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DTSTART;VALUE=DATE:20260605
DTEND;VALUE=DATE:20260720
DTSTAMP:20260712T102656
CREATED:20260528T205133Z
LAST-MODIFIED:20260530T020715Z
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SUMMARY:Practice Makes Process: Teaching Artists of the East Bay Photo Collective
DESCRIPTION:Practice Makes Process features the work of the teaching artists of the East Bay Photo Collective. Reflecting the diversity of the workshops program\, the exhibition brings together a broad range of photographic practices\, approaches\, and ways of seeing. Each exhibiting artist sustains an individual creative practice while sharing aspects of their process through hands-on workshops and community experiences. This exhibition offers another point of access: an opportunity to encounter how sustained practice intersects with artistic process. \nFeaturing the work of Beatrice Thornton\, Bob Shonkoff\, Brenna Hansen\, Chrissy Huhn\, Jan Watten\, Jaya Bhat\, Jenny Sampson\, Jop Baylon\, Juliayn Coleman\, Jyoti Liggin\, Kelly Sullivan\, Kimberley Campisano\, Najee Tobin\, Phillip Krayna\, Sakara Birdsong\, Sophie Stoerkel\, Vincent Donovan\, and Ziru Mo.
URL:https://oaklandartmurmur.org/event/practice-makes-process-teaching-artists-of-the-east-bay-photo-collective/
LOCATION:Oakland Photo Workshop\, 312 8th St\, Oakland\, CA\, 94607\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Oakland Photo Workshop/East Bay Photo Collective":MAILTO:info@ebpco.org
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DTSTART;TZID=America/Los_Angeles:20260605T170000
DTEND;TZID=America/Los_Angeles:20260801T170000
DTSTAMP:20260712T102656
CREATED:20260301T183513Z
LAST-MODIFIED:20260301T183538Z
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SUMMARY:“Positively Cynical” recent work by Ryan Tesluk
DESCRIPTION:Ryan Tesluk’s art provides viewers with honest\, unadulterated content that triggers a\nplethora of emotions. While many individuals may be uncomfortable with what they see\, the fact that some may feel such discomfort when looking at his paintings means Tesluk is doing\nsomething right. \nMore soon!  \nJune 5th – August 1st\, 2026\nReceptions:  First Friday\, June 5th\, 5-10pm\nReceptions:  First Friday\, July 3rd\, 5-10pm \nHours:\nSaturdays 1-5pm\nEvery first Friday of the month 5-9pm\notherwise by appointment
URL:https://oaklandartmurmur.org/event/positively-cynical-recent-work-by-ryan-tesluk/
LOCATION:FM Gallery\, 483 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions,Opening Reception
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260712T102656
CREATED:20260528T205550Z
LAST-MODIFIED:20260528T205959Z
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SUMMARY:Pat O’Connor: Reclaimed
DESCRIPTION:Pat O’Connor\, “Orange Skies Day\, 9/9/2020\,” 2026\, 61″ x 92″\, photo Jeanne O’Connor \nPat O’Connor’s work has long explored the intersection of object\, time\, and narrative. Beginning with paper pulp castings over structures at a former World War II naval base\, O’Connor developed a sustained interest in materials marked by history. In her exhibit\, Reclaimed\, she is drawn to surfaces shaped by wear\, weather\, and works with cardboard salvaged from the streets\, recycling bins\, and packaging. Through folding\, layering\, stitching\, printing\, and painting\, she transforms these fragments and other seemingly incongruent materials into richly layered assemblages. Guided by shifts in patina and form\, O’Connor builds surfaces dense with histories\, lush harmonies\, and active surfaces. Cardboard\, humble and impermanent\, originates from trees. O’Connor links the material back to the natural world. In some works\, she introduces imagery of branches and tree forms\, creating both calm and unsettling dialogues between the material’s fragile present and its living origin. In a culture shaped by disposability\, O’Connor elevates overlooked materials\, inviting viewers to sense the stories embedded in ordinary things as well as imagine ways the industrial and natural worlds might endure together. \nBio:\nPat O’Connor is an artist whose practice spans drawing\, painting\, assemblage\, and site-responsive sculpture. Her work has been exhibited widely\, most recently at the de Young Museum in San Francisco\, Transmission Gallery in Oakland\, the Sasse Museum of Art in Pomona\, California\, and O’Hanlon Center for the Arts in Mill Valley. Her pieces are held in public and private collections\, including a public commission at the University of California\, San Francisco Medical Center. Pat received her BA in Painting and Drawing from UC Davis and pursued graduate study in textile arts at San Francisco State University. Honors include a San Francisco Foundation Grant\, the Robert Rauschenberg-hosted Power of Art Award from the Lab School of Washington\, D.C.\, and the Arts Educator of the Year Award from the San Francisco Unified School District. O’Connor has taught widely at notable institutions\, including San Francisco State University\, UC Berkeley Extension\, and the de Young Museum. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/pat-oconnor-reclaimed/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260712T102656
