reassignment of air as medium that makes Forbes’s work a must see.
URL:https://oaklandartmurmur.org/event/artist-talk-duncan-sherwood-forbes/
LOCATION:The Grand Gallery\, 560 2nd Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Artists Talk
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ORGANIZER;CN="The Grand Gallery":MAILTO:thegrandgalleryoakland@gmail.com
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DTSTART;TZID=America/Los_Angeles:20260516T140000
DTEND;TZID=America/Los_Angeles:20260516T143000
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SUMMARY:Artist’s Talk – Sonia Gill: Memento Vivere / Remember to Live
DESCRIPTION:Sonia Gill: Memento Vivere / Remember to Live\nArtist’s Talk starts at 2 pm – please join us – all are welcome! Free street parking nearby. \nIn Memento Vivere: Remember to Live\, Sonia Gill’s work invites us into a world where painting is reimagined through paper—where the brushstroke is replaced by the torn edge of a magazine fragment\, and color is discovered rather than mixed. Indeed\, Gill often refers to her collages as paintings. Thoughtful of composition and content\, Gill’s imagery emerges through a contemplative process with color drawn from a vast trove of magazine imagery.  \nImages pay homage to the daily moments from which our lives are built\, quiet\, repetitive\, and precious as they are. \nCome out to the artist’s talk to hear more from Sonia about her art practice\, philosophy and the development of the figurative work on view at Transmission Gallery. Events are free and open to the public. \nCan’t make the talk? See the work April 23 – June 6\, Thursdays\, Fridays and Saturdays\, 12-5pm and by appointment.
URL:https://oaklandartmurmur.org/event/artists-talk-sonia-gill-memento-vivere-remember-to-live/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk
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DTSTART;TZID=America/Los_Angeles:20260516T150000
DTEND;TZID=America/Los_Angeles:20260516T170000
DTSTAMP:20260424T182843Z
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SUMMARY:Opening Reception and Artist Talk – Gustave Carlson: New American Stillness
DESCRIPTION:Gustave Carlson\, “Inverness Midday”\, 2026\, photo courtesy of the artist \nNew American Stillness by Gustave Carlson explores the quiet psychological presence of the contemporary American landscape. Focusing on ordinary architecture—coastal houses\, open lawns\, interiors\, still lifes\, and expansive skies—these paintings place absence at the center of experience. Rather than narrative\, Carlson emphasizes observation\, structure\, and atmosphere. Buildings act as anchors within broad fields of light and color\, suggesting both stability and solitude. Subtle tonal shifts allow spaces to feel at once specific and timeless\, inviting viewers to consider how shadow\, memory\, and perception shape place. While Edward Hopper often conveys psychological isolation and Fairfield Porter captures domestic intimacy\, Carlson draws from both to explore architecture as a perceptual construct rather than a narrative stage. In these restrained scenes\, stillness is not emptiness but presence—an invitation to look longer and see more. His work suggests that the contemporary American landscape\, when closely observed\, continues to offer moments of quiet depth and reflection. \nBio:\nGustave Carlson is an architect and principal of Gustave Carlson Design in Berkeley\, California\, and a painter exploring the quiet tension between architecture\, light\, and lived space. He is the author of Pacific Modern Houses of Northern California (ORO Editions\, 2018)\, a widely acclaimed survey of regional modernism. His award-winning architectural work has received international recognition and appears in Elle Decor\, Dwell\, Wallpaper\, The New York Times\, and the San Francisco Chronicle. Carlson holds a Master of Architecture from the University of Pennsylvania and studied painting there under Color Field painter Adele Alsop. He has attended residencies at Edgewood Farm at Castle Hill in Truro\, Massachusetts\, and Studio Faire in Nérac\, France. His paintings have earned honors including Best in Show at the Greenwich Art Society and have been exhibited at the Provincetown Art Association and Museum\, Castle Hill Center for the Arts\, Tiburon Library Gallery\, Greenwich Art Society\, and Mercury 20 Gallery. His work is held in private collections. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nOakland Art Murmur / First Friday: Friday\, June 5\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-new-american-stillness-2/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Artists Talk,Opening Reception
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