About Pro Arts

  • 150 Frank H. Ogawa Plaza (downtown) Map
  • Website
  • (510) 763-4361
  • Wed–Fri: 12–6p

Pro Arts is an Oakland-based nonprofit arts organization that supports experimentation in the contemporary artistic process and practice through exhibitions, commissions, residency programs, research, satellite projects, digital platforms and publications. Annually we exhibit over 200 artists, conduct over 300 art education programs for youth, and reach an audience of over 8,000.

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Title: John Colle Rogers: Pure War
Artist: John Colle Roger
Dates: Mar 1st - Apr 19th
Time: Check Venue listings.

In his first solo exhibition at Pro Arts, John Colle Rogers’s “Pure War” explores our collective fascination with acceleration. From the condensed kinetics of the bullet, to the keen whine of a muscle car on the highway, Rogers uses metal and video to describe a trajectory riddled with adrenaline and the two-fisted desire to project the will ever outward.

The “Strategic Critter Assembly” will be an array of small predators made from cast-off gun parts and forged copper and steel elements, the latter referencing historical arms, armor, and musical instruments. These elegant yet lethal-seeming little creatures inhabit a game board which is part bunker, part sculptural pedestal. Other works address the way we interact with the world through the interface of games and strategy.

“Shot Boxes/Shot Plates” are small works which have been shaped by bullets — shot at with a variety of rifles and pistols. These frozen instances of violence capture our morbid fascination with ballistics and the vacuums they create. Installed as a whole series, the pieces tap out a staccato lyricism.

The exhibition also delves into our love of the muscle car. Through video and object he explores the lines and power which make up this essential part of American culture, and the open road which is its home. The slippage between firearm and adrenaline vehicle manifests itself in several works, the condensed identity of the metal going either way — accelerant, accelerator, accelerated…

The combined narrative of these works is one of what philosopher Paul Virilio calls dromology — the science (or logic) of speed. As our attention spans become shorter and our cyber world runs faster and faster, we try to keep up, to ally ourselves with iconography of speed and power. The muscle car, the firearm, the knight’s armor. We hunger to keep safe and to protect ourselves from a world increasingly ensconced in a blizzard of info-shrapnel, constantly buffeting us with new anxieties. Rogers’ work confronts this tendency head on, a dead-reckoned collision course with our adrenal heart.