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DTSTART;VALUE=DATE:20260516
DTEND;VALUE=DATE:20260621
DTSTAMP:20260608T160418
CREATED:20260430T182058Z
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SUMMARY:Familiar Strangers – Devynn Barnes\, Madelyn Covey\, Monica Guillory\, Pamela Mooney\, Jillian Shea\, Julianne Sterling\, & Deirdre White
DESCRIPTION:Manna Gallery is excited to present a group exhibition featuring seven Bay Area figurative artists exploring the shifting relationships between memory\, identity\, and image. In a time when identity is constantly performed\, recorded\, and revised\, the exhibition focuses on the unstable space where perception and recollection overlap\, where what we see\, remember\, and share is never entirely fixed. The works embrace a deliberate ambiguity\, reflecting the blur of digital culture\, the fragility of memory\, and the subjectivity of observation. Across their practices\, these artists consider how personal and collective histories are shaped\, obscured\, and reimagined\, inviting viewers to reflect on how images influence the stories we tell about ourselves and one another. \nMay 16 – June 20\, 2026\nArtists’ Reception: Saturday\, May 16\, 2-4 pm\nOakland Art Murmur 20th Anniversary party on 25th St: Saturday\, May 30\nFirst Friday: June 5\, 5-8 pm\nGallery Hours: Saturdays\, 12-5 pm & First Fridays\, 5-8 pm \nAbout the artists:\nDevynn Barnes invites viewers to confront their own narratives\, encouraging a collective awakening\, communal (melanated) homecoming\, and admittance to our interconnected archives. Monica Guillory transforms vintage photographs into layered paintings that hold both the warmth of connection and the fragility of memory. Madelyn Covey paints intimate portraits on found wallpaper\, exploring identity\, domesticity\, and the subtle performances of everyday life. Pamela Mooney reimagines and distorts source imagery\, prompting reflection on how cultural narratives shape perception and future possibilities. Jillian Shea captures nightlife scenes to examine femme visibility\, agency\, and resistance within spaces of looking and being looked at. Julianne Wallace Sterling’s recent paintings transform personal travel photographs into atmospheric\, dreamlike cityscapes where portraiture\, memory\, and imagined light intertwine. Deirdre White constructs poetic\, unsettled worlds where personal memory and collective experience intertwine amid loss\, resilience\, and wonder.
URL:https://oaklandartmurmur.org/event/familiar-strangers-devynn-barnes-madelyn-covey-monica-guillory-pamela-mooney-jillian-shea-julianne-sterling-deirdre-white/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260528T120000
DTEND;TZID=America/Los_Angeles:20260703T170000
DTSTAMP:20260608T160418
CREATED:20260520T173317Z
LAST-MODIFIED:20260520T191628Z
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SUMMARY:Field Notes: Linda Ellinwood / Joy Every\, GearBox Gallery
DESCRIPTION:Field Notes – Linda Ellinwood / Joy Every\nMay 28 – July 3 2026 \nArtists’ Reception: Saturday May 30\, 1 – 4pm.\nArtists’ Talk: Saturday June 13\, 2pm with a reading by author Joanne Furio.\nThis show runs concurrently with The Hidden Treasures of Stan Chan\, GearBox Gallery’s 2026 Inner Room Gallery winner \nGearbox Gallery is pleased to present Field Notes\, an exhibition of new work by Oakland-based artists\, sculptor Linda Ellinwood and mixed-media artist Joy Every on view from May 28 through July 3\, 2026. The title Field Notes reflects Ellinwood and Every’s approach to art making: attentive\, provisional\, and deeply rooted in looking. Like notes taken in the field\, the works operate as records of experience other than conclusions. Familiar forms dissolve into abstraction as images are altered by time\, perception\, and the artists’ hands allowing space for ambiguity and personal reflection.. \nGearBox Gallery\n770 West Grand Avenue\nThursdays – Saturdays noon – 5pm
URL:https://oaklandartmurmur.org/event/field-notes-linda-ellinwood-joy-every/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260605
DTEND;VALUE=DATE:20260720
DTSTAMP:20260608T160418