CREATED:20260529T002046Z
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SUMMARY:Emily Shepard: In Flux
DESCRIPTION:Emily Shepard\, “Boundless\,” 2026\, acrylic\, ink\, graphite\, thread\, on unstretched canvas\, 72″ x 84″\, photo by Sibila Savage \nEmily Shepard’s large-scale abstract paintings pull viewers into an immersive\, otherworldly space — one of shifting depths\, interacting layers\, and arched forms that float like portals above restless water. Working on unstretched canvas\, she builds richly textured surfaces through gestural mark-making\, watery drips\, and stitched canvas shapes. Indecipherable loops of script speak to rhythm\, breath\, and cycles.\nShepard’s work is mirrored by her practice as a year round swimmer in the San Francisco Bay: moving her body through cold water\, attuned to tides and currents\, releasing into the hypnotic push and pull. Her painting practice and bay swimming share the need for focused attention\, awareness of sensation\, and internal states. Each artwork\, like each swim\, is a search for wholeness\, presence\, and embodied learning. \nBio:\nEmily Shepard is a Bay Area painter\, born in Boston\, Massachusetts. She earned her MFA with distinction from the California College of the Arts where she received the Barclay Simpson Award. She has shown her work locally and nationally\, including the Crocker–Kingsley Exhibition at the Crocker Art Museum in Sacramento. Currently she has three pieces on exhibit in “Voices without Boundaries” at the Sasse Museum of Art in Pomona\, CA. Shepard is a Kipaipai Fellow and member of the artist-run gallery\, Mercury 20 in Oakland\, CA. Her work is included in private and corporate collections. Shepard swims year round without a wetsuit in the San Francisco Bay. The practice of cold-water swimming focuses her senses\, challenges her will\, and informs her art. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nArtists’ Closing Reception and Talk: Saturday\, July 25\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/emily-shepard-in-flux/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260619T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260712T102656
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SUMMARY:Thresholds | Gustave Carlson\, Leah Korican & Alec Marin in The Backroom Gallery
DESCRIPTION:Left to right: Gustave Carlson\, “Rustic Cabin Interior No. 2\,” 2026\, acrylic and graphite on wood panel\, 24″ x 30”; Leah Korican\, “Mediterranean\,” 2026\, acrylic on paper\, 12″ x 9″; Alec Marin\,” A Scene from Indian Hills TX\,” 2020\, oil on canvas\, 18″ x 24″\, Photos courtesy of the artists. \nGustave Carlson’s paintings explore the threshold between observation and abstraction through architecture\, color\, and stillness. Ordinary spaces become contemplative sites suspended between memory and presence\, inside and outside. Using simplified forms and atmospheric light\, the work reflects on home\, nostalgia\, and the emotional resonance embedded within the contemporary American landscape. \nLeah Korican’s works on paper reside on the threshold of memory. She uses images from childhood stories and ancient glass bottles to express the way memories endure—elusive yet persistent. \nIn this series of paintings\, Alec Marin reimagines scenes from his native South Texas. He centers the people\, who\, in reshaping themselves and their environment\, confront the economic and political forces that seek to control their lives. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, June 27\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, July 3\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/gustave-carlson-leah-korican-alec-marin-thresholds-the-backroom-gallery/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260703T080000
DTEND;TZID=America/Los_Angeles:20260829T170000
DTSTAMP:20260712T102656
CREATED:20260706T221559Z
LAST-MODIFIED:20260706T221602Z
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SUMMARY:JULY-AUGUST\, 2026 --- MULTI-ARTIST SHOW
DESCRIPTION:Join us in welcoming three local artists to Art@Archer.  Their variety of styles and mediums make for an interesting and provacative experience.\n               VIDA KARAMOOZ\n               MACARTHER NELSON\n               MELVA SPIGNER\nThe exhibition runs through the end of August with an Opening Reception on Friday\, July 10 and a second on on Friday\, August 7.\nWe hope you can come by and see their work.
URL:https://oaklandartmurmur.org/event/july-august-2026-multi-artist-show/
LOCATION:Art@Archer\, 431 13th Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Art@Archer":MAILTO:greg@archerbike.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260703T170000
DTEND;TZID=America/Los_Angeles:20260829T170000
DTSTAMP:20260712T102656
CREATED:20260628T033201Z
LAST-MODIFIED:20260629T193745Z
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SUMMARY:Peralta Society of Artists & Makers Student Show
DESCRIPTION:The Student Show is a celebration of East Bay community college art classes. Some artists are showing work for the very first time and others are decades into their careers. All work is made by students currently enrolled at College of Alameda\, Berkeley City College\, Merritt College\, and/or Laney College. Mediums include painting\, printmaking\, mixed media\, sculpture\, ceramics\, and more will be on view from July 3 – August 29. \nArtists: Abby Hilling\, Angela Kaewsuriya Roberts\, Ava Gulassa\, Cassia Artanegara\, Christi Showers-Evans\, Debbie Lin Grow\, Diana Castillo\, Donald Diggs\, Emmet Bush\, Gabriela Zambrano\, Hilda Wang\, kiki reitano\, Liam Cunningham\, Malena\, Moss\, Penny Flood\,  Ping Gong\, Rania Siddique\, Rena Tom\, Ruth Charlotte Kneass\, Sam Cadigan\, Sarai Cobos\, V. Hendrix Oppenhimer \nGallery Hours:\n        Saturdays 1 to 5pm (& by appointment) \n	Opening Reception: Thursday July 9th\, 6 – 9pm\n	Closing Reception: Saturday August 29th\, 1 – 5pm\n	Oakland Art Murmur; First Fridays: Friday\, July 3rd & Friday\, August 7th\,  5 – 9pm
URL:https://oaklandartmurmur.org/event/peralta-society-of-artists-makers-student-show/
LOCATION:Werkshack\, 481 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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ORGANIZER;CN="Werkshack":MAILTO:werkshack@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260709T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260712T102656
CREATED:20260709T070220Z
LAST-MODIFIED:20260709T070220Z
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SUMMARY:M. Mark Bauer: THE\, THE
DESCRIPTION:Through July 25th \nArtist’s Talk\nSaturday\, July 18th\, starting at 1 pm \nGallery Hours: Thursdays\, Fridays\, and Saturdays\, 12 – 5 pm \nTransmission Gallery is pleased to present M. Mark Bauer’s work in THE\, THE\, on view through July 25th in the Small Space. \nWhat the ? \nWhat does it mean? Where DO we stand? \n​Mixed messages\, absurd scenarios\, improbable unrealities – M. Mark Bauer wades into dynamic narratives and an onslaught of incomprehensible untruths\, pervasive and invasive\, redirecting the course of events and outcome potentials at hand.  Mesmerizing rhythmic patterns groove in undulating serenity as wildly complex scenarios unfold in the eight canvases on view. Hybrid creatures and colorful characters cavort in a surreal concoction that speaks to the consequences of our collective insanity on each other and the natural world while sly humor entertains with bursts of sudden recognition. The Artist observes as Eye-hook\, Snake Tongue\, Bo Peep and a Sheep and The Big Bad Wolf join in this precisely executed spectacle of chaos.
URL:https://oaklandartmurmur.org/event/m-mark-bauer-the-the/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260709T120000
DTEND;TZID=America/Los_Angeles:20260801T170000
DTSTAMP:20260712T102656
CREATED:20260628T223511Z
LAST-MODIFIED:20260709T015904Z
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SUMMARY:Cate White: World Raw
DESCRIPTION:At Transmission Gallery through August 1st\, 2026\n(closed July 4th) \nAll are welcome\, please join us for Cate White Artist’s Talk:\nSaturday\, July 11th\, starting at 4 pm \nGallery hours: Thursdays\, Fridays and Saturdays\, 12 – 5 pm \nCate White brings fiercely powerful work to World Raw\, consisting of paintings and sculptures selected from the last twelve years. \nCate White’s Statement: \nThese works inhabit a world where personal memory\, dreams\, political reality\, religion\, banal culture\, and archetypal myth have not yet been separately categorized. Images translate from one story into another\, remixing contexts until they lose their fixed meanings. Armageddon arrives as a vaguely sinister faceless shmoo. The devil wears flip-flops with socks instead of cloven hooves. Horror and hilarity trade masks. The miraculous and the absurd share the same language. The sacred\, psychological\, traumatic\, mythic\, domestic\, and comic all stand on equal groundless ground.  \nOver the years\, the work has delivered images of confinement and escape: caves\, cells\, thresholds\, thrashing\, illuminated openings. But the way to liberation is never clear\, and running beneath the work is an undercurrent of grief—for failed transformations\, lost certainties\, and the perpetual distance between desire and fulfillment. The sacred and ridiculous are merged. Enlightenment appears as a spray-painted glow. \nThe process of painting is a tightrope act between intention and accident\, structure and impulse. Both order and chaos can become prisons. I am searching for a third place: moments of bewilderment\, play\, revelation\, or recognition. Rather than offering a coherent narrative\, these works invoke a raw world\, unfinished and alive\, where meaning is in the making.
URL:https://oaklandartmurmur.org/event/cate-white-world-raw/
LOCATION:Transmission Gallery\, 770 West Grand Ave.\, Suite A\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260709T120000
DTEND;TZID=America/Los_Angeles:20260815T170000
DTSTAMP:20260712T102656
CREATED:20260706T170955Z
LAST-MODIFIED:20260706T170955Z
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SUMMARY:Fragments of Belonging at GearBox Gallery
DESCRIPTION:GearBox Gallery is proud to present an exhibition of paintings by Dalit Fresco and sculpture by Jan Blythe in this two person show\, Fragments of Belonging.  July 9 – August 15th. Blythe and Fresco share a similar journey of immigration\, the experience of which is ingrained in the process as well as the imagery of their work. Whether it’s personal items compiled into cultural forms or from memories carried across great distances\, past or present. \nDalit’s paintings draw personal memories from both real and imagined occurrences\, translating them into undeniable emotional views. Her investigations move from inward outward\, and from the specific towards wholeness. There is a longing that is inherently seeking cover\, shelter\, and solid ground.  \nJan is unearthing similar longings by compiling\, assembling\, and weaving with both personal and found objects. These materials are seemingly mundane yet gain a new life\, form and meaning under her hands. The dialogue between the painted surfaces and the objects is synchronized in a shared language\, rhythm\, and symbol. \nGearbox Gallery is open Thursdays\, Fridays and Saturdays 12 – 5pm
URL:https://oaklandartmurmur.org/event/fragments-of-belonging-at-gearbox-gallery/
LOCATION:Gearbox Gallery\, 770 West Grand Avenue\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260711
DTEND;VALUE=DATE:20260809
DTSTAMP:20260712T102656
CREATED:20260614T200351Z
LAST-MODIFIED:20260614T200351Z
UID:10005205-1783728000-1786233599@oaklandartmurmur.org
SUMMARY:Everything Must Go - Juried Group Show
DESCRIPTION:Juror: Lisa Solomon\nArtists: Norman Aragones\, Malachi Arthur\, Jordan Benton\, Laurie Caird\, Madelyn Covey\, Dana DeKalb\, Eden Evans\, Elizabeth Evans\, Shelley Gardner\, Elena Godina\, Monica Guillory\, Corrine Hatt\, Rachel Katz\, Kathryn Kenworth\, Sarah Klein\, Suzy Kopf\, Faridah Laffan\, Jenifer Lake\, Patricia Liverman\, Heath Massey\, Colin McAllister\, Erin McCluskey Wheeler\, Manuel Rodriguez\, John Rogers\, Tammi Salas\, John Sheridan\, Maureen Shields\, Renetta Sitoy\, Jamie Smith\, Hannah Claire Somerville\, Jennifer Sturgill\, Michelle Sweeney-Fillmore\, Sarah Travis Buck\, Yana Verba\, Amy Vidra\, Bill Ward\, Martin Webb\, Jia Wilson\, and Alexander Yoshikawa \nManna Gallery is excited to present Everything Must Go\, our first juried group exhibition featuring artists from the greater Bay Area. Juried by acclaimed artist and educator Lisa Solomon\, the exhibition takes its title from the familiar language of clearance sales\, using it as a lens to explore impermanence\, change\, loss\, and renewal. Through diverse approaches and media\, participating artists examine what we hold onto\, what we leave behind\, and how acts of letting go can create space for transformation and new beginnings. \nJuly 11 – August 8\, 2026\nPreview: Friday\, July 3\, 5-8 pm (Gallery closed on July 4th)\nExhibition Opening & Artists’ Reception: Saturday\, July 11\, 2-4 pm\nFirst Friday Oakland Art Walk: August 7\, 5-8 pm\nJuror’s Talk & Awards: Saturday\, August 8\, 3-5 pm\nGallery Hours: Saturdays\, 12-5 pm\, First Fridays\, 5-8 pm & by appt
URL:https://oaklandartmurmur.org/event/everything-must-go-juried-group-show/
LOCATION:Manna Gallery\, 473 25th St.\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260717
DTEND;VALUE=DATE:20260830
DTSTAMP:20260712T102656
CREATED:20260709T190900Z
LAST-MODIFIED:20260709T190900Z
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SUMMARY:Gestural Expressions
DESCRIPTION:SLATE Contemporary Gallery presents “Gestural Expressions”\, an exhibition which brings together five accomplished women artists working in gestural abstraction: Maria Burtis\, Amy Donaldson\, Nicole Mueller\, Karen Silve\, and Joanne Fox. This exhibition not only revisits the legacy of Abstract Expressionism\, but also reimagines its future through the work of five artists whose voices continue to broaden and enrich the field.  \nOpening Reception: Saturday\, August 8\, 4–6pm⁠\nJoin us with three of the exhibiting artists for an evening celebrating the show\, featuring specialty drinks from Rue de Rêve (@ruedereveaperitifs)\, a local women-owned apéritif producer.⁠\n⁠\nArtist Walkthrough: Saturday\, July 25\, 4–5pm⁠\nExplore the exhibition with artist Nicole Mueller for an intimate look into her process and perspective.⁠\n⁠\nGestural Expressions is on view at SLATE from July 15–August 29\, 2026.⁠
URL:https://oaklandartmurmur.org/event/gestural-expressions/2026-07-17/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260725
DTEND;VALUE=DATE:20260726
DTSTAMP:20260712T102656
CREATED:20260709T190900Z
LAST-MODIFIED:20260709T190900Z
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SUMMARY:Gestural Expressions
DESCRIPTION:SLATE Contemporary Gallery presents “Gestural Expressions”\, an exhibition which brings together five accomplished women artists working in gestural abstraction: Maria Burtis\, Amy Donaldson\, Nicole Mueller\, Karen Silve\, and Joanne Fox. This exhibition not only revisits the legacy of Abstract Expressionism\, but also reimagines its future through the work of five artists whose voices continue to broaden and enrich the field.  \nOpening Reception: Saturday\, August 8\, 4–6pm⁠\nJoin us with three of the exhibiting artists for an evening celebrating the show\, featuring specialty drinks from Rue de Rêve (@ruedereveaperitifs)\, a local women-owned apéritif producer.⁠\n⁠\nArtist Walkthrough: Saturday\, July 25\, 4–5pm⁠\nExplore the exhibition with artist Nicole Mueller for an intimate look into her process and perspective.⁠\n⁠\nGestural Expressions is on view at SLATE from July 15–August 29\, 2026.⁠
URL:https://oaklandartmurmur.org/event/gestural-expressions/2026-07-25/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260905T170000
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SUMMARY:Jessica Cadkin & Michael Lynch: The End
DESCRIPTION:Michael Lynch\, The Final Act 1\, 2026\, 12″ x 15″ gouache on wood panel\, photo courtesy of the artist \nA few days after her uncle’s death\, Jessica Cadkin was out walking when she noticed a crow cawing at her. It followed her for several blocks\, seeming to want her attention. Only when she stopped and looked up at it did the crow alight on a nearby light post. They quietly stared at one another for a few minutes before it flew away. Crows appear prominently in mythology across cultures. In Native American traditions they are not only tricksters and wise guys\, but protectors. In some Asian myths they represent the divine; while in Norse lore\, Huginn (thought) and Muninn (memory) serve as the eyes and ears of the god Odin. In Hindu belief\, crows act as messengers of the dead\, bridging the living and the spiritual worlds. Drawing on these associations as well as her own personal encounter with a crow shortly after a family member’s death\, Cadkin’s sculpture\, Eulogy\, reflects on memory\, loss\, and connection. \nMichael Lynch’s work often arises from his keen interest in art\, natural science\, and physics. The paintings of birds striking windows\, The Final Act 1\, 2\, and 3\, are based on photographs of the keratin and oil from powder down feathers transferred onto the glass at the moment of impact. They represent just three of the more than one billion fatal bird-window collisions in the United States each year. The Short Story of the Owl and the Rabbit is a reconstruction of a memory from a scene Lynch encountered over 50 years ago\, one he always wished he had a way to record. Lynch often seeks to bring to life the stories and events in nature that might otherwise go unnoticed. \nBios:\nJessica Cadkin was born in Phoenix\, Arizona\, and grew up in Napa\, California. She received a BA in Sculpture and Painting from San Francisco State University. Her work has appeared in group shows internationally and throughout Northern California including the de Young Museum\, Headlands Center for the Arts\, Southern Exposure\, di Rosa Preserve\, Bateman Foundation Gallery of Nature\, Bedford Gallery\, Root Division\, and the Berkeley Art Center. Cadkin joined Mercury Twenty Gallery in 2020\, this is her fifth show with the gallery. \nMichael Lynch is a self-described artistic engineer. Over the course of the last 55 years\, he has had several distinct careers. He began as a cabinet and furniture maker\, followed by 30 years in the film special effects industry\, most of which were in the Industrial Light and Magic (ILM) model shop. During this period\, he earned more than 30 film credits and worked on countless commercials. Lynch then shifted his focus for a decade\, contracting with the U.S. Department of Defense to design and fabricate prototype parachute systems and combat trauma trainers for the military and NATO. Retired since 2023\, Lynch now spends his workweek in the studio in Sausalito\, CA. Much of the work he produces lies at the intersection of art\, natural history\, and physics. His work often tells a story or records events that might otherwise go unnoticed. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/jessica-cadkin-michael-lynch-the-end/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260731T120000
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SUMMARY:Monika Mayer: LINKED
DESCRIPTION:Monika Mayer\, Flow # 60 – Entangled\, 2025\, acrylic\, coffee and ink on canvas\, 22″ x 28″\, photo: Dana Davis \nMonika Mayer’s new body of work is inspired by the rocky shoreline along the California coast\, shaped by the tides. At low tide\, hidden worlds are revealed: clusters of mussels and barnacles clinging together\, surviving by holding on to each other. By gathering together\, they create shared conditions that protect them from crashing waves and harsh weather. Their strength comes from connection.\nWorking with gathered and repurposed materials including inner tubes and deconstructed soccer balls\, Mayer builds sculptural forms through layering and accumulation. Discarded and overlooked\, these pieces grow into organism-like clusters linked with zip ties and staples and are given new life. Her paintings extend this language through layered coffee\, paint\, and ink\, echoing the coastal environment’s organic patterns and rhythms. By presenting familiar objects in unfamiliar ways\, Mayer invites viewers into a space of ambiguity\, encouraging them to pause\, look closely\, and consider what lies beneath the surface. These works reflect on resilience\, not as something we achieve alone\, but as something we build together. \nBio:\nMonika Mayer is a multidisciplinary artist born in Germany and based in Berkeley\, CA. Largely self-taught\, she began developing a daily art practice during the COVID-19 lockdown\, allowing her to deepen her focus and commitment. She holds a BA in Social Education from the University of Applied Sciences in Cologne\, Germany and a MA in Educational Leadership from the University of the Pacific in Stockton\, CA. Mayer has been a member of Mercury 20 Gallery since 2023\, and is an alumna of the Kala Artist-in-Residency program in Berkeley\, CA. Her work is held in private collections in the U.S. and Germany and has been exhibited nationally and internationally\, including at Tryst International Art Fair in Los Angeles\, Kala Art Gallery\, and in the UK as a shortlisted artist for the International Football Art Prize. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/monika-mayer-linked/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTEND;TZID=America/Los_Angeles:20260905T170000
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SUMMARY:Cade Salamanca: The Final Push
DESCRIPTION:Cade Salamanca\, Come As You Are\, 2026\, mixed media\, 36″ x 36″ x 2″\, photo courtesy of the artist \nThe Final Push marks a pivotal chapter in Cade Salamanca’s artistic and personal journey. In 2026\, Salamanca embraced a new name—an act of self-definition that became a powerful affirmation of identity and a catalyst for creative transformation. Freed from expectations that once constrained her\, her work has entered a period of greater clarity\, confidence\, and emotional depth. \nThis body of work explores the liberation that emerges when authenticity is fully embraced. The introduction of wire mesh and draped chains began as formal material investigations but evolved into potent metaphors for the protective barriers Salamanca had constructed around herself over time. Fragmented mesh and suspended chains symbolize the dismantling of fear\, self-doubt\, and inherited expectations\, revealing a renewed sense of freedom and possibility. Alongside 12 paintings\, Salamanca will debut six double exposure self portraits that mark the beginning of a new practice with Film Photography on a Canon AE-1 Program. Both deeply personal and universally resonant\, The Final Push is a celebration of self-acceptance\, courage\, and transformation—a declaration of identity expressed without apology and an invitation to witness the power of becoming fully seen. \nBio:\nThe Final Push marks Cade Salamanca’s second solo exhibition with Mercury 20 Gallery. Throughout her artistic journey\, Salamanca has explored diverse mediums including ceramics and photography. After experimenting with different painting styles\, she developed a distinctive voice that combines techniques she has honed over the years—from smooth color transitions to rich textured layers.Salamanca’s work has been shown at the Blue Mountain Gallery in New York City; Made In California 2024\, Brea Gallery\, in La Brea\, CA; Reflections of Us (Juror Sergio Gomez)\, Warnes Contemporary\, in Brooklyn\, NY; Metal Haus Gallery\, in San Francisco\, CA; and others. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/cade-salamanca-the-final-push/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTEND;TZID=America/Los_Angeles:20260905T170000
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SUMMARY:Rainey Straus: re(COMPOSING)
DESCRIPTION:Rainey Straus\, re(Composing)\, 2026\, site specific Installation: cast paper and bioplastic\, dimensions variable\, photo courtesy of the artist \nRainey Straus’s work begins with walking\, listening\, and close attention to the living world. Created for Mercury 20\, re(Composing) turns that attention toward fungi\, following the ways matter breaks down\, gathers\, and becomes something else. The installation takes decomposers as a starting point: organisms that are also composers\, transforming one kind of matter into another. Straus’s materials follow this logic. Paper is shredded\, pulped\, and cast over found\, downed wood\, echoing the way paper wasps chew wood fiber into shelter. Lacing through these casts are bioplastic forms\, spun like spider silk until gesture becomes structure. By working with already fallen wood\, Straus treats the tree not as an ending but as part of an ongoing cycle of transformation. The work invites attention to other intelligences: the pathfinding of slime molds\, mycelial networks\, and forms of sensing beyond human perception. Rather than representing ecological change\, re(Composing) takes part in it: paper returns to pulp\, pulp takes the impression of wood\, and matter reorganizes itself into temporary form: fragile\, provisional\, and alive to what comes next. \nBio:\nRainey Straus is the award winner from Mercury 20’s 2026 exhibition\, Mapping Time\, awarded by juror Minoosh Zomorodinia. Straus is a Bay Area interdisciplinary artist whose work grows from fieldwork into sculpture\, installation\, painting\, and cyanotype. After working as a Bay Area tech designer\, she returned to artmaking in response to ecological urgency. Solo exhibitions include Spinning Time into Form\, Gallery Route One\, Point Reyes Station\, CA and The Old Growth Project at MarinMOCA. Her work has appeared in Bodies and Borders: Ecologies of Consent with Women Eco Artists Dialog\, Forest Unseen at Petaluma Arts Center\, The New Geologic Epoch with Ecoartspace\, and exhibitions at Yerba Buena Center for the Arts\, San Francisco\, and the San Jose Museum of Art. Straus has held residencies at BigCi Residence in Australia\, Lucid Art Foundation\, and Morris Graves Foundation. Her work has been featured in Dark Mountain Journal\, Sculpture Magazine\, Rhizome\, San Francisco Chronicle\, and Point Reyes National Seashore Association. She holds a BFA from State University of New York (SUNY) Purchase and an MFA from California College of the Arts. \nGallery Hours: Friday and Saturday\, 12 – 5 pm (and by appointment)\nArtists’ Opening Reception: Saturday\, August 15\, 3 – 5 pm\nArtist Talks: Saturday\, August 29\, 3 – 5 pm\nOakland Art Murmur / First Friday: Friday\, August 7\, September 4\, 5 – 9 pm
URL:https://oaklandartmurmur.org/event/rainey-strauss-recomposing/
LOCATION:Mercury 20 Gallery\, 475 25th Street\, Oakland\, CA\, 94612\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;TZID=America/Los_Angeles:20260807T180000
DTEND;TZID=America/Los_Angeles:20260807T210000
DTSTAMP:20260712T102656
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LAST-MODIFIED:20260706T223007Z
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SUMMARY:FIRST FRIDAY RECEPTION -- July-August Multi-Artist Show
DESCRIPTION:Join us on this First Friday to celebrate the art of three local artists.  Different styles.  Different mediums.  Makes for a very interesting show.  Come and talk to the artists about their work and their passion. \n               Vida Karamooz\n               MacArthur Nelson\n               Melva Spigner \nRefreshments will be served.
URL:https://oaklandartmurmur.org/event/first-friday-reception-july-august-multi-artist-show/
LOCATION:Art@Archer\, 431 13th Street\, Oakland\, CA\, 94607\, United States
CATEGORIES:Ongoing Exhibitions
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DTSTART;VALUE=DATE:20260808
DTEND;VALUE=DATE:20260809
DTSTAMP:20260712T102656
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SUMMARY:Gestural Expressions
DESCRIPTION:SLATE Contemporary Gallery presents “Gestural Expressions”\, an exhibition which brings together five accomplished women artists working in gestural abstraction: Maria Burtis\, Amy Donaldson\, Nicole Mueller\, Karen Silve\, and Joanne Fox. This exhibition not only revisits the legacy of Abstract Expressionism\, but also reimagines its future through the work of five artists whose voices continue to broaden and enrich the field.  \nOpening Reception: Saturday\, August 8\, 4–6pm⁠\nJoin us with three of the exhibiting artists for an evening celebrating the show\, featuring specialty drinks from Rue de Rêve (@ruedereveaperitifs)\, a local women-owned apéritif producer.⁠\n⁠\nArtist Walkthrough: Saturday\, July 25\, 4–5pm⁠\nExplore the exhibition with artist Nicole Mueller for an intimate look into her process and perspective.⁠\n⁠\nGestural Expressions is on view at SLATE from July 15–August 29\, 2026.⁠
URL:https://oaklandartmurmur.org/event/gestural-expressions/2026-08-08/
LOCATION:Slate Contemporary Gallery\, 5510 College Ave\, Oakland\, 94618\, United States
CATEGORIES:Artists Talk,Ongoing Exhibitions,Opening Reception
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END:VCALENDAR