CREATED:20260528T205133Z
LAST-MODIFIED:20260530T020715Z
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SUMMARY:Practice Makes Process: Teaching Artists of the East Bay Photo Collective
DESCRIPTION:Practice Makes Process features the work of the teaching artists of the East Bay Photo Collective. Reflecting the diversity of the workshops program\, the exhibition brings together a broad range of photographic practices\, approaches\, and ways of seeing. Each exhibiting artist sustains an individual creative practice while sharing aspects of their process through hands-on workshops and community experiences. This exhibition offers another point of access: an opportunity to encounter how sustained practice intersects with artistic process. \nFeaturing the work of Beatrice Thornton\, Bob Shonkoff\, Brenna Hansen\, Chrissy Huhn\, Jan Watten\, Jaya Bhat\, Jenny Sampson\, Jop Baylon\, Juliayn Coleman\, Jyoti Liggin\, Kelly Sullivan\, Kimberley Campisano\, Najee Tobin\, Phillip Krayna\, Sakara Birdsong\, Sophie Stoerkel\, Vincent Donovan\, and Ziru Mo.
URL:https://oaklandartmurmur.org/event/practice-makes-process-teaching-artists-of-the-east-bay-photo-collective/
LOCATION:Oakland Photo Workshop\, 312 8th St\, Oakland\, CA\, 94607\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260605T170000
DTEND;TZID=America/Los_Angeles:20260801T170000
DTSTAMP:20260608T160418
CREATED:20260301T183513Z
LAST-MODIFIED:20260301T183538Z
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SUMMARY:“Positively Cynical” recent work by Ryan Tesluk
DESCRIPTION:Ryan Tesluk’s art provides viewers with honest\, unadulterated content that triggers a\nplethora of emotions. While many individuals may be uncomfortable with what they see\, the fact that some may feel such discomfort when looking at his paintings means Tesluk is doing\nsomething right. \nMore soon!  \nJune 5th – August 1st\, 2026\nReceptions:  First Friday\, June 5th\, 5-10pm\nReceptions:  First Friday\, July 3rd\, 5-10pm \nHours:\nSaturdays 1-5pm\nEvery first Friday of the month 5-9pm\notherwise by appointment
URL:https://oaklandartmurmur.org/event/positively-cynical-recent-work-by-ryan-tesluk/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260608T160418
CREATED:20260528T205550Z
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SUMMARY:Pat O’Connor: Reclaimed
DESCRIPTION:Pat O’Connor\, “Orange Skies Day\, 9/9/2020\,” 2026\, 61″ x 92″\, photo Jeanne O’Connor \nPat O’Connor’s work has long explored the intersection of object\, time\, and narrative. Beginning with paper pulp castings over structures at a former World War II naval base\, O’Connor developed a sustained interest in materials marked by history. In her exhibit\, Reclaimed\, she is drawn to surfaces shaped by wear\, weather\, and works with cardboard salvaged from the streets\, recycling bins\, and packaging. Through folding\, layering\, stitching\, printing\, and painting\, she transforms these fragments and other seemingly incongruent materials into richly layered assemblages. Guided by shifts in patina and form\, O’Connor builds surfaces dense with histories\, lush harmonies\, and active surfaces. Cardboard\, humble and impermanent\, originates from trees. O’Connor links the material back to the natural world. In some works\, she introduces imagery of branches and tree forms\, creating both calm and unsettling dialogues between the material’s fragile present and its living origin. In a culture shaped by disposability\, O’Connor elevates overlooked materials\, inviting viewers to sense the stories embedded in ordinary things as well as imagine ways the industrial and natural worlds might endure together. \nBio:\nPat O’Connor is an artist whose practice spans drawing\, painting\, assemblage\, and site-responsive sculpture. Her work has been exhibited widely\, most recently at the de Young Museum in San Francisco\, Transmission Gallery in Oakland\, the Sasse Museum of Art in Pomona\, California\, and O’Hanlon Center for the Arts in Mill Valley. Her pieces are held in public and private collections\, including a public commission at the University of California\, San Francisco Medical Center. Pat received her BA in Painting and Drawing from UC Davis and pursued graduate study in textile arts at San Francisco State University. Honors include a San Francisco Foundation Grant\, the Robert Rauschenberg-hosted Power of Art Award from the Lab School of Washington\, D.C.\, and the Arts Educator of the Year Award from the San Francisco Unified School District. O’Connor has taught widely at notable institutions\, including San Francisco State University\, UC Berkeley Extension\, and the de Young Museum. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/pat-oconnor-reclaimed/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260608T160418
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SUMMARY:Emily Shepard: In Flux
DESCRIPTION:Emily Shepard\, “Boundless\,” 2026\, acrylic\, ink\, graphite\, thread\, on unstretched canvas\, 72″ x 84″\, photo by Sibila Savage \nEmily Shepard’s large-scale abstract paintings pull viewers into an immersive\, otherworldly space — one of shifting depths\, interacting layers\, and arched forms that float like portals above restless water. Working on unstretched canvas\, she builds richly textured surfaces through gestural mark-making\, watery drips\, and stitched canvas shapes. Indecipherable loops of script speak to rhythm\, breath\, and cycles.\nShepard’s work is mirrored by her practice as a year round swimmer in the San Francisco Bay: moving her body through cold water\, attuned to tides and currents\, releasing into the hypnotic push and pull. Her painting practice and bay swimming share the need for focused attention\, awareness of sensation\, and internal states. Each artwork\, like each swim\, is a search for wholeness\, presence\, and embodied learning. \nBio:\nEmily Shepard is a Bay Area painter\, born in Boston\, Massachusetts. She earned her MFA with distinction from the California College of the Arts where she received the Barclay Simpson Award. She has shown her work locally and nationally\, including the Crocker–Kingsley Exhibition at the Crocker Art Museum in Sacramento. Currently she has three pieces on exhibit in “Voices without Boundaries” at the Sasse Museum of Art in Pomona\, CA. Shepard is a Kipaipai Fellow and member of the artist-run gallery\, Mercury 20 in Oakland\, CA. Her work is included in private and corporate collections. Shepard swims year round without a wetsuit in the San Francisco Bay. The practice of cold-water swimming focuses her senses\, challenges her will\, and informs her art. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/emily-shepard-in-flux/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260608T160418
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SUMMARY:Thresholds | Gustave Carlson\, Leah Korican & Alec Marin in The Backroom Gallery
DESCRIPTION:Left to right: Gustave Carlson\, “Rustic Cabin Interior No. 2\,” 2026\, acrylic and graphite on wood panel\, 24″ x 30”; Leah Korican\, “Mediterranean\,” 2026\, acrylic on paper\, 12″ x 9″; Alec Marin\,” A Scene from Indian Hills TX\,” 2020\, oil on canvas\, 18″ x 24″\, Photos courtesy of the artists. \nGustave Carlson’s paintings explore the threshold between observation and abstraction through architecture\, color\, and stillness. Ordinary spaces become contemplative sites suspended between memory and presence\, inside and outside. Using simplified forms and atmospheric light\, the work reflects on home\, nostalgia\, and the emotional resonance embedded within the contemporary American landscape. \nLeah Korican’s works on paper reside on the threshold of memory. She uses images from childhood stories and ancient glass bottles to express the way memories endure—elusive yet persistent. \nIn this series of paintings\, Alec Marin reimagines scenes from his native South Texas. He centers the people\, who\, in reshaping themselves and their environment\, confront the economic and political forces that seek to control their lives. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-leah-korican-alec-marin-thresholds-the-backroom-gallery/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